The new album will be released September 4th.
There are few genres in which German artists play such a central pioneering role as they do in electronic music, be it techno, electropop, trance or rave. At the frontline for many years were Kraftwerk and U96, two absolute trailblazers of this musical direction. While Kraftwerk wrote international music history mainly in the 1970s with cult albums such as Autobahn (1974), Radio-Aktivität (1975), Trans Europa Express (1977) and Die MenschMaschine (1978), U96 had a profound influence on the global pop music, rave and techno scene of the 1990s with hits such as "Das Boot", "Love Sees No Colour", "Night In Motion" and "Heaven". Transhuman, scheduled for release on Radikal Records/UNLTD Recordings on September 4, 2020, will feature a spectacular collaboration between U96 (Ingo Hauss and Hayo Lewerentz) and Wolfgang Flür, Kraftwerk's drummer in the years between 1972 and 1987 and therefore involved in the most seminal albums by the group from Düsseldorf.
"Transhuman is a stylistic mélange of our different histories," describe Wolfgang Flür and U96 masterminds Hauss and Lewerentz an offering that is spectacular in many respects, featuring, along with typical U96 tracks such as "Clone" and "Specimen", numbers such as "Transhuman", "Planet In Fever" and "Sexersizer" that are inspired by Flür's past. Notably, the content has been reduced to the sheer basics, in other words: sparingly used associative statements with deep, but at times also playful and mysterious messages that the listener feels rather than consciously registers. The lyrics are about the transformation of people through technology and our massive interference in life on our planet.
* Transhuman
* Hamburg - Düsseldorf
* Zukunftsmusik (Radiophonique)
* Specimen
* Clone
* To The Limit
* Zufallswelt
* Planet In Fever
* Shifted Reality
* Kreiselkompass
* Data Landscape
* Transhumanist
* Sexersizer
* Maschinenraum
* Let Yourself Go
* Let Yourself Go (Beatsole Remix)
U96 and Flür met in person for the first time in the early 2000s, but they had felt mutual respect for each other for a long time before that. Explains Hayo Lewerentz, "Of course there was no way past Kraftwerk for any German artist who worked with electronic music, synthesizers and creative studio options in the eighties. We were occupied day and night with how that band created their incredible sounds."
Listen to new single "Let yourself go" here:
Photo Credit: Markus Luigs
Videos