Deborah Slater Dance Theater Host Virtual Residency Performance In March

DSDT has announced the 2021 resident artists for the 210 Winter Residency: Cynthia Ling Lee and Bahiya Movement. The residency performance will be a culmination of an 8-week residency and will explore rituals of grief and healing in response to our current moment of crisis.

First, in Grief Rituals/Somatic Scores for Living During a Pandemic, Cynthia Ling Lee has been exploring participatory structures that create intimacy, invite somatic embodiment, and offer communal rituals for processing grief and trauma. Ranging from audio-based improvisational scores to carefully crafted mourning rituals on Zoom, her work asks questions specific to our current moment: how can you satisfy a hunger for physical touch while in isolation? How can we grieve together during this moment?

Next, Bahiya Movement will present and perform in Abacus, a movement performance in which "abused feelings reject the calculated process of healing." Exploring the body's response to trauma and challenges brought about by recovery, Bahiya Movement seeks to uncover the painful process of healing and the strength one must find to persevere.

The Studio 210 Residency is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov.

About the artists:

Cynthia Ling Lee instigates postcolonial, queer, and feminist-of-color interventions in the field of Asian diasporic performance. Committed to intimate collaborative processes and foregrounding marginalized voices and aesthetics, her interdisciplinary performance work has been presented at venues such as Dance Theater Workshop (New York), East West Players (Los Angeles), Taman Ismail Marzuki (Jakarta), and Chandra-Mandapa: Spaces (Chennai). Cynthia was the recipient of a Thomas J. Watson Fellowship, an Asia-Pacific Performing Arts Exchange Fellowship, a NET/TEN grant, a CounterPulse Performing Diaspora Residency, and a Hellman Fellowship. Influential teachers and mentors include Simone Forti, Eiko & Koma, Judy Mitoma, Pallabi Chakravorty, Bandana Sen, Kumudini Lakhia, Anjani Ambegaokar, and the contact improvisation community. Recent publications include a chapter in The Routledge Companion to Dance Studies (2019) and co-written chapters with Sandra Chatterjee in Dance Matters Too: Markets, Memories, Identities (2018) and Queer Dance: Meanings and Makings (2017). Cynthia is an associate professor of dance in the Department of Theater Arts at UC Santa Cruz and a member of the Post Natyam Collective, a transnational, web-based coalition of dance artists whose work triangulates between art-making, activism, and theory. More information can be found on her website www.cynthialinglee.com.

Bahiya Movement was founded in 2011 by mother/daughter, Afia and Nafi Thompson. Bahiya means Beautiful, and their motto is "Dance from the heart and make beautiful movement." Bahiya is an African Modern Jazz fusion dance company with a mission to provide a welcoming, safe, creative space for diverse artists through their Believe In Self (BIS) emerging artists mentorship program and GLO artist showcase, leadership and skill-building programs. Their vision is to cross and break barriers regarding body image and low self-esteem through the art of dance. Bahiya believes that your artistry should not be defined by your race, gender nor your body size; rather, creativity, technique, passion, determinations and love should define your artistry. They are dedicated to developing and giving back to all communities, with emphasis in BIPOC communities.

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