At last night's ceremony of the 59th Annual Motion Picture Sound Editor's Golden Reel Awards, the sound editing teams of Hugo, The Muppets, Super 8, The Adventures of Tintin and War Horse were among the honorees at the prestigious event held at the Westin Bonaventure Hotel. In television, 'Game of Thrones' was honored with two awards while the TV series Homeland, Grey’s Anatomy and Gettysburg also took home top prizes.
The 2012 Golden Reel Award Winners are:
FEATURE FILMS
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN AN ANIMATION FEATURE FILM
The Adventures of Tintin (Paramount Pictures)
Directed by: Steven Spielberg
Produced by: Peter Jackson, Kathleen Kennedy, Steven Spielberg
NOMINEES:
Supervising Sound Editors: Brent Burge, Chris Ward
Sound Designer: Dave Whitehead
Supervising Foley Editor: Craig Tomlinson
Supervising Dialogue/ADR Editor: Chris Ward
Foley Artist: John Simpson
Sound Effects Editors: Hayden Collow, Matt Stutter, Justin Doyle, & Frank Lipson
Dialogue Editors: Martin Kwok, Jason Canovas, Chris Todd
ADR Editor: Morgan Samuel
"Snowy" Effects Editor: Justin Webster
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, ADR AND MUSIC IN A FEATURE DOCUMENTARY
George Harrison: Living in the Material World (HBO)
Directed by: Martin Scorsese
Produced by: Olivia Harrison, Martin Scorsese, Nigel Sinclair
NOMINEES:
Supervising Sound Editor: Philip Stockton, MPSE
Sound Designer: Al Zaleski
Music Editor: Jennifer Dunnington
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN A FEATURE FOREIGN LANGUAGE FILM
The Flowers of War (Row 1 Entertainment)
Directed by: Yimou Zhang
Produced by: Chaoying Deng, William Kong, David Linde, Leo Shi Young, & Weiping Zhang
NOMINEES:
Supervising Sound Editors: Steve Burgess, Tao Jing, MPSE
Sound Designer: Tao Jing, MPSE
Supervising Dialogue Editor: James Ashton
Foley Artists: Xu Miao, Mario Vaccaro
Dialogue/ADR Editor: Baiyang Wang
Foley Editors: Wei Wang, Yanchao Yang, Adam Connelly
Sound Effects Editors: Hongrui Ji, Yinan Tu, Tian Yong, Chris Goodes, Zheng Huang, Robert Mackenzie
BEST SOUND EDITING: MUSIC IN A FEATURE FILM
Hugo (Paramount Pictures)
Directed by: Martin Scorsese
Produced by: Tim Headington, Graham King, Johnny Depp, Martin Scorsese
NOMINEES:
Supervising Music Editor: Jennifer Dunnington
Music Editor: Rob Houston
Supervising Score Editor: Jonathan Schultz
Score Editor: Kirsty Whalley
Additional Editor: Tim Starnes
BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM
The Muppets (Walt Disney Pictures)
Directed by: James Bobin
Produced by: David Hoberman, Todd Lieberman, Don Burgess
NOMINEES:
Supervising Music Editor: Lisa Jaime
Music Editor: Richard Ford
BEST SOUND EDITING: DIALOGUE AND ADR IN A FEATURE FILM
Super 8 (Paramount Pictures)
Directed by: J.J. Abrams
Produced by: J.J. Abrams, Bryan Burk, Steven Spielberg
NOMINEES:
Supervising Sound Editors: Matthew Wood, Ben Burtt
Dialogue/ADR Editors: Cheryl Nardi, Rich Quinn, Steve Slanec
ADR Editors: Gwendolyn Yates-Whittle, MPSE, Brad Semenoff, & Stuart McCowan, MPSE
BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM
War Horse( Touchstone Pictures)
Directed by: Steven Spielberg
Produced by: Steven Spielberg, Kathleen Kennedy
NOMINEES:
Supervising Sound Editor/Sound Designer: Gary Rydstrom, MPSE
Supervising Sound Editor: Richard Hymns
Supervising Foley Editor: Luke Dunn Gielmuda
Foley Artists: Denise Thorpe, Jana Vance
Sound Editors: Kyrsten Mate, Terry Eckton, MPSE, Tim Nielsen, Colette Dahanne
TELEVISION
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION
THE PENGUINS OF MADAGASCAR
"THE RETURN OF THE REVENGE OF DR. BLOWHOLE"
Directed by: Bret Haaland
Produced by: Mark McCorkle, Bob Schooley, Nick Filippi
NOMINEES:
Supervising Sound Editors: Paulette Victor Lifton, MPSE, James Ian Lifton
Sound Designer: Ian Nyeste
Supervising Foley Editor: Aran Tanchum
Supervising Dialogue Editor: Michael Petak
Supervising ADR Editor: Jason Stiff
Foley Artists: Vincent Guisetti, Monique Reymond
Sound Effects Editor: Matt Hall
Dialogue Editor: Oliver Pearce
Dialogue/Music Editor: D.J. Lynch
Foley Editor: Chris Gresham
BEST SOUND EDITING: LONG FORM DOCUMENTARY IN TELEVISION
Gettysburg (History Channel)
Directed by: Adrian Moat
Produced by: Christopher Cowen, Ben Fox, Mark Herzog, Mary Lisio, Ridley Scott, & Tony Scott
NOMINEES:
Supervising Sound Editor/Sound Designer: Zach Seivers
Supervising Foley Editor: Rodrigo Ortiz, MPSE
Sound Effects Editors: Charles Maynes, MPSE, Brent Kiser, Justin Davey, John Maynard
BEST SOUND EDITING: LONG FORM MUSIC IN TELEVISION
Magic Beyond Words: "The JK Rowling Story" (Lifetime Television)
Directed by: Paul Kaufman
Produced by: Jonathan Eskenas
NOMINEES:
Supervising Music Editor: Michael T. Ryan, MPSE
BEST SOUND EDITING: LONG FORM DIALOGUE AND ADR IN TELEVISION
Homeland: "Marine One" (Showtime)
Directed by: Michael Cuesta
Produced by: Alex Gansa, Howard Gordon
NOMINEES:
Supervising Sound Editor: Craig A. Dellinger, MPSE
Sound Designer: Jonathan Golodner
Dialogue Editors: Devin Joseph, Larry Goeb, Jeff Clark, & Chato Hill
BEST SOUND EDITING: LONG FORM SOUND EFFECTS AND FOLEY IN TELEVISION
The Walking Dead: "What Lies Ahead" (AMC)
Directed by: Ernest Dickerson, Gwyneth Horder-Payton
Produced by: Gale Anne Hurd, Robert Kirkman, Frank Darabont,Glen Mazzara, Paul Gadd, Dave Alpert
NOMINEES:
Supervising Sound Editor: Jerry Ross
Foley Artists: Gregg Barbanell, MPSE, Pamela Kahn, MPSE
Sound Editors: Tim Farrell, Phil Barrie, Jerry Edemann
BEST SOUND EDITING: SHORT FORM DOCUMENTARY IN TELEVISION
Man Made: "Bugatti Super Car" (National Geographic)
Directed by: Dylan Weiss
Produced by: Milt Weiss
NOMINEES:
Supervising Sound Editor: Joe Pizzulo
Supervising Dialogue/ADR Editor: Mark Mercado
Music Editor: Peter Karr
BEST SOUND EDITING: SHORT FORM MUSIC IN TELEVISION
Raising Hope: "Prodigy" (20th Century Fox)
Directed by: Eyal Gordin
Produced by: Greg Garcia, Henry Lange, Jr., Kim Hamberg
NOMINEES:
Supervising Music Editor: Sharyn Gersh
Music Editor: Susan Ham
BEST SOUND EDITING: SHORT FORM MUSICAL IN TELEVISION
Grey's Anatomy: "Song Beneath the Song" (Disney Media Distrubution)
Directed by: Tony Phelan
Produced by: Shonda Rhimes, Betsy Beers, Mark Gordon, Tammy Ann Casper
NOMINEES:
Supervising Music Editor: Jennifer Barak
Music Editors: Carli Barber, Jessica Harrison
BEST SOUND EDITING: SHORT FORM DIALOGUE AND ADR IN TELEVISION
Game of Thrones: "Cripples, Bastards and Broken Things" (HBO)
Directed by: Brian Kirk
Produced by: David Benioff, Frank Doelger, Dan Weiss, Carolyn Strauss
NOMINEES:
Supervising Sound Editor: Stefan Henrix
Supervising Dialogue Editor: Peter Blayney
Supervising ADR Editor: Tim Hands
ADR Editor: Iain Eyre
BEST SOUND EDITING: SHORT FORM SOUND EFFECTS AND FOLEY IN TELEVISION
Game of Thrones: "Winter is Coming" (HBO)
Directed by: Tim Van Patten
Produced by: David Benioff, Frank Doelger, Dan Weiss, Carolyn Strauss
NOMINEES:
Supervising Sound Editor: Stefan Henrix
Sound Designer: Andy Kennedy
Supervising Foley Editor: Steve Fanagan
Foley Artists: Caoimhe Doyle, Eoghan McDonnell
Sound Effects Editors: Naill Brady, Jon Stevenson, Fiadhnait McCann
OTHER AWARDS
BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT
Aim High (Warner Brothers Digital Distribution)
Directed by: Thor Freudenthal
Produced by: Andy Shapiro, Lance Sloan
NOMINEES:
Supervising Sound Editor: Trip Brock
Supervising Foley Editor: Greg Mauer
Supervising Dialogue/ADR Editor: Ben Whitver
Foley Artist: Tara Blume
Music Editor: Chris McGeary, MPSE
Sound Effects Editors: Steven Avila, Alexander Pugh, & Peter Daniel Lago, MPSE
BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
Need for Speed: The Run (Electronic Arts)
Directed by: Jason Delong, Kirk Gibbons, Adam Myhill
Produced by: Jason Delong
NOMINEES:
Supervising Sound Editors: Peter Zinda, MPSE, Charles Deenen
Sound Designers: Tim Walston, MPSE, & Tim Gedemer, MPSE
Supervising Dialogue/ADR Editor: Fred Stahly
Foley Artist: Gary Hecker
Music Editor: Bryan Celano
Sound Effects Editors: Mike Berg, Csaba Wagner, Ethan Van der Ryn, Steve Robinson, MPSE, Scott Wolf, MPSE, & Bryan Jerden
BEST SOUND EDITING: DIRECT TO VIDEO-ANIMATION
Megamind: "The Button of Doom" (Dreamworks Home Entertainment)
Directed by: Simon J. Smith
Produced by: Denise Nolan Cascino, Mark Swift
NOMINEES:
Supervising Sound Editor: John Marquis
Music Editor: Adam Smalley, MPSE
Foley Artists: Dan O'Connell, John Cucci
Sound Effects Editor: Tobias Poppe
Foley Editor: Jonathan Klein
ADR Editor: Susan Dudek
BEST SOUND EDITING: DIRECT TO VIDEO-LIVE ACTION
Love (To the Stars)
Directed by: Will Eubank
Produced by: Tom DeLong, Mark Eaton
NOMINEES:
Supervising Sound Editor/Sound Designer: Robert Kellough
Supervising Sound Editor: Craig Henighan, MPSE
Foley Artist: Steve Baine
Sound Editor: Andy Koyama
BEST SOUND EDITING: SPECIAL VENUE
Rocky Mountain Express (The Stephen Low Company)
Directed by: Stephen Low
Produced by: Pietro L. Serapiglia, Alexander Low
NOMINEES:
Supervising Sound Editor: Peter Thillaye
Sound Designers: Ed Douglas, Karl Mohr
Supervising Foley Editor: Michel B. Bordeleau
Music Editor: Cory Mandel
Foley Artists: Goro Koyama, Andy Malcolm
VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS
The Pride of Wade Ellision (National Film and Television School)
NOMINEES:
Supervising Sound Editor: Jay Price
Foley Artist: Ruth Sullivan
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