Last month cinematic indie rockers Roadkill Ghost Choir announced their return with a new album entitled False Youth Etcetera, out October 27 via Freak Out Records. Today the band share's their third second single "Television Teeth" which you can stream here.
Vocalist / guitarist Andrew Shepard had this to say about the track: "This song came out of a time where I was feeling trapped in a cycle of being isolated in a van on tour and then coming home and feeling the same way in my own home town. I had written this song for "In Tongues" but we didn't have time to record it. When we set out to head back into the studio for our next record, It felt right bringing it back for "False Youth Etcetera". "
Check out their first single "Classics (Die Young)"
here and second single "Sad Magic"
here.
Additionally, the band has announced an extensive
North American tour which goes on sale Friday. Full dates below.
Tour Dates
11/2 - Nashville, TN - The
Basement East
11/3 - Athens, GA - Caledonia Lounge
11/7 - Houston, TX - White Oak Music Hall - The Artisanals
11/8 - Austin, TX - Stubbs Jr - The Artisanals
11/9 - Dallas, TX - Gas Monkey Bar & Grill
11/10 - Tucson, AZ - 191 Toole - The Artisanals
11/11 - San Diego, CA -
Soda Bar - The Artisanals
11/13 - Los Angeles, CA - Moroccan Lounge - The Artisanals
11/14 - San Francisco, CA -
Rickshaw Stop - The Artisanals
11/16 - Portland, OR -
Liquor Store - The Artisanals
11/17 - Seattle, WA - Freakout Festival -
The Artisanals (They perform at festival but are not support)
11/18 - Boise, ID -
Neurolux - The Artisanals
11/20 - Denver, CO - The Globe - The Artisanals
It's been two years since
Roadkill Ghost Choir has taken listeners on a ride. Last trip, brothers Andrew and Zach Shepard packed the car with high aspirations, a top-notch crew of musicians and the profound swelter of the South. With the upcoming arrival of False Youth Etcetera, the brothers have outgrown their roots in a supersonic fashion - exchanging their broken-down vehicles for an electrified magic carpet ride that soars through the night sky.
Amidst the surprise success of the band's first record, primary songwriter Andrew was hardened by his experiences on the road, and under pressure to deliver new songs that outshined previous releases. It's no surprise False Youth Etcetera feels like a turn towards the fantastical, an anthemic escape compared to past output. It's immediately felt on the band's first single, "Classics (Die Young)," which bends beautifully and purposefully in the direction of synth-pop, and sets the tone for the entire record.
"Going into [the band's first major release] In Tongues, I was terrified because I had never written under such a time crunch, and I struggled with writer's block," notes Shepard. "For False Youth Etcetera, it ended up being the first time I didn't have a timeline. I was able to navigate what I really wanted to do musically and lyrically. This record is more textural, with more synth and more interesting experimentation within our sound and genre."
Shepard is pointed in the departure from their familiar Americana sound, confirming
"there is no banjo" on False Youth Etcetera. This desire to explore new musical terrain was only bolstered by Shepard's adoration for similar sonic explorations and artists transcending their genre to create a unique sound - rooted in influences such as The War On Drugs, Neu! and Bruce Springsteen. The result is an album that clearly and beautifully delivers the group to a whole new infectious, cosmic terrain.
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