The Lower East Side is witnessing the emergence of a startling talent-opera director
R. B. Schlather. Following his critically acclaimed opera installation of
Alcina last year, Schlather returns to
Whitebox Art Center from April 8-27, 2015 with
ORLANDO, the second in his trilogy of Handel operas that connect his passions for site-specific staging, baroque opera, and performance art.
The trilogy is comprised of the three operas composed by George Frideric Handel-
Alcina, Orlando, and
Ariodante-based on Ariosto's epic poem
Orlando Furioso.
Orlando is about a chivalric knight who loses himself in an obsessive, unrequited love for a princess, and the violence that erupts out of his suffering.
The trilogy concludes at Whitebox in late 2015 with
Ariodante.
Orlando's charismatic cast features countertenor and veteran Handel specialist
Drew Minter (Orlando); fast-rising NY-based sopranos
Kiera Duffy (Angelica) and
Anya Matanovic (Dorinda); noted Baroque singer
Hadleigh Adams(Zoroastro), a former model and ascending superstar baritone from New Zealand; and young American countertenor
Brennan Hall (Medoro), who is also featured in Matthew Barney's latest film
River of Fundament.
Geoffrey McDonald, hailed by
The Philadelphia Inquirer as a "promising and confident" member of the newest generation of conductors, returns as music director.
The production team also returns. After
Alcina,
The New York Times praised the sets (
Paul Tate DePoo), costumes (
Terese Wadden), and lighting (
JAX Messenger) as "ingenious," "deceptively simple," "stylish" and "evocative."
In R. B. Schlather's hands,
Orlando will become a gallery-like exhibition in which the installation itself is the performance, and the entirety of the rehearsal period and evening performances free and open to the public. Passers-by may stumble in off the street, some returning each day for more, as they did for
Alcina. The entire process is viewable online through live streaming (url TBA), and broadcast on a TV in the gallery's street-facing window.
The result is a heightened visibility of the craft of opera production and performance.
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R. B. Schlather's Handel trilogy is part of Whitebox Art Center's new program,
WhiteboxLab: SoundLounge, which aims to create in-depth exposure for artists working in temporal mediums such as performance, sound art, and literary arts.
Schlather's innovative series has quickly demonstrated enormous cultural and artistic currency. After
Alcina,
The New York Times declared it "a valuable project that deserves enthusiastic support."
Photo Credit: Matthu Placek