Listen to the album's lead single "Cut Me Off" - the most pop-forward song Kenney has written yet - and watch the House of Nod-produced video via NPR Music HERE. Pre-order the album, out October 5th on Carpark Records, HERE or HERE.
Madeline Kenney is on tour now with Wye Oak, with headline dates to be announced soon - see below to find a show near you, and get your tickets HERE.
Raised in the Pacific Northwest, Madeline Kenney began studying classical piano and dance in kindergarten, and grew to believe her future lay in modern dance choreography. Not one to be tied to a singular pursuit, Kenney took a hard left in college, studying Interpersonal Neurobiology and supporting herself with a career in baking. Music remained a constant however, and after moving to the Bay Area in 2013, Kenney quickly found footing in the supportive arts community in Oakland. There, she met and began collaborating with Chaz Bear (Toro Y Moi), which led to the production of her Signals EP and later her debut album, Night Night at the First Landing. Both releases were received with great critical acclaim, and saw Kenney exploring the sounds within her self-proclaimed twang-haze genre, defined by cathartic breakdowns and lyrical sensitivity.
Perfect Shapes sees Kenney leaping headfirst into fresh and adventurous territory, largely eschewing conventional rock structures in favor of theme and melody. Its ten songs are full of surprises big and small - from vibrant synth lines to taut bass figures and subtly modulated vocals - that instead of feeling fussed over, reveal Kenney's penchant for elegant and abstract composition. Perfect Shapes leans on some of the foundational pieces of Night Night - fuzzed-out guitar tones, coy wordplay and Kenney's notably strong voice - but with an unconventional approach that allows them to bloom, reincarnated.
Kenney's dazzling arrangements form the perfect backdrop for the complex and open-ended questions at the core of Perfect Shapes: How do you love another when it hurts to do so? What is the physical limit to which one can carry the emotions of others? How does a modern female artist reckon with the expectations demanded of her femininity? Yet for all the notes of doubt and fear that Kenney raises, she delivers each song with impressive nuance and confidence, makingPerfect Shapes a breath of fresh air in a time when we can all use a bit of courage to tackle today's hard questions.
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