Pulling together all the roots and branches of Art Garfunkel's career in music, THE SINGER is a 40-song collection of songs hand-picked by the artist himself. Spanning the years from the first Simon & Garfunkel album of 1964 (Wednesday Morning, 3AM) up through 2007's Great American Songbook album (Some Enchanted Evening), this two-CD retrospective will be available at all physical and digital retail outlets starting April 10th through Columbia/Legacy, a division of SONY MUSIC ENTERTAINMENT.
In addition to curating THE SINGER, Garfunkel provides his own personal track-by-track annotations, which appear in the booklet in his handwritten form. The notes are as unique as Garfunkel himself. He writes of "Cecilia," the S&G hit single from 1970: "'Car!' we called in Queens. Then we stopped the game and stepped aside. I grew up where the brick houses were semi-attached with driveways in between. Punchball was king. Somehow the yelling we did as street kids found its way to 'Cecilia.' We shouted the song over a track we made from a tape loop of rhythmic hand clapping onto our blue jeans."
The weaving of songs from the Simon & Garfunkel repertoire with songs from Art Garfunkel's repertoire as a solo artist is one of the hallmarks of THE SINGER, as the collection takes on a timeless air, moving back and forth through time in a seamless pattern.
From the five original S&G studio albums (and all-time best-selling Greatest Hits, 14-times RIAA platinum, the largest selling album of all time by a duo):
From the three live concert albums by Simon & Garfunkel:
From 10 of Art Garfunkel's solo albums:
Garfunkel's work with Simon generated eight Grammy Awards®, starting with the two won by "Mrs. Robinson" (from the movieThe Graduate) at the ceremony in 1969, namely Record of the Year and Best Contemporary Pop Performance/ Duo or Group. Two years later, Bridge Over Troubled Water was voted Album of the Year, and the title song swept Record of the Year, Song of the Year, Best Contemporary Song, Best Arrangement Accompanying Vocalists, and Best Engineered Recording. (In 1977, "Bridge Over Troubled Water" received England's prestigious Britannia Award as the Best International Pop LP and Single of the previous 25 years.) Garfunkel added another Grammy Award® to his shelf in 1998, when his album Songs From a Parent To a Child was named Best Children's Album.
Garfunkel has also maintained a steady presence on the silver screen. After working with director Mike Nichols on The Graduate soundtrack, Garfunkel followed up with feature roles in Nichols' Catch-22 (1969) and Carnal Knowledge (1971, for which he received a Golden Globe nomination as Best Supporting Actor), opposite Ann-Margret, Candice Bergen and Jack Nicholson. Garfunkel went on to garner acclaim for roles in Nicholas Roeg's award-winning Bad Timing: A Sensual Obsessionwith Theresa Russell and Harvey Keitel (1980); Good To Go (1986); the controversial Jennifer Lynch film, Boxing Helena(1993); and most recently in 2010, The Rebound with Catherine Zeta-Jones and Justin Bartha.
The life and times of Art Garfunkel course throughout THE SINGER, especially felt in the reverence for songs that make up the American pop vernacular. Two of Garfunkel's signature performances hit #1 on the Billboard Adult Contemporary (AC) chart: "I Only Have Eyes For You" (a 1930s tune that became a hit for the Flamingos in 1959, revisited by Garfunkel on 1975'sBreakaway LP, the song also hit #1 in the UK); and Sam Cooke's "(What A) Wonderful World" (from 1978's Watermark), in which Garfunkel was famously joined by Simon and James Taylor.
Garfunkel's roster of #1 AC hits also includes "All I Know" (his debut single as a solo artist in 1973, a Jimmy Webb composition); the 1975 reunion duet with Simon on "My Little Town" (premiered on the second show of NBC's Saturday Night Live); and "Breakaway" (written by England's Gallagher & Lyle, one of the three consecutive #1 AC hits from the Breakaway LP, along with "I Only Have Eyes For You" and "My Little Town").
In addition to all the aforementioned, THE SINGER contains many more examples of Garfunkel's unerring way with pop tunes from our collective past: "Barbara Allen" (the folk ballad popularized by Joan Baez); "Disney Girls" (from the Beach Boys' Surf's Up); "I Wonder Why" (via Dion & the Belmonts); "When A Man Loves A Woman" (Percy Sledge); "Cryin' In The Rain" (a duet withJames Taylor, via the Everly Brothers, an early Carole King-Howie Greenfield composition); and "Two Sleepy People," the 1930s Hoagy Carmichael-Frank Loesser chestnut that captivated a new generation in 1955 when it was sung by James Deanand Natalie Wood in Rebel Without A Cause.
Finally, THE SINGER continues to underscore Garfunkel's near-lifelong association with the music of composer Jimmy Webb. After recording 1978's Watermark with the Muscle Shoals Rhythm Section, which contained 10 Webb compositions, Garfunkel said in his understated manner, "I like the idea of inviting people to consider this man... Jimmy Webb." THE SINGER contains some rarely anthologized Webb tunes recorded over the years by his friend: "Scissors Cut," "In Cars," and "All I Know."
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