Sung in Italian with English translations projected above the stage.
A Washington National Opera production.
The irresistible lure of money seduces the beautiful Manon, triggering her downfall. But true love is her redemption in this soulful opera by the composer of La bohème, Madame Butterflyand Turandot. Manon Lescaut was Puccini's third opera and arguably his first major success. Defending his work against another opera based on the 1731 novel by the Abbé Prévost, Puccini said, "Manon is a heroine I believe in, and therefore she cannot fail to win the hearts of the public.Why shouldn't there be two operas about Manon? A woman like Manon can have more than one lover." He added, "Massenet feels it as a Frenchman, with powder and minuets. I shall feel it as an Italian, with a desperate passion."
Soprano
Kelly Kaduce (
Madame Butterfly,
Turandot) stars in the title role with tenor
Dinyar Vania, who makes his Minnesota Opera debut as her star-crossed lover, Chevalier des Grieux. This Washington National Opera production, called "impassioned, sensual" by
The Baltimore Sun, was designed by
John Pascoe (debut).
Michael Cavanagh (
Tosca) is stage director and Minnesota Opera
Music Director Michael Christie (
Anna Bolena,
Turandot) conducts.
Arabella by Richard Strauss
November 9, 12, 14, 16 and 17, 2013
Sung in German with English translations projected above the stage.
A Minnesota Opera, Santa Fe Opera and Canadian Opera Company co-production.
For love or money?
Arabella wants to marry for love, but her parents need her to marry for money. When the man of her dreams appears, will their manipulations ruin her chance to find true happiness? Richard Strauss' sumptuous romantic comedy is set in Vienna's golden age. The composer's sixth and final operatic collaboration with librettist Hugo von Hofmannsthal is as relevant today as at its 1933 premiere in Dresden during the American Great Depression and an impending second World War.
Soprano
Jacquelyn Wagner, heralded as "one of the great Fiordiligis of our time" by
MinnPost at her Minnesota Opera debut in
Così fan tutte, stars in the title role with bass-baritone
Craig Irvin (
Silent Night) as the mysterious Croatian landowner Mandryka, who ultimately sweeps Arabella off her feet. Soprano
Elizabeth Futral (
La traviata) is Zdenka, Arabella's sister, tenor
Brian Jagde (
Madame Butterfly) is the young officer Matteo and bass-baritone
Dale Travis (
The Barber of Seville) is Arabella's father, Count Waldner. The creative team that debuted this co-production in Santa Fe (2012) brings it to Minnesota: stage director
Tim Albery (
The Fortunes of King Croesus), scenic and costume designer
Tobias Hoheisel(debut) and lighting designer
David Finn (debut).
Michael Christie conducts the Minnesota Opera Orchestra.
Macbeth by Giuseppe Verdi
January 25, 28, 30, February 1 and 2, 2014
Sung in Italian with English translations projected above the stage.
A Minnesota Opera production.
Power corrupts.
Verdi's dark-hued Macbeth examines the corrosive consequences of tyranny. At the urging of his scheming wife, Macbeth murders the king to claim the crown. His desperate and deadly reign of terror devastates his country and hastens his doom in this masterwork based upon Shakespeare's classic thriller. Though the composer did not encounter the original work (in English) until after the first performance of the opera, it was the first of several Shakespeare plays he adapted for the operatic stage. Verdi noted in a 1865 letter: "He is one of my favorite poets. I have had him in my hands from my earliest youth."
Bass-baritone
Greer Grimsley (
The Flying Dutchman) makes his long-awaited return as the ambitious and sinister King of Scotland with soprano
Brenda Harris (
Nabucco) as his scheming wife, Lady Macbeth. Fast-rising American bass-baritone
Alfred Walker (
The Magic Flute) returns to Minnesota Opera as Banquo, the one-time ally Macbeth betrays in his lust for power, and tenor
Harold Meers (
La bohème) is Macduff, Lord of Fife and foil to Macbeth.
Joel Ivany (
Nabucco) directs a Minnesota Opera production with costumes by
Carmellia Coo(debut) and lighting by
Jason Hand (debut).
Michael Christie conducts the Minnesota Opera Orchestra.
The Dream of Valentino by Dominick Argento
March 1, 6, 8 and 9, 2014
Sung in English with English captions projected above the stage.
A Minnesota Opera New Works Initiative production.
Fame is a dangerous dance.
A sultry young dancer is transformed from an unknown immigrant into a silent film sensation. Rudolph Valentino's stardom blazes across the silver screen but is quickly consumed by the same forces that ignited it. Seduction and scandal swirl in Dominick Argento's tango-tinged opera about an artist discovered and destroyed by Hollywood. Composed by Argento with a libretto by Charles Nolte as a joint commission between Washington and Dallas operas, the work received its world premiere in 1994 at The Kennedy Center, where it was described by the Chicago Tribune as "visually and theatrically ... a thumping success."
"I have known Dominick since my first season when Minnesota Opera premiered
Casanova's Homecoming in 1985 and have always admired the freshness and vibrancy of his works," said
Artistic Director Dale Johnson. "
The Dream of Valentino is the only major Argento opera that we have not staged, and I thought it imperative, as we began the New Works Initiative, that we invest in producing his entire canon. After I approached Dominick to discuss this revival, he spent the summer making major changes to literally give Valentino a new beginning. By reworking the dramaturgy and focusing more on Valentino the artist, Dominick feels that the work will better embody how Hollywood uses its stars and tosses them away when they are no longer convenient."
Internationally acclaimed tenor
James Valenti (
Werther) reimagines the role of the 1920s film icon and sex symbol, Rudolph Valentino. As the catalyst of his meteoric rise to fame, soprano
Brenda Harris sings the role of June Mathis, a screenwriter. Mezzo-soprano
Eve Gigliotti(debut) sings the role of Alla Nazimova, a celebrated movie star, and
Alan Held (
The Aspern Papers) is The Mogul.
Eric Simonson (
The Grapes of Wrath,
Silent Night) directs a production by
Erhard Rom (sets),
Kärin Kopischke (costumes) and
Robert Wierzel (lighting). Maestro
Christoph Campestrini (
Werther) conducts this Minnesota Opera New Works Initiative production.
The Dream of Valentino is part of Minnesota Opera's New Works Initiative, a landmark program designed to invigorate the operatic repertoire with an infusion of contemporary works. Produced as part of the Initiative: an American premiere,
The Adventures of Pinocchio (Dove); two revivals,
Casanova's Homecoming (Argento) and
Wuthering Heights (Herrmann); and two world premieres, the Pulitzer Prize Award-winning
Silent Night(Puts/Campbell) and
Doubt, composed by Douglas J. Cuomo with libretto by John Patrick Shanley. Following
The Dream of Valentino, the world premiere of
The Manchurian Candidate, with music by Kevin Puts and libretto by Mark Campbell, will complete the seventh and final year of the Initiative in the 2014-2015 season. Since fundraising began in March 2008, Minnesota Opera has raised more than $6.77 million to support the New Works Initiative.
The Magic Flute by Wolfgang Amadeus Mozart
April 12, 13, 15, 16, 17, 18, 19, 23 and 27, 2014
Sung in German with English translations projected above the stage.
A Minnesota Opera and LA Opera co-production.
Love conquers all.
Minnesota Opera will co-produce this North American premiere of a dynamic and engaging staging of Mozart's
The Magic Flute with LA Opera. The original production at
Komische Oper Berlin in 2012 was created by the British theatre group
1927. Mozart's masterful comedy about love, truth and the pursuit of enlightenment is richly reimagined in this boundary-busting production. Connecting the tale's enduring meaning with modern metaphor, this extraordinary staging delves deeply into the opera's surreal magic, odd characters and crazy love.
1927 is a London-based performance company that specializes in combining performance and live music with animation and film to create avant-garde theater. Celebrated at home and overseas,
1927 was founded in 2005 by director Suzanne Andrade and animator Paul Barritt. All creative members of the company come from different artistic backgrounds, and it is the collaboration and complete integration between these various disciplines that has paved the way for the company to create its innovative and original work. Audiences around the world have thrilled to their humorous performances, which feature interaction between film animation and live acting: "A perfect mixture of all the things worth loving: silent films, the cabaret of the Weimar Republic, David Lynch and the brothers Grimm." (
The Guardian) For more information, visit
www.19-27.co.uk.
Soprano
Layla Claire (debut) alternates the role of Pamina with
Christie Hageman(
Turandot) opposite tenors
Julien Behr (debut) and
Aaron Blake (debut) as Tamino. Baritones
Andrew Wilkowske (
Madame Butterfly) and
Jesse Blumberg (
Wuthering Heights) alternate the role of the hilarious birdcatcher, Papageno. Soprano
Jennifer O'Loughlin makes her Minnesota Opera debut in the iconic role of The Queen of the Night. Resident Artist tenor
John Robert Lindsey sings the role of the scheming overseer Monastatos and bass
Christian Zaremba is the High Priest of the Sun, Sarastro.
Aaron Breid(
Turandot) conducts the Minnesota Opera Orchestra.
The 2013-2014 Minnesota Opera Resident Artists
Minnesota Opera is pleased to announce the 2013-2014 roster of Resident Artists. SopranoChristie Hageman, mezzo-soprano Victoria Vargas, tenor John Robert Lindsey and baritone Matthew Opitz return, as well as assistant conductor/chorus master Aaron Breid,coach/accompanist Sheldon Miller and assistant director Daniel Ellis. New in the 2013-2014 season are sopranos Rebecca Kryznski and Shannon Prickett, bass Christian Zarembaand coach/accompanist Geoffrey Loff.
Minnesota Opera's Resident Artist Program offers a full season of employment for talented artists beginning their professional careers. From late August through the end of the season, Resident Artists gain valuable experience in assignments ranging from ensemble, understudy and comprimario to leading roles in mainstage performances.
Mainstage Season Information
All productions will be staged at Ordway, 345 Washington Street, St. Paul. Sunday matinee performances begin at 2pm. All other performances begin at 7:30pm, with the exception of Opening Night on September 21, 2013 (Opera Gala 2013), and February 1, 2014 (Winter Carnival Torchlight Parade), which begin at 8pm.
Season tickets are now on sale and may be ordered by calling
612-333-6669 or online at
mnopera.org. Full-season subscription packages range in price from $80-$800, with three- and four-opera packages starting as low as $50. Single tickets ranging from $20-$200 per ticket are now on sale to the general public.
For ticketing services, education programming and other company information, please visit
mnopera.org. Season-related background notes, synopses, casting updates, artist biographies and videos will be posted as available.
The 2013-2014 Minnesota Opera season is sponsored by Ascent Private Capital Management of U. S. Bank.
Minnesota Opera combines a culture of creativity and fiscal responsibility
to produce opera and opera education programs that expand the art form, nurture artists,
enrich audiences and contribute to the vitality of the community.