The International Opera Awards are pleased to announce the finalists for this year's Awards. These were selected by an international jury chaired by John Allison, editor of Opera magazine and classical music critic with The Daily Telegraph: "It's gratifying to see how the International Opera Awards just keep growing. With a record number of nominations to consider, and our biggest and most international jury yet, I'm delighted to say that our exciting shortlists-covering six continents and around 30 countries-reflect the truly cosmopolitan nature of the art form. Despite the challenges faced by opera companies almost everywhere, opera is vibrantly alive."
The 2018 International Opera Awards, hosted by BBC Radio 3 presenter Petroc Trelawny for the third year running, will take place on Monday 9 April at the London Coliseum. The ceremony will be directed by Ella Marchment. As in previous years the evening will feature live performances from internationally renowned singers accompanied by an orchestra. Past performances have been given by Anna Bonitatibus, Lawrence Brownlee, Bryan Hymel, Ermonela Jaho, Aleksandra Kurzak and Stuart Skelton. Once again BBC Radio 3 is partnered with the International Opera Awards and will broadcast highlights from the awards ceremony in a special 90-minute programme on Sunday 15 April at 7.30pm.
The finalists below have been selected for their achievements over the 2017 calendar year. In addition to the 18 categories listed, the winners of the awards for Philanthropist, Lifetime Achievement, and Leadership will be announced at a later date. All categories except for the Readers' Award (the only vote open to the general public) are decided on by the jury. Category sponsors at this year's Awards include the Good Governance Institute, The Vineyard, the Royal Opera House Muscat and Charles Heidsieck champagne. The Awards are supported by Nexus Group.
The International Opera Awards were created by opera lover and philanthropist Harry Hyman. Since the first awards ceremony in 2013 the evening has not only celebrated established stars, but also supported the next generation of talent. The Awards raise money for the Opera Awards Foundation, a charity that provides bursaries to aspiring operatic talent around the world.
Readers' Award sponsored by Opera Magazine voting page: operaawards.org/vote/ (deadline Friday 9 March)
Finalists
CHORUS
Bayerische Staatsoper, Munich
Komische Oper, Berlin
La Fenice, Venice
MusicAeterna, Perm
San Francisco Opera
Teatro Real, Madrid
CONDUCTOR
Marc Albrecht
Daniele Gatti
Vladimir Jurowski
Fabio Luisi
Kazushi Ono
Simone Young
DESIGNER
Charles Edwards
Christof Hetzer
Stuart Nunn
Dieter Richter
Paul Steinberg
Anna Viebrock
DIRECTOR
David Bösch
David Hermann
Tobias Kratzer
David McVicar
Lydia Steier
Mariusz Treli?ski
EDUCATION & OUTREACH
Chicago Opera Theater
Florida Grand Opera
Garsington Opera, Buckinghamshire
La Monnaie, Brussels
Opera Holland Park, London
Polish National Opera
FEMALE SINGER
Malin Byström
Carmen Giannattasio
Barbara Hannigan
Hui He
Ermonela Jaho
Eva-Maria Westbroek
FESTIVAL
Bayreuth Festival
Festival Verdi Parma
Glyndebourne
Opera Forward, Amsterdam
Opera Philadelphia O17
Santa Fe Opera
MALE SINGER
Piotr Becza?a
Günther Groissböck
Peter Mattei
Eric Owens
Simone Piazzola
Michael Spyres
NEW PRODUCTION
Berg: Wozzeck, d. William Kentridge (Salzburg Festival)
Britten: Billy Budd, d. Deborah Warner (Teatro Real)
Britten: Death in Venice, d. Demis Volpi (Oper Stuttgart)
Mozart: La clemenza di Tito, d. Claus Guth (Glyndebourne)
Verdi: Stiffelio, d. Graham Vick (Teatro Regio di Parma)
Wagner: Die Meistersinger von Nürnberg, d. Barrie Kosky (Bayreuth Festival)
NEWCOMER
Gianmaria Aliverta (director)
Jordan de Souza (conductor)
David Hertzberg (composer)
Barbora Horáková Joly (director)
Dane Lam (conductor)
Giedre Slekyte (conductor)
OPERA COMPANY
Bayerische Staatsoper, Munich
La Fenice, Venice
Lyric Opera of Chicago
Oper Graz
Opera North, Leeds
Teatro Real, Madrid
OPERA ORCHESTRA
Bayerische Staatsoper, Munich
Bayreuth Festival
Deutsche Oper, Berlin
Lyric Opera of Chicago
MusicAeterna, Perm
Teatro alla Scala, Milan
READERS' AWARD
Cecilia Bartoli
Joyce DiDonato
Bryan Hymel
Ambrogio Maestri
Karita Mattila
René Pape
Luca Pisaroni
Pretty Yende
RECORDING (COMPLETE OPERA)
Andriessen: Theatre of the World (Nonesuch)
Berlioz: Les Troyens (Erato)
Lully: Armide (Aparté)
Martin?: The Greek Passion (Oehms)
Méhul: Uthal (Palazzetto Bru Zane)
Wagner: Lohengrin (Deutsche Grammophon)
RECORDING (SOLO RECITAL)
Sophie Bevan: Perfido! (Signum Classics)
Joyce El-Khoury: Echo & Michael Spyres: Espoir (Opera Rara)
Juan Diego Flórez: Mozart Arias (Sony)
Véronique Gens: Visions (Alpha)
Jonas Kaufmann: L'Opéra (Sony)
Camilla Tilling: Gluck & Mozart Arias (BIS)
REDISCOVERED WORK
Blomdahl: Aniara (Malmö Opera)
Ginastera: Bomarzo (Teatro Real)
Hindemith: Die Harmonie der Welt (Landestheater Linz)
Isouard: Cendrillon (Manhattan School of Music)
Keiser: Oktavia (Innsbrucker Festwochen der Alten Musik)
Krenek: Der Diktator; Schwergewicht, oder Die Ehre der Nation; Das geheime Königreich (Oper Frankfurt)
WORLD PREMIERE
Mason Bates: The (R)evolution of Steve Jobs (Santa Fe Opera)
Chaya Czernowin: Infinite Now (Opera Vlaanderen)
Brett Dean: Hamlet (Glyndebourne)
Avner Dorman: Wahnfried (Badisches Staatstheater)
Sebastian Fagerlund: Autumn Sonata (Finnish National Opera)
Julian Grant: The Nefarious, Immoral yet Highly Profitable Enterprise of Mr Burke and Mr Hare (Boston Lyric Opera)
Arnulf Herrmann: Der Mieter (Oper Frankfurt)
Tang Jianping: 170 Days in Nanking (Jiangsu Centre for the Performing Arts)
YOUNG SINGER
Aigul Akhmetshina
Liparit Avetisyan
Gordon Bintner
Amartuvshin Enkhbat
Lauren Fagan
Wallis Giunta
Anush Hovhannisyan
Isabella Lee
Federica Lombardi
Natalya Romaniw
2018 Jury:
Mazars is an international, integrated and independent organisation, specialising in audit, accountancy, advisory, tax and legal services. As of January 1st, 2017, Mazars operates throughout the 79 countries that make up its integrated partnership. Mazars draws upon the expertise of 18,000 women and men led by 950 partners. We assist clients of all sizes, from SMEs to mid-caps and global players as well as start-ups and public organisations, at every stage of their development. In the UK, Mazars has approximately 140 partners and over 1,700 employees serving clients from 19 offices, and is ranked one of the top 10 firms nationally.
Since it launched in 1946, the Third Programme/ BBC Radio 3 has been a bold + in the cultural world. It is one of the world's foremost presenters, creators, commissioners and curators across classical, folk, world, jazz and contemporary music as well as drama, philosophy and ideas. The station is also the most significant commissioner of new and contemporary music in the UK, with 35 new works commissioned annually and broadcasts over 600 concerts a year, including live broadcasts from the greatest classical music festival in the world (BBC Proms). Radio 3's In Concert programme alone reaches the equivalent of 250 packed concert halls a week, and the BBC Orchestras and Choirs give around 400 concerts a year in over 60 UK locations. The station has always nurtured extraordinary artistic talents, provided a platform for important scientific and political debates/announcements, and broadcast ground-breaking experimental drama - always while delivering its core aim of connecting audiences with pioneering music and culture.
Described by the Daily Telegraph as 'the bible of the industry', Opera magazine has been the world's leading commentator on the lyric stage since 1950. Providing coverage of operatic events through a mixture of features, reviews (live performances, recordings, books) and analysis, plus monthly listings of events worldwide and its famous 'We hear that' section, the magazine has an unrivalled network of international correspondents, covering performances from around the globe.
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