Maps & Atlases Premiere New Track VIOLET THREADED + Album Out Next Week

A week out from the release of their third album Lightlessness Is Nothing New, Chicago's Maps & Atlases have shared new single "Violet Threaded." Consequence of Sound, who premiered the track, say, "Lightlessness seeks to exalt the beautiful things that hide in the darkness. New single 'Violet Threaded' lays this out clearly.... Davison sings of confronting the fact that life is no easy task, a truth we must never let hold us back from living."

Lightlessness Is Nothing New is out June 1 on Barsuk Records and is available for pre-order now.

Maps & Atlases will tour the U.S. in support of the new album this May and June:

5/29: 7th Street Entry - Minneapolis, MN

6/01: Upstream Music Festival - Seattle, WA

6/02: Volume Music Festival - Spokane, WA

6/03: Holocene - Portland, OR

6/06: Rickshaw Stop - San Francisco, CA*

6/07: Lodge Room - Los Angeles, CA*

6/08: Casbah - San Diego, CA*

6/09: Rebel Lounge - Phoenix, AZ*

6/10: Sister Bar - Albuquerque, NM*

6/12: Club Dada - Dallas, TX*

6/13: Scoot Inn - Austin, TX*

6/14: White Oak Upstairs - Houston, TX*

6/15: Parish @ House of Blues - New Orleans, LA*

6/16: Georgia Theatre - Athens, GA*

6/17: Cat's Cradle - Back Room - Carrboro, NC*

6/19: Rock & Roll Hotel - Washington, DC*

6/20: Music Hall of Williamsburg - New York, NY

6/21: Sonia - Boston, MA*

6/22: Johnny Brenda's - Philadelphia, PA*

6/23: Cattivo - Pittsburgh, PA*

6/24: Grog Shop - Cleveland, OH*

6/26: Rumba - Columbus, OH*

6/27: El Club - Detroit, MI*

6/28: Lincoln Hall - Chicago, IL*

6/30: Fountain Square Music Series - Cincinnati, OH

* w/ Prism Tats

MORE ON MAPS & ATLASES:

Dave Davison's voice - a seasoned croon continually abandoned for a controlled yet penetrating howl - betrays the range of emotions he has faced in the six years since the band's last release. In 2012, just before the launch of the acclaimed Beware and Be Grateful, Davison (guitar, vocals) lost his father, his best friend. Grief took the form of inquiry: How can you reckon with the sudden death of someone whom, your entire life, was right beside you? How can you go on living in the unbridgeable gulf between the light and the dark, between the dark and the light? The title of Maps and Atlases' new album, Lightlessness Is Nothing New, serves to foreshadow an emotionally and musically dynamic collection of songs that contemplates the jolt of loss and the strain of longing to music that, against our better judgment, makes us want to dance.

"The story of this album is much more interesting than any other album we've made before," Davison says, leaning over a weathered dining table in his apartment on Chicago's North Side. Lightlessness began as a solo album, unfolding over a six-year period during which time Davison was struggling with anxiety. Writing music became therapeutic, allowing Davison to identify and contemplate his obsessive tendencies while tracking a growing awareness of himself as a musician, a partner, a friend, a person. After cementing the structure of Lightlessness with longtime producer Jason Cupp (American Football, Good Old War), Maps joined up with Scott Solter. The veteran producer of acts such as Okkervil River and The Mountain Goats, Solter has a reputation for pushing artists out of their musical comfort zones. It wasn't until Davison enlisted the help of longtime friend and drummer Chris Hainey and bassist Shiraz Dada that the album transformed from a solo endeavor into a Maps & Atlases album and the motivations and desires began to reveal themselves.

Maps and Atlases' new album Lightlessness Is Nothing New is ultimately a celebration of our magnificent, foolhardy pursuits to find love, happiness, and control in a world defined by mystery, hardship, and, worst of all, brevity. In the brooding yet playful vein of Talking Heads and Peter Gabriel, Maps embraces the paradox of what it is to be human - constantly searching and, forever unsatiated, returning again and again, with everlasting hope, to the ever-darkening fray.

Photo Credit: Christopher Hainey

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