Violinist Alí Bello Releases New Album 'Inheritance'

Inheritance the second full length album by Venezuelan-born, New York-based violinist and composer Alí Bello was released today, May 7, 2021 on Tiger Turn.

This striking new recording showcases Bello's unique mix of modern jazz and musical traditions from Venezuela and the Caribbean over the course of nine original compositions. Joining Bello is his wonderful Sweet Wire Band, and a cast of special guests including Regina Carter, Jaleel Shaw, Jeff Lederer and Jorge Glem.

A veteran of the New York music scene for over two decades, Alí Bello has become known as a musician of incredible versatility. A fixture in the emblematic bands of Johnny Pacheco and Paquito D'Rivera, Bello is also a highly sought-after sideman for artists such as Orquesta Broadway, La Típica 73, Raul Jaurena and Pedro Cortés. He can also be found on occasional stints with mainstream superstars such as Beyoncé, The Roots and Jay-Z. His Sweet Wire Band, made up of pianist Gabriel Chakarji, bassist Gabriel Vivas, drummer Ismael Baiz and percussionist Manuel Márquez have become New York City mainstays, known for their unique fusion of contemporary jazz and Afro-Venezuelan/Caribbean musical styles. Their debut release Connection Caracas - New York (Zoho Music), was released in 2013 to worldwide critical acclaim, having placed on several year-end best-of lists. Inheritance is the long-awaited follow up, and uncovers new shades of maturity and growth. Alí shares: "Inheritance is a recapitulation. A way to move forward through the lessons learned. It's the result of conveying all the parts that make my music and create new original ideas rooted in the culture, traditions, and experiences that make me and my music as a whole".

On Inheritance, Bello captures the essence of the music from his native Venezuela and filters it through the lens of an artist that has been deeply exposed to a broad diversity of musical styles in the United States. In his liner notes, producer Kabir Sehgal says "Inheritance is a result of long time growth and an evolution of different styles and genres that constitute Alí's personal musical heritage from his homeland and his career experiences." Indeed, Bello has a profound understanding of Venezuelan musical traditions, and has equally acquired invaluable experience in some of the most iconic Salsa and Latin jazz ensembles of all time. This recording integrates those two sides of Bello's musical artistry as well as his aptitude for production.

The music featured on Inheritance draws heavily on Venezuelan traditions, and Bello's core group of sidemen are all versatile Venezuelan expats who are well versed in all these styles. Afro-Venezuelan rhythms from the North Coast serve as the foundation for tunes like "Kaleidoscopic Sunset" and "For all Saints", displaying drummer Baíz's adaptations of these rhythms in harmonious unity with percussionist Márquez who plays an array of traditional Venezuelan drums such as the Fulía, the Paila and the Cumaco, among others.

Compositions "Caracas" and "Jojo" present some of the more urban folk styles of Onda Nueva and Merengue Caraqueño respectively - styles of great rhythmic complexity that originated in the capital city of Caracas. Bassist Vivas lends the project a robust electric tone and deft precision while Chakarji plays mainly electric piano, skillfully accompanying the soloists with deft sonic choices.

Regina Carter lends her unmistakable sound to "Song To Marina", a lush bolero track in which both violinists blend in concert, harkening back to the splendid singer duets known in the genre. In "Bello's Blues" the close intervals of violin and soprano saxophone in the melody recall the idiosyncratic themes of Thelonious Monk. Jaleel Shaw plays a harmonically ingenious solo while the rhythm section burns on a brisk San Millan rhythm here, while Jeff Lederer shines on "Jojo". On the Venezuelan joropo "Cepa", Bello enlists the talents of Jorge Glem on the Venezuelan cuatro - a central instrument of this music.

The orchestration and arrangements featured throughout Inheritance reveal a new perspective on the rich folkloric musical traditions Bello draws from. The violin is an uncommon instrument in this music, yet Bello's creativity and command places it right at home. The final three notes of the bright closer "Ousia" represent an apex of the jubilant journey of Inheritance. Indeed, Alí Bello's latest effort is a joyous listen from beginning to end, though the naturally cheerful makeup of the music never sacrifices depth or content - and in that balance lies Alí Bello's great artistry.

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