Wooden Shjips Share New Single RED LINE from V, First New Album In 5 Years

Wooden Shjips have shared "Red Line," the second single from their upcoming album V., out May 25th on Thrill Jockey. The quartet is the backbone of the psychedelic scene in the 21st century, consistently updating the expansive sounds of the classic West Coast progenitors for the new era. "Red Line" is indicative of the band's direction on V., which shows the group shedding darker tones for brightness and optimism, firmly in opposition to the growing clouds of dread that permeate life in America in 2018. A major key riff anchors the track as swirls of overlapping delayed guitars offer an ecstatic release. As the last vestiges of winter recede Wooden Shjips give us the perfect soundtrack to the emerging summer.

STREAM: Wooden Shjips - "Red Line"

The band will be playing songs from V. on the road this spring, including a short West Coast run this month before expanding their scope in May and June. Legendarily powerful in the live arena, Wooden Shjips perfect their hypnotic grooves on stage, with The Queitus saying of a 2013 show, "Beset on all sides by projected oscillations and Joshua Light Show visuals, every track is a 'trip' in the truest possible sense." North American dates below, a full list is here.

Wooden Shjips Tour Dates:

April 20 - Half Moon Bay, CA - Old Princeton Landing [tickets]

April 21 - Santa Cruz - Michael's On Main [tickets]

April 29 - Austin, TX - Levitation Festival

May 25 - Portland, OR - Mississippi Studios [tickets]

May 26 - Seattle, WA - Crocodile [tickets]

June 1 - Nelsonville, OH - Nelsonville Music Festival

June 2 - Chicago, IL - Empty Bottle [tickets]

June 4 - Detroit, MI - Marble Bar [tickets]

June 5 - Toronto, ON - Horseshoe Tavern [tickets]

June 7 - Los Angeles, CA - The Lodge [tickets]

June 9 - Sonoma, CA - Huichica Music Festival

Wooden Shjips, long-time leaders of the contemporary psychedelic movement, expand their sound with V. The quartet of Omar Ahsanuddin, Dusty Jermier, Nash Whalen and Ripley Johnson augment their already rich sound with laid back, classic summer songs. The songs were written during the summer of 2017 by singer and guitarist Ripley Johnson as an antidote to the pervasive anxiety both political and natural. As Ripley tells it, "We had huge forest fires just outside of Portland and there was intense haze and layers of ash in the city. I was sitting on my porch every evening, watching ash fall down like snow, the sky looking like it was on fire. It was an apocalyptic feeling. Summer in Portland is usually really chill and beautiful, and we were working on a 'summer record,' but the outside world kept intruding on my headspace." V., a graphic representation of the Peace sign, seemed apt to an album focused on the power of peace, beauty and resistance. The music is a balm against the noise and negativity.

The first single "Staring At The Sun" is a nearly 8 minute laid back, slowly building narrative, whose lyrics tell of a gentle push and pull between the desire for sun and escape and the tug of anxiety, with peaceful resistance winning the day and guiding the tone. The restless traveler Johnson gives us a few of his signature traveling songs such as "Eclipse," and "Red Line," both showcases for the stellar rhythm section of Omar Ahsanuddin and Dusty Jermier. Their unparalleled sense of groove and restraint leaves ample room for Nash Whalen's keyboard flourishes. There is movement and urgency in these tracks without aggression, a rolling foundation of rhythm over which Johnson's voice floats and elongated melodic guitar lines soar.

Each song shimmers with a distinctly Wooden Shjips sound, a relaxed summer vibe. This was a conscious choice, an atmospheric goal that influenced nearly every detail: the tones, the delay types and reverbs used, as well as the synthesizer elements that color the songs. The basics were recorded by Jason Powers at Types Foundry Studio in Portland. The guitars and vocals were largely recorded in Ripley Johnson's comfortable home studio. The album was mixed by Cooper Crain (Cave, Circuit Des Yeux) who the band has formed close bonds with on tour. The instructions were simple "We told Cooper to keep it really fat but to feel free to play around with the other elements, make a nice headphone mix with a lot of movement," said Ripley, "I wanted it to be floatybecause that's kind of where my headspace was at the time."

The band's members collectively share a love of classic rock from the Velvet Underground to Neil Young, as well as more overt love of the San Francisco scene of the 60's. This commonality in their formative musical years binds them even as they live in different cities. V. finds Wooden Shjips embracing the emotions behind those sounds; peaceful defiance and opposition, while creating a sound and counter narrative to today's hostilities that is wholly their own. Wooden Shjips has with V. created the most concise, laid back songs of their career. Their music is a balm of sorts, a respite from the insanity that, through its regenerative abilities, empowers continued, calm resistance. A reminder of the simple power of peace and beauty. Wooden Shjips, through V., have demonstrated the power of beauty and the power in creating it even while experiencing overwhelming dread. It is the perfect summer album, brimming with optimism and a peaceful energy, aptly timed for release at the height of spring.

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