Simone McIntosh of Vancouver took home First Prize (the Chair's Prize) at the Canadian Opera Company's annual Ensemble Studio Competition on November 3, 2016 at the Four Seasons Centre for the Performing Arts. The competition is the feature event of the COC gala fundraiser Centre Stage, an annual celebration of Canada's emerging operatic voices. McIntosh was selected from seven finalists to receive the $5,000 award, supported annually by the Chair of the COC's Board of Directors. Samuel Chan of Calgary won the Second Prize of $3,000, and GregorySchellenberg of Vancouver was awarded the Third Prize of $1,500. Myriam Leblanc from St-Lazare, Quebec was the winner of the Audience Choice Award, worth $1,500.
Legendary Canadian tenor
Ben Heppner hosted the exhilarating vocal showcase featuring singers selected from this year's nationwide auditions for the COC Ensemble Studio-Canada's premier training program for young opera professionals, of which Heppner is an alumnus. Further adding to the excitement of the evening was the opening performance by the internationally acclaimed COC Orchestra, conducted by COC Music Director Johannes Debus, with the overture to Mikhail Glinka's
Ruslan and Lyudmila as well as a surprise appearance by one of the most exciting vocal and dramatic talents on the international opera and concert scene, American tenor Russell Thomas. Currently starring to critical acclaim as Pollione in the COC's production of
Norma, Thomas was accompanied by the COC Orchestra as he sang "Lamento di Federico" from Francesco Cilea's
L'Arlesiana and "Dein ist mein ganzes Herz" from Franz Lehár's
Das Land des Lächelns.
"Our Centre Stage gala focuses the spotlight on the country's best and brightest young stars. The evening is a stage on which big dreams get to play out and we all come away having experienced the first-hand excitement of maybe watching a star being born," says COC General Director
Alexander Neef. "It was a great night for opera in this country and I look forward to seeing what comes next for all the young artists who competed."
The seven finalists were selected from a pool of 119 applicants for the 2017/2018 COC Ensemble Studio. On November 3, the adjudication panel heard each finalist perform two arias accompanied by the COC Orchestra conducted by Debus. The first aria was sung before a private audience of select COC patrons and the second was before the larger Centre Stagepublicaudience of 874 patrons. The adjudication panel was comprised of COC General Director
Alexander Neef; COC Director of Music and Artistic Administration Roberto Mauro; Director of the COC Ensemble Studio and Orchestra Academy Nina Dragani?; and Head of the COC Ensemble Studio Liz Upchurch, Canadian soprano and Ensemble Studio Head Vocal Consultant Wendy Nielsen-also a graduate of the COC's program; and Neil Shicoff, one of the leading tenors of his generation and now a sought-after vocal coach.
In addition to competing for the four cash prizes, the finalists are hoping to secure a highly coveted position in the company's 17/18 Ensemble Studio. The 2016 competition showcases the opera talent scouted by the COC from across the country on its national audition tour and features those artists from the final round of auditions for the prestigious program.
COC artistic staff will confirm the line-up of the 17/18 Ensemble Studio at a later date. The 17/18 Ensemble Studio members will join an illustrious program that, since its inception in 1980, has launched the careers of over 215 Canadian singers, opera coaches, stage directors and conductors, including
Ben Heppner, Isabel Bayrakdarian, John Fanning, Wendy Nielsen,
Joseph Kaiser, David Pomeroy, Krisztina Szabó, Allyson McHardy and Lauren Segal.
During the pre-competition cocktail reception, Centre Stage guests enjoyed a sumptuous cheese and charcuterie spread by Cheese Boutique and a selection of wines from Trius Wines. Following the competition, 320 Centre Stage gala guests went on to enjoy an elegant formal dinner on the Four Seasons Centre stage, joined by competition finalists and winners, notable COC artists, Centre Stage host
Ben Heppner, American tenor Russell Thomas, and key supporters of the opera company.
The Centre Stage gala culinary experience was prepared by critically acclaimed chef
David Lee, a rare opportunity to enjoy his creations outside of dining at Nota Bene where Lee is the executive chef. This year, Lee was inspired by the famous French steak dish, Tournedos Rossini, rumoured to have been created for composer Gioachino Rossini (1792 - 1868). Chef Lee brought his take to the dish with the creation of a progression that nodded to the traditional richness of
haute cuisine while also showcasing a modern twist. The menu featured appetizers of organic smoked salmon and heirloom carrot; a main course of Perth County beef tenderloin with foie gras, truffle and Madeira; and Hewitt's Dairy crème brûlée for dessert. Guests also received a parting gift of CXBO truffles.
A special highlight of the Centre Stage gala dinner was a surprise performance by all 10 current members of the COC Ensemble Studio coming together to delight guests with the "Lippen schweigen" waltz from Lehár's
The Merry Widow and the "Good Night" quartet from
Friedrich Von Flotow's
Martha.
Proceeds from Centre Stage on November 3 were raised in support of the COC and will go towards the company's Ensemble Studio.
ABOUT THE WINNERS
Simone McIntosh, First Prize/Chair's Prize ($5,000)
Arias performed: "Voi che sapete" from Mozart's Le nozze di Figaro and "Una voce poco fa" from Rossini's IL Barbiere di Siviglia.
Vancouver-born mezzo-soprano Simone McIntosh is currently earning her master of music from the Schulich School of Music at McGill University, and received her bachelor's degree in opera from the University of British Columbia (UBC). Her credits include Waitress in Speed Dating Tonight! and Meg in Little Women (Opera McGill); Donna in Crush (Banff Centre); Béatrice in Béatrice et Bénédict (MY Opera); the Fox in The Cunning Little Vixen, Giulietta in The Tales of Hoffmann and Harry in Albert Herring (UBC Opera Ensemble); Cherubino in The Marriage of Figaro (Burnaby Lyric Opera); Cis in Albert Herring(Vancouver Opera). This season with Opera McGill, she sings the role of Ruggiero in Alcina, Prince Orlofsky in Die Fledermaus, and Judith in Bluebeard's Castle.
Samuel Chan, Second Prize ($3,000)
Arias performed:"Lieben, Hassen, Hoffen, Zagen" from Strauss's
Ariadne auf Naxos and "Hai già vinta la causa" from Mozart's
Le nozze di Figaro
A native of Calgary, baritone Samuel Chan received his bachelor of music from the University of Cincinnati College-Conservatory of Music (CCM). In 2015, he was a winner of the Metropolitan Opera National Council Auditions-Western Canada District. His operatic credits include Donkey in
The Bremen Town Musicians and Jacob Grimm in
The Brothers Grimm (Highlands Opera Studio); Bob in T
he Old Maid and the Thief (Fear No Opera); Ruggiero in
Alcina and Count Almaviva in
The Marriage of Figaro (Opera D'Arte at CCM); Page in
Amahl and the Night Visitors (Clermont Philharmonic Orchestra); Pastore II/Apollo in
L'Orfeo (Cincinnati Chamber Opera); and Don Asdrubale in
Lo sposo deluso (City Opera Vancouver). His upcoming roles include Gomatz in
Zaïde and Calandrino in
L'oca del Cairowith City Opera Vancouver.
Geoffrey Schellenberg, Third Prize ($1,500)
Arias performed:"Avant de quitter ces lieux" from Gounod's
Faust and "Largo al factotum" from Rossini's
IL Barbiere di Siviglia
Born in Minneapolis, Minnesota, but now based in Vancouver, baritone Geoffrey Schellenberg is currently studying for his master of music at the University of British Columbia (UBC), where he also received his bachelor's degree. His roles include Papageno in The Magic Flute (UBC and European Music Academy); Demetrius in A Midsummer Night's Dream, Lescaut in Manon, Harašta in The Cunning Little Vixen and Beaupertuis in Il cappello di paglia di Firenze (UBC Opera); the Count in The Marriage of Figaro (UBC Opera and Accademia Europea Dell'Opera); Sharpless in Madama Butterfly (Burnaby Lyric Opera); and Don Alfonso in Così fan tutte (Centre for Opera Studies in Italy). In 2016, Mr. Schellenberg was a winner at the Metropolitan Opera National Council Auditions-Western Canada District and won audience choice.
Myriam Leblanc, Audience Choice Award ($1,500)
Arias performed:"Je veux vivre" Gounod's
Roméo et Juliette and "Regnava nel silenzio" from Donizetti's
Lucia di Lammermoor
Soprano Myriam Leblanc was raised in St-Lazare, Quebec and is a current member of the Atelier Lyrique de l'Opéra de Montréal (OdM). She studied at McGill University, where she appeared in the roles of Rosmene in
Imeneo, Sandman in
Hansel and Gretel, Eurydice in
Orphée aux Enfers, Woman's Voice in
La Rondine, and was part of the chorus for
The Rake's Progress. Additional roles include Grand Priestess in
Aida (OdM) and Juliet in
Romeo and Juliet (Jeunesses Musicales du Canada). In 2017, she sings the role of Micaëla in
Carmenwith Orchestre symphonique de Longueuiland will appear as a soloist with Choeur Classique de Montréal.
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