Act 2 kicks off with the fun and funky "High Heels" where saxophones (Ron Dziubla) and upright bass (Jimi Hawes) lead
Grandeur into a new place. Krikorian references one his favorite
Josh Ritter songs, "Kathleen" in "High Heels" when he cleverly sings, "Oh my darlin' put
Josh Ritter on, you can be Kathleen, and I'll drive you home, oh my darlin' put
Josh Ritter on." The 60's leaning and vocally beautiful "The Lucky One" follows, as well as the earnest and folky "Baby's Got the Blues" where Krikorian's songwriting once again shines with the line, "clocks upon the wall and leaves in the fall, remind me that I'm growing older."
Grandeur's tone shifts suddenly with one of Krikorian's most ambitious songs to date, "Ulanga." A spooky and well-written rock song, Krikorian uses clever key changes and the blistering guitar-work of
Bob Boulding, (Young Dubliners), to tell the story of two lovers floating down a river. The song is loosely based off the novel, The African Queen, as well as Ernest Hemmingway's For Whom the Bell Tolls and F. Scott
Fitzgerald's Tender is the Night.
Grandeur continues to pick up steam with the reflective "Angels Sing," is followed by one of Krikorian's favorite songs on the record, "Joe Purdy" where he sings "quiet is the night babe, quiet are my dreams, move to a slow song, and you're carryin' me."
The album continues with Krikorian exploring love, loss, and newness in the folky "23" as well as the upbeat pop song, "Lyla" The album's namesake comes from the line in "Lyla," we drove the night to see the grandeur of morning." Krikorian ends the album with a deeply personal and piano-driven song (Carl Byron), "New Dawn," where he explores the loss of a loved one, the path behind, the path ahead, and the
Grandeur of it all.