Smuin Ballet to Open 20th Anniversary Season with XXTREMES, 10/4-12

Smuin Ballet will kick off its 20th Anniversary Season in San Francisco this October with its XXtremesFall Program, featuring a lineup of stunning works that showcase the range and versatility of the lauded Smuin dancers. In XXtremes, Northern California audiences get their first look at Ji?í Kylián's acclaimed Return to a Strange Land, set to four heart-rending pieces for solo piano by Czech composer Leoš Janá?ek. Smuin also brings back by popular demand the enchanting ballet Dear Miss Cline, a buoyant and colorful romp set to the music of Patsy Cline by Choreographer in Residence Amy Seiwert, and Carmina Burana, one of Michael Smuin's most lauded works, set to Carl Orff's 1937 dramatic cantata of the same title. The XXtremes Fall Program plays October 4-12 at San Francisco's Palace of Fine Arts Theatre. Single tickets ($25-$72) and 20th Anniversary Season subscriptions ($120-$174) are available at www.smuinballet.org or by calling (415) 912-1899.

An eagerly awaited treat for fans of Kylián, whose Petite Mort was performed by Smuin in 2010 (the first professional Bay Area company selected to perform that iconic work), Return to a Strange Land has not been seen on the West Coast in almost 20 years, since it was last performed in 1994 by the Joffrey Ballet at the Dorothy Chandler Pavilion in Los Angeles. Says Smuin Ballet's Celia Fushille, "We are delighted and deeply honored to be granted this opportunity of presenting another of Mr. Kylián's legendary works to the Bay Area." The piece, set on six dancers, combines elegant classical ballet and swiftly-changing geometric poses in a meditation on loss, healing, and hope, created as a tribute to Kylián's mentor John Cranko. According to Kylián, "The title Return to a Strange Land conveys the step from one form of existence into another. The substance, which bodies are made of, has always existed on the other side: the unconscious. To live is to become conscious. To die is to return to the other land: the strange land of one's origin." The Artistic Director of Netherlands Dance Theatre (NDT) from 1975 to 1999, Kylián has created nearly 100 original works for NDT, Stuttgart Ballet, Paris Opera Ballet, Swedish Television, Bayeriches Staatsballet Munchen, Tokyo Ballet, and more, and his ballets have been performed by more than 100 companies and schools worldwide.

Back by popular demand is Amy Seiwert's ebullient tribute to Patsy Cline, Dear Miss Cline. Featuring ten Nashville tunes including "Walkin' After Midnight," "Come On In," "Triangle," "There He Goes," "Pick Me Up On Your Way Down," and more, this high spirited and sentimental hit charms audiences with a rollicking trip through Cline's country canon. A former Smuin dancer, Seiwert has been choreographing since 1999 and has won numerous awards and critical accolades. Bay Area Reporter declares her to be "the most talented and prolific young choreographer working from a ballet base around here" and the San Francisco Chronicle has called her "sharply innovative" and "one of the country's most exciting young dance makers." Her work is in the repertory of Smuin Ballet, Sacramento Ballet, Richmond Ballet, and Atlanta Ballet, as well as Ballet Nouveau Colorado, Robert Moses KIN, and Ballet Austin.

Also on the bill is Michael Smuin's acclaimed Carmina Burana. Set to Carl Orff's 1937 dramatic cantata of the same title, this iconic work from Smuin Ballet's founder sets the heart soaring with a boisterous production that celebrates life, lust, and joy - and mourns the cruelty of fate. Michael Smuin's choreography is at its most intensely physical, evoking the eroticism and power of the poems on which the piece was based and culminating in the extravagant "O Fortuna." At the ballet's New York premiere, The New York Times lauded Smuin's "fierce originality."

Debuting in San Francisco in March 1994, Smuin Ballet immediately established itself as one of the Bay Area's most eagerly watched performing arts companies, as "one of this country's most entertaining, original ballet troupes" (Dance Magazine), and as a Dance Company of international acclaim, performing to sold-out houses on European tours. Michael Smuin's singular philosophy to create pieces which merge the diverse vocabularies of classical ballet and contemporary dance has served as the company's touchstone since its beginning.

Now at the helm of Smuin Ballet is Artistic and Executive Director Celia Fushille, whose vision includes maintaining and increasing the company's reputation for presenting accessible and innovative repertoire, attracting new audiences of all ages to the medium. The company has continued to highlight works created by Smuin, both for his own and for other ballet companies, but Fushille also enriches its impressive repertoire with newer choreographic voices, bringing the Bay Area its first look at works by exciting choreographers from around the world, as well as developing world premieres by company members. During its New York City visit last summer, Smuin Ballet was praised as "irresistible, bright, and breezy" by the New York Times, which also noted, "Smuin dancers are at their finest."

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