Doug Wieselman's Trio S Releases 2nd Record 'Somewhere Glimmer'

Somewhere Glimmer is the second album by Trio S - the acclaimed group helmed by clarinetist Doug Wieselman, featuring Jane Scarpantoni on cello and Kenny Wollesen on drums and percussion. When Trio S was formed in 1999, Wieselman wanted to create a band separate from his Kamikaze Ground Crew - the band which he co-led and was his vehicle for his compositions starting in the '80's.

In the mid/late 90s, Wieselman had been exploring a solo clarinet repertoire, inspired by water melodies, which extensively used live looping. He wanted to continue this idea, but in a band context, as he had a sonic vision of one of the pieces from the first Trio S album - "Majorca" - which involved a rhythm and a bass line. Rather than bass, Wieselman was attracted to the cello and thought of his good friend Jane Scarpantoni, with whom he'd been playing and touring in the Lounge Lizards. For drums, he naturally thought to call Kenny Wollesen - who had been playing in the New York version of Kamikaze Ground Crew, as well as numerous other overlapping projects in the Downtown Scene. Together and to fit the timbral necessities of this project, Wieselman and Wollesen developed a drum set which includes a very large bass drum and a timpani. Wieselman swiftly booked their first show at the much missed Tonic music venue in New York's Lower East Side and the band was set in motion.

After releasing the first album in 2003, Trio S (Zitherine 001- CD), Wieselman continued to compose pieces for the band, based on water melodies and transcriptions of melodies he heard in his dreams. Eventually he had enough material to record a second album. Shortly thereafter they recorded Somewhere Glimmer in one evening at Danny Blume's living room studio near Woodstock, New York.

On the first album, in addition to his signature clarinet, Wieselman used acoustic guitar and tenor guitar for some of the pieces. On Somewhere Glimmer, he uses a tenor banjo that he noticed on the wall at the Jalopy Theater in Brooklyn. He started to play it, and didn't want to stop - so he purchased it on the spot. He'd been playing mandolin and tenor guitar for many years, both of which are tuned in 5th's, as is the the tenor banjo.

Somewhere Glimmer features some of Kenny Wollesen's invented instruments known as "Wollesonics" which include old wind up technology (grinders, hand held egg beaters, etc) with percussion. These are heard throughout the album, but most prominently on "Birdbath"

The first album was recorded on A-DATs , which Wieselman mixed and mastered at home. Somewhere Glimmer, recorded on pro- tools and pre- mixed at home, was eventually mixed at Figure 8 studios through vintage equipment including an old Neve board and tube outboard gear, captured at very high resolution. Wieselman elaborates: "I wanted to preserve the dimensionality of what we found as much as I could - which is why I decided to release this on vinyl."

Doug Wieselman's Notes on the Pieces of Somewhere Glimmer:
"Sesto" - this is based on a melody I heard in the river at Sesto (commune) Fiorentino near Florence, Italy. Rumor had it that at some point a body was found in the river - so I was going for a haunted vibe. Besides the looped melody, the Eb clarinet improvises with a few specific melodic gestures, the 'cello - a few specific notes, with the drums as a free agent.

"New River" - comes from a melody I heard while driving through southern Vermont which is the opening loop. We were driving on a road which followed a river - but as a passenger I wasn't aware of the route route so I couldn't identify the name of the river. The composition incorporates specific melodic gestures for the 'cello and clarinet.

"That Way "- A tune, that has the the cello on the melody with the tenor banjo as the accompaniment.

"Piper Hill 3" - While visiting a friend in Weston, Vermont, I heard this melody coming from a small stream. The composition is in 3 parts - the clarinet and cello moving together in whole notes around the loop, while the drums play a specific rhythm.

"Dreambox" - This comes from a dream with a ritual involving a kind of
small sandbox with various sacred objects. I heard a sound reminiscent of Moroccan, Jajoukan music which forms the basis of this piece.

"Metal in Wood" - This also comes from a dream. Something about a gathering at Hal Willner's house with Alan Ginsburg in attendance. A strange wooden object appears, identified by Ginsburg as being from Tibet. It turns out that there was a piece of metal missing from this that we needed to retrieve and put back into it at a prescribed time. Experiencing a heavy feeling, I started to sing a song, which I wrote down when I woke up.

"Hallucination of a Storm" - A banjo tune, reminiscent of a jig. The 'cello plays a specific collection of notes while the drums go in and out of describing a storm and the rhythm of the tune.

"Birdbath" - This tune comes from a melody of bird, which the clarinet plays. The loop is another part of the bird song. The 'cello goes between playing a rhythmic part and a more open part of specific notes. Kenny's "Wollesonic" was added as the only overdub on the record.

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