The children's opera Brundiba?r was the most popular cultural activity and a powerful symbol of hope when performed by the Jewish people imprisoned in the Terezi?n Ghetto (Theresienstadt), in Nazi-occupied Czechoslovakia.
On 14 August, the opera will be performed for the first time ever in Sydney, with a production at City Recital Hall which aims to introduce Sydney children to the joys of performing and experiencing opera, as well as introducing them to the lessons of the Holocaust.
Brundiba?r tells the story of a brother and sister who overcome a local town bully in order to help their ill mother. Composed in 1938, the score was smuggled into the ghetto and performed 55 times by the inmates, for the inmates.
Rediscovered in the 1970s, the opera has since been performed thousands of times around the world as
a way to connect today's younger generations with survivors of the Holocaust and to strengthen the world's watch against oppression and discrimination.
The Sydney Brundiba?r Project is a collaboration between academic and musician Dr Joseph Toltz and start-up chamber opera company Opera Prometheus, in association with the Sydney Jewish Museum.
Joseph Toltz, who has been researching the music of Terezi?n and the place of Brundiba?r in the memory
of Holocaust survivors for the past 17 years, said, "Despite Sydney being home to the largest number of Terezi?n survivors in Australia, Brundiba?r has not yet been staged here. We believe our production is needed while the opportunity for dialogue between survivors and young people is still possible.
"One of the key members of our team is Jerry Rind. Interred in Terezi?n in November 1942, Jerry worked
in the carpentry shop of the ghetto, and was recruited to smuggle wooden planks out of the shop in order to build the set for the original production of Brundiba?r. As a reward, he was allowed to witness rehearsals and be amongst the audience for several performances. Since that time he has been a devoted lover of the opera, and he, along with other Czech survivors living in Australia, is my inspiration for this project."
Brundiba?r was composed by Hans Kra?sa with a libretto by Adolf Hoffmeister as a submission for a children's opera competition in 1938. It received its premiere in Nazi-occupied Prague, performed by children at
the Jewish orphanage. However, Kra?sa was arrested before he ever heard the performance and was soon transported to the Terezin Ghetto (Theresienstadt).
Established as a "Jewish settlement area" in late 1941, the Nazis promoted Terezi?n as a "model" camp and a "spa town" where elderly Jews could retire in safety. In reality, Terezi?n was a collection centre for deportations to ghettos and killing centres across Nazi-occupied Eastern Europe. However many cultural activities persisted. Kra?sa was appointed a director of music and using a score for Brundiba?r smuggled into the ghetto, he re-orchestrated the opera to fit the various musicians and instruments available in the camp at the time. Under the watchful eyes of the guards, the opera had its first public performance in the Magdeburg barracks on September 23, 1943. Rehearsals and performances were continuously disrupted by deportations of cast members to extermination camps, but players were replaced by newly arriving children. Hans Kra?sa perished in the gas chambers of Auschwitz on 17 October 1944.
For the Sydney premiere production, over 30 Sydney school children aged 8 to 12 years have been cast including the principal roles. Joseph Toltz and Opera Prometheus' chorus master Dr Sarah Penicka-Smith, production manager Melanie Penicka-Smith and director Sharna Galvin will be rehearsing with the children over the next few months along with a mentorship group of emerging professional young adult opera artists.
The Sydney Jewish Museum will host a series of special performances for school groups featuring the cast of mentors in the weeks following the City Recital Hall public performances. These will include a conversation with a Holocaust survivor and a tour of the museum.
Sarah Penicka-Smith said, "While the context of where Brundiba?r was first performed is brutal, the actual work is bright, funny, uplifting and full of wonderful music which will engage our young cast. And for the audience, this will be a beautiful opportunity for parents and grandparents to share their children's first ever experience of opera. We are working with an English translation by renowned American playwright Tony Kushner."
Brundiba?r performances are layered with the history of its poignant beginning. As all fables do, it carries meaning and lessons beyond the words and notes for all of us to hear and remember. Tickets for the two performances at City Recital Hall on 14 August are now on sale.
Music by Hans Kra?sa • Libretto by Adolf Hoffmeister • Translation by Tony Kushner
Performances: Thursday 14 August, 6pm & 8pm (running time 60 minutes) Venue: City Recital Hall Angel Place
Tickets: Premium Adult $60, Child (2 to 15 years) $25
A Reserve Adult $45, Child (2 to 15 years) $15
Bookings: (02) 8256 2222 cityrecitalhall.com www.brundibarsydney.com
School Group Performances at Sydney Jewish Museum. Visit the website for details on how to book. Places are strictly limited www.brundibarsydney.com
Brundiba?r is supported by City of Sydney.
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