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Review: Richards-Cote INJUSTICE Opera Gives Hope that Truth is Not BLIND
Anyone who’s spent enough time watching network TV knows an American criminal justice system that is built around simplistic stories of the good guys (hard-working prosecutors and police detectives) putting away the bad guys (“perps” of all stripes) with the help of brilliant DNA evidence that points the way to the truth. That’s not exactly the impression that we get from BLIND INJUSTICE—the opera by composer Scott Davenport Richards and librettist David Cote that had its New York debut this week.
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