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Interview: How to Make a Cad—BUTTERFLY's Pinkerton—Appealing, According to Jonathan T
by Richard Sasanow - April 26, 2024

It’s a big season at the Met for tenor Jonathan Tetelman—born in Chile, raised in New Jersey—and he’s taking every advantage of it. He’s come to town with a reputation as a Puccini specialist (not that there’s anything wrong with that). How does he feel about that? “Well, I basically built my voice on Puccini repertoire. I’ve taken it as a gift because he’s a great writer for my voice.” His debut at the Met in March was in LA RONDINE but he’s looking forward to showing off more of his dramatic ...

Review: Yahoo for Ermonela Jaho! at Palau de la Musica Tribute to Victoria de los Ang
by Richard Sasanow - March 13, 2024

It’s hard to compete with a dazzling concert hall like Barcelona’s Palau de la Musica Catalana—designed by Lluís Domènech i Montaner, one of Antonio Gaudi’s contemporaries in the modernista style. Or, with the famed Catalan (yes, not Spanish) diva Victoria de los Angeles, a Met favorite, whose centenary was being celebrated. Nonetheless, Albanian soprano Ermonela Jaho did quite impressively in her house debut at the Palau with the Franz Schubert Filharmonia under Tomas Grau....

Review: Lise Davidsen's Recital at the Met will be a Hard Act for a DEAD MAN to Follo
by Richard Sasanow - September 17, 2023

The Metropolitan Opera somehow managed to upstage itself on Thursday, when it offered audiences a spectacular recital by Norwegian soprano Lisa Davidsen, with her excellent musical partner James Baillieu, on piano, 12 days before the company’s official opening night (the Jake Heggie-Terrence McNally DEAD MAN WALKING on the 26th). It’ll be a hard act to follow....

Mozart's DON GIOVANNI Receives A New Production By Ivo Van Hove In His Met Debut
by Stephi Wild - May 03, 2023

​​​​​​​Ivo van Hove, the Tony Award–winning director of Broadway's A View from the Bridge, makes a major Met debut with Mozart's Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work's dark corners....

Six Singers Named Winners of the 2023 Met Opera Eric and Dominique Laffont Competitio
by Stephi Wild - April 24, 2023

The Met presents the winners of the 2023 Metropolitan Opera Eric and Dominique Laffont Competition: tenor Anthony León, mezzo-soprano Natalie Lewis, soprano Teresa Perrotta, mezzo-soprano Sarah Saturnino, bass-baritone Christian Simmons, and soprano Meredith Wohlgemuth. ...

Vancouver Opera To Conclude 2022-2023 Season With A New Production Of Richard Wagner'
by Chloe Rabinowitz - March 30, 2023

Vancouver Opera will complete its successful 2022-2023 season with The Flying Dutchman. Written by one of the world's greatest operatic composers, Richard Wagner, this production will delight opera enthusiasts and casual fans alike....

Opera Saratoga Names New General And Artistic Director Mary Birnbaum
by Stephi Wild - February 13, 2023

Opera Saratoga's board of directors has announced that Mary Birnbaum has been named the company's new general and artistic director. She succeeds former General and Artistic Director Lawrence Edelson, whose eight year tenure concluded at the end of the 2022 season. Birnbaum is the tenth general director in the Opera Saratoga's celebrated history. ...

Wagner's LOHENGRIN Will Return to The Met Starring Piotr Beczała
by Blair Ingenthron - January 18, 2023

​​​​​​​Wagner's soaring masterpiece Lohengrin returns to the Met stage after 17 years, in a new production by internationally renowned director François Girard. The production runs from February 26th-April 1st....

Review: Crutchfield's Teatro Nuovo Breathes Life into Rossini's MAOMETTO SECONDO at R
by Richard Sasanow - November 07, 2022

Will Crutchfield’s gutsy Teatro Nuovo brought New Yorkers a chance to evaluate Rossini's MAOMETTO SECONDO the other day at Jazz from Lincoln Center’s Rose Theatre. Kudos to Crutchfield, who continues on his quest for the most authentic of the authentic in bel canto, even when the originals weren’t exactly smash hits to begin with. That includes MAOMETTO, which has had a quite checkered past....

Review: A Singular Sensation Returns to Philadelphia Opera with the O22 Festival
by Richard Sasanow - October 06, 2022

O22, as Opera Philadelphia's festival was called this year, wasn’t exactly “something old, something new” but more like big fat sandwich cookie. On one side, there was a kind of “traditional” contemporary opera, Hosokawa’s THE RAVEN , a big filling of Rossini’s OTELLO opera seria in the middle, and finished with the Little-Waldman BLACK LODGE, a rock opera that was half ear-blasting concert performed live, half film....

BWW Review: Now in the Original French, Met's New Production of Verdi's DON CARLOS Sh
by Richard Sasanow - March 01, 2022

DON CARLOS--Verdi’s original French language version, for the first time at the Met, of the opera better known in these parts as the Italian DON CARLO--was as grim as its setting in the Spanish inquisition in the new David McVicar production introduced last night. And about as long (though for once it ended earlier than expected)--Verdi's longest opera....

Mario Chang Joins Promethean Artists
by Chloe Rabinowitz - December 21, 2021

Guatemalan tenor Mario Chang has joined the roster of Promethean Artists for General Management. Mr. Chang regularly appears with leading houses including the Metropolitan Opera, Los Angeles Opera, Oper Frankfurt, and Washington National Opera....

BWW Review: My Desert Island (and 92nd St. Y) All-Time Dream Team – Brownlee, Spyres
by Richard Sasanow - October 30, 2021

Oh, sure, give us Missy Mazzoli, Nico Muhly, Laura Kaminsky, Kevin Puts, Terence Blanchard, Paul Moravec, Huang Ruo and all the other fabulous composers at work today. But let’s talk about Rossini--and it’s hard for anyone who attended the concert the other night at New York’s 92nd Street Y not to. With tenor Lawrence Brownlee, (bari)tenor Michael Spyres and pianist Myra Huang presenting us with a dizzying array of what Brownlee called “barnburner pieces, back to back,” there was not much more t...

Rossini Opera Festival Announces 2022 Lineup
by Stephi Wild - July 31, 2021

This year's 2021 edition will feature 'Moïse et Pharaon,' 'Il signor Bruschino,' and 'Elisabetta regina d’Inghilterra.' The festival, running through August 22, will also include various concerts and galas. ...

BWW Review: Ups and Downs Mark Yoncheva's Daredevil Concert in Germany for Met Series
by Richard Sasanow - March 05, 2021

If you need any convincing that a “simple” recital, with lots of breaks, isn’t easier for the performer than being in a full-fledged opera, you have only to look as far as Bulgarian soprano’ Sonya Yoncheva's concert--shown live from Germany on February 27 but still available on-demand from the Met’s website until March 12--to know that view is a fallacy. (And, of course, it’s a challenge for the accompanist as well, here, the well-schooled pianist Julien Quentin, who offered staunch support.)...

Opera Națională București Cancels Performances Through September 13
by Stephi Wild - September 04, 2020

Opera Națională București has canceled its upcoming performances previously scheduled from September 5-13, 2020....

BWW Feature: Opera To Watch Online This Week August 8th to 15th
by Maria Nockin - August 08, 2020

For her delightful Los Angeles Opera Living Room Recital, soprano Latonia Moore is accompanied by pianist Roberto Berrocal. First, she sings: Tatiana's dramatic 'Letter Scene' from Pyotr Ilyich Tchaikovsky's Eugene Onegin. The young and naive girl, Tatiana, writes an expressive love letter to the sophisticated Onegin, who is shocked and rebuffs her....

MET STARS LIVE IN CONCERT Continues With Roberto Alagna and Aleksandra Kurzak
by Chloe Rabinowitz - August 05, 2020

The Met's new pay-per-view recital series, Met Stars Live in Concert, continues with tenor Roberto Alagna and soprano Aleksandra Kurzak performing live outdoors from the Château de la Chèvre d'Or, overlooking the Mediterranean Sea, in Èze, France....

The Met Opera Presents AT-HOME GALA: Encore Screening, 12-13 Jun 2020
by Gilbert Kim Sancha - June 11, 2020

As part of The Metropolitan Opera's (Met Opera) urgent “The Voice Must Be Heard” fundraising campaign to support and protect the future of opera amid the COVID-19, more than 40 leading opera artists and members of the company's brilliant orchestra and chorus performed from their respective homes all around the world. The unprecedented virtual gathering of Met Opera's principal artists, ensemble, and orchestra, billed as At-Home Gala, was streamed live around the world in 162 countries on 25 Apri...

BWW Review: Metropolitan Opera's At-Home Gala
by Maria Nockin - April 26, 2020

On April 25, 2020, The Metropolitan Opera presented many of its top ranked artists performing from their homes or where they were staying on that date. Met General Manager Peter Gelb, the master of ceremonies, chatted with Music Director Yannick Nézet-Séguin as they presented each performer. Because of the COVID-19 pandemic, artists were recorded alone or with people they know well....

BWW Overview: The People, the Places, the Operas that Spelled Pleasure in 2019
by Richard Sasanow - January 13, 2020

I admit this is an absolutely personal, totally one-sided view of what gave one man opera thrills last year and what I will look back on with delight. Some are old works, some are new, some are individual performers, some are ensembles, some are complete productions, some are merely the highlight of an evening, most are domestic, a few are foreign. In any case, as the new decade begins, I recall that these are the vocal highlights that made my heart beat a little faster and made me look forward ...

Philip Glass's AKHNATEN Has Its Met Premiere November 8
by Julie Musbach - October 21, 2019

The Metropolitan Opera presents the company premiere of Philip Glass's modern masterpiece Akhnaten on November 8, 2019, with performances continuing through December 7....

BWW Review: Double, Double, Netrebko's Got No Trouble with MACBETH's Lady, in a Take-
by Richard Sasanow - October 11, 2019

Five years ago, Anna Netrebko unveiled her take on Verdi's Lady Macbeth at the Met and wowed audiences from here to eternity. But since the first week of the Met season, she's brought her sexy, ebullient and take-no-prisoners Lady Macbeth back and showed that she's even better than ever--singing the pant (and the spots) off the role....

Washington National Opera Announces 2019–2020 Domingo-Cafritz Young Artists
by Julie Musbach - July 01, 2019

Washington National Opera (WNO) announces the roster of emerging artists engaged for the 18th season of its Domingo-Cafritz Young Artist Program, beginning August 26, 2019....

BWW Review: Who Will Survive Barcelona's PECHEURS DE PERLES at the Liceu?
by Richard Sasanow - May 28, 2019

George Bizet--best known, of course, for CARMEN--wrote another opera that has become increasingly (and justifiably) popular in recent years, LES PECHEURS DE PERLES, better known in the English-speaking world as THE PEARL FISHERS. George Bizet--best known, of course, for CARMEN--wrote another opera that has become increasingly (and justifiably) popular in recent years, LES PECHEURS DE PERLES, better known in the English-speaking world as THE PEARL FISHERS. The new production--which came from the ...





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