How do we bear witness to a thing our bodies seem built to ignore? In Ashley Fure's immersive music-theater piece, created with her architect brother Adam Fure and the International Contemporary Ensemble, 24 subwoofer speakers emit sound too low for humans to hear, creating a subsonic sense of ecological anxiety that ripples around the audience. Under a dense canopy of sculpted matter, tones are "made tactile, objects made audible, noise made beautiful" (New York Times). Drama is steered away from the human, time is stretched to a geologic scale, and seven live performers act as wordless harbingers of a consciousness not limited to the living.
Please note that comfortable shoes and clothing are recommended as the audience will be standing or seated on boxes without backs during the performance. Audience members will be required to check their belongings, including bags and any other large items. If you require an accommodation due to a disability, please contact access@lincolncenter.org or 212.875.5375.
Check out a video preview of the event below!
The Mostly Mozart Festival Orchestra, led by Renée and Robert Belfer Music Director Louis Langrée, continues to provide the backbone of the festival's season with its command of the works of Mozart, as well as repertoire spanning the Baroque to the contemporary. It opens with a new staging of the Bernstein MASS, commemorating the composer's centennial year. This ambitious presentation, directed by Elkhanah Pulitzer (New York debut), brings together two choruses, the exciting bass-baritone Davóne Tines, and a cast of dancers, vocalists, and musicians to David Geffen Hall. The orchestra will also be joined by acclaimed soloists and conductors throughout the season, including Emanuel Ax, Joshua Bell, Thomas Dausgaard, Rosa Feola (New York debut),Stephen Hough, Christian Zacharias, 16-year-old violin prodigy Daniel Lozakovich in his New York debut, and many more.Videos