Strand Of Oaks Releases KEYS

On March 22nd, Strand of Oaks (Timothy Showalter) will return with his 6th album, Eraserland to be released via label Dead Oceans. Today, Showalter releases the new track "Keys." The single follows up two previously released tracks from the album, "Weird Ways," and single "Ruby." Next week, onMarch 13th Strand of Oaks will perform on The Late Show With Stephen Colbert.

Timothy Showalter on "Keys":

"I've tried ever since Strand of Oaks started to properly write or express my love for my wife and best friend Sue. We've grown up together and without a doubt you would have never heard of me if it wasn't for Sue. She worked two jobs at the beginning of Oaks just to make sure I could get plane tickets to some tour I would inevitably lose money on and for six records she was the first to ever hear any song I've ever written. In a way everything that I've written is a love song for her. I was a lonely and aimless kid when we first met and it was her unconditional support that gave me the courage to pursue this dream. But Keys is a song about the future and realizing with more years the aspects of life that truly matter and what seems so important in the moment just slips into dust. If you listen to the second chorus you will hear the best and only take we could find where both me and my producer Kevin could get through without tears. 'I'll buy us a trailer down in the Keys,' may be the most honest and true realization I've ever expressed to my love. I truly hope anyone listening is loved by someone like I have.

On Eraserland, Showalter is backed by My Morning Jacket members Carl Broemel, Bo Koster, Patrick Hallahan and Tom Blankenship, who played a crucial role in the making of the album. The album also features Jason Isbell. It was produced by Kevin Ratterman and recorded at La La Land Studios in Louisville, KY. Eraserland is available for pre-order today and the die cut, double LP will be available on limited cloudy white vinyl.

Strand of Oaks will head out on a North American Tour next month. The shows will begin on April 10th in Wilkes-Barre, PA and wrap up in Showalter's hometown of Philly a month later. Highlights include Teragram Ballroom in Los Angeles on April 22nd, Lincoln Hall in Chicago on May 3rd and Music Hall of Williamsburg in Brooklyn on May 9th. For more information visit www.strandofoaks.net

Track Listing:

Eraserland

1. Weird Ways

2. Hyperspace Blues

3. Keys

4. Visions

5. Final Fires

6. Moon Landing

7. Ruby

8. Wild and Willing

9. Eraserland

10. Forever Chords

Tour Dates:

4/10 - FM Kirby Center - Wilkes-Barre, PA

4/11 - U Street Music Hall - Washington, D.C.

4/12 - Motorco Music Hall - Durham, NC

4/13 - The Earl - Atlanta, GA

4/14 - Saturn - Birmingham, AL

4/16 - Antone's - Austin, TX

4/17 - Three Links - Dallas, TX

4/19 - Meow Wolf - Santa Fe, NM

4/20 - Valley Bar - Phoenix, AZ

4/22 - Teragram Ballroom - Los Angeles, CA

4/23 - The Independent - San Francisco, CA

4/25 - Mississippi Studios - Portland, OR

4/26 - Neumos - Seattle, WA

4/27 - Biltmore Cabaret - Vancouver, BC

4/28 - The Bartlett - Spokane, WA

5/1 - Turf Club - Minneapolis, MN

5/2 - High Noon Saloon - Madison, WI

5/3 - Lincoln Hall - Chicago, IL

5/4 - The Hi-Fi - Indianapolis, IN

5/6 - Beachland Tavern - Cleveland, OH

5/7 - Club Cafe - Pittsburgh, PA

5/8 - Sinclair - Boston, MA

5/9 - Music Hall of Williamsburg - Brooklyn, NY

5/10 - Union Transfer - Philadelphia, PA

5/20 - Metropool - Hengelo, THE NETHERLANDS

5/21 - Blue Shell - Cologne, GERMANY

5/23 - Loppen - Copenhagen, DENMARK

5/24 - Privatclub - Berlin, GERMANY

5/25 - TivoliVredenburg - Utrecht, THE NETHERLANDS

5/26 - TRIX - Antwerp, BELGIUM

5/27 - Omeara - London, UK

5/29 - Brudenell Social Club - Leeds, UK

5/31 - Whelan's - Dublin, IRELAND

6/29 - Rock Werchter - Werchter, BELGIUM

Follow Strand of Oaks:

Instagram

Facebook

Twitter

https://www.strandofoaks.net/

More About Eraserland:

"When I was writing these songs, every day I would walk on the beach and I was completely alone and overwhelmed by fear...but then I realized how there really aren't any rules for who you are, who you'll become, or who you think you need to be. Eraserland is just that. It's death to ego, and rebirth to anything or anyone you want to be."

In December 2017, Tim Showalter was uncertain about his next record and the shape it would eventually take. With no new songs written and lacking any clear vision, he was unprepared for the message he would receive from his friend Carl Broemel, the conversation that would follow, and the album that would become Eraserland. Leading off with standout track "Weird Ways" and his powerful declaration of "I don't feel it anymore," Eraserland traces Showalter's evolution from apprehension to creative awakening, carving out a new and compelling future for Strand of Oaks.

"This project seemed to just fall together naturally," said Broemel, guitarist for My Morning Jacket. "I felt drawn to Tim's positive energy and his albums...I threw it out there that I'd be happy to help in any way I could with the record." Broemel quickly reignited Showalter's interest in what would become Strand of Oaks' sixth full-length studio release, and within 24 hours, My Morning Jacket members Patrick Hallahan (drums), Bo Koster (keys), and Tom Blankenship (bass) were also on board.

Revived by the support of Broemel and his bandmates, Showalter felt the pressure to deliver songs worthy of musicians he had admired long before and after a 2015 Oaks/MMJ tour. So in February 2018, he spent two weeks alone in Wildwood, New Jersey writing and demoing all of the songs that would eventually comprise Eraserland. And in April, he went into the studio to record with Kevin Ratterman at La La Land Studios in Louisville, Kentucky, and with Broemel, Hallahan, Koster, and Blankenship as his band. Jason Isbell also contributed his Hendrix-esque guitar work to Eraserland, while singer/songwriter Emma Ruth Rundle provided gorgeous vocals. Every song was recorded live, with all musicians playing together in one room and working to bring Showalter's ideas to fruition. "I remember sitting next to Tim and Kevin listening to the final mixes with tears rolling down my cheeks," said Hallahan. "From start to finish, this one came from the heart."

Each song on Eraserland sustains an openness and sensitivity that is enthralling, bolstered by the exceptional musicians there to realize it and rekindle Showalter's passion for music-making. The album finds Showalter successfully channeling the full spectrum of sounds within the Strand of Oaks discography, from fast, synthy tracks like "Hyperspace Blues" to epic burner "Visions, the gorgeous ballad "Keys," and his devastating acoustic performance on "Wild and Willing." But Eraserland also has moments of pure, upbeat exuberance, most notably on "Ruby," a rollicking, understated anthem driven by buoyant piano and one of Showalter's most infectious melodies to date. Isbell's magnificent shredding is showcased on "Moon Landing," Eraserland's preeminent off-the-wall groove, while the album's title track finds Showalter resurrecting his long-dormant alter ego Pope Killdragon for a striking, synth-laden duet with Rundle.

But in many ways, "Forever Chords" is the definitive track on Showalter's magnum opus, and the manifestation of everything he hoped to achieve on this record and for Strand of Oaks as a whole. "When I finished writing 'Forever Chords,' I felt like this is either the last song I ever need to write, or the rebirth of Strand of Oaks." Poignant and heart-rending, "Forever Chords" gradually builds toward an emotional release rooted in our own universal fears about mortality, personal legacy, and music as a saving force.

But it's that first Eraserland line, "I don't feel it anymore," that sets a stunning precedent for the most affecting and fully-formed album Strand of Oaks has ever released. Because despite whatever doubts or reservations Showalter had going into the process, he crafted a series of songs so perfectly matched to the musicians supporting it, and so emboldened by his own doubts and insecurities, that the result is glittering, powerful, and impassioned, a moving rock and roll saga that feels substantial and deeply satisfying, vulnerable and self-assured.