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NEW YORK PHILHARMONIC

GUYS AND DOLLS, COSI FAN TUTTE, and More Set For Opera Saratoga's 2024 Season
by Stephi Wild - April 18, 2024

Opera Saratoga has announced a high stakes 2024 season! The summer festival features three sure bets - three new productions at Universal Preservation Hall running from June 27 to July 7....

Catapult Opera Performs American Premiere of LA VILLE MORTE
by Stephi Wild - March 22, 2024

Catapult Opera's production of Nadia Boulanger's La Ville Morte will mark the first time New York audiences will get to experience her sole opera. ...

Feature: Director Mary Birnbaum Readies EMIGRE—Oratorio by Zigman, Campbell and Walsh
by Richard Sasanow - February 27, 2024

“I think the story is about survival, and about people sheltering one another,” director Mary Birnbaum told me in our conversation about EMIGRÉ, the oratorio that features what she called “composer Aaron Zigman’s sweeping score” and the “complex storytelling” by librettist Mark Campbell and lyricist Brock Walsh. The work makes its US debut on February 29 at the New York Philharmonic in Geffen Hall, under conductor Long Yu....

Tobias Picker's New Opera LILI ELBE To Stream On OperaVision, December 8
by A.A. Cristi - December 01, 2023

Tobias Picker's new opera 'Lili Elbe' will be streaming on OperaVision starting on December 8. Don't miss this captivating production....

GUYS AND DOLLS, COSI FAN TUTTE & More Set for Opera Saratoga 2024 Season
by Chloe Rabinowitz - November 29, 2023

Opera Saratoga announces its 2024 season featuring 'Guys and Dolls,' 'Così fan tutte'. The festival will run from June 27 to July 7 at Universal Preservation Hall. All access passes go on sale on December 4....

Review: Comedy Tonight! MasterVoices Does THE FROGS, Or Why Isn't Sondheim at the Met
by Richard Sasanow - November 07, 2023

MasterVoices, under Ted Sperling, found THE FROGS irresistible—and the result was a hit, or, as Shakespeare wrote in “Hamlet”: “A hit, a very palpable hit.” With its libretto by Burt Shevelove and Nathan Lane (and Nathan Lane again), it fit the stage of Jazz at Lincoln Center’s Rose Theatre very nicely indeed....




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