Tate's Pisachi was premiered by the New York Philharmonic at Lincoln Center's David Geffen Hall this weekend.
Composer Jerod Impichchaachaaha' Tate, a citizen of the Chickasaw nation talks through the process of creating his work “Pisachi” (Reveal), originally written for string quartet, which draws on Hopi and Pueblo Indian music, rhythms, and forms.
At Lincoln Center's David Geffen Hall, Tate's Pisachi was premiered by the New York Philharmonic on Thursday, March 7 at 7:30PM, Friday, March 8 at 8:00PM, and Saturday, March 9, 2024 at 8:00PM. Dedicated to Tate's late colleague and friend James Lujan (Taos Pueblo), this work draws influence from Pueblo and Hopi styles - employed by Tate to honor his Southwest Indian cousins through expressive classical repertoire. Originally commissioned by the string quartet ETHEL, Pisachi was newly commissioned in this full string orchestra version by the New York Philharmonic. The concert program also featured New York Philharmonic debuts by conductor Elim Chan and cellist Sol Gabetta, performing Bohuslav Martinů's First Cello Concerto.
Jerod Impichchaachaaha' Tate is a classical composer, citizen of the Chickasaw Nation in Oklahoma, and is dedicated to the development of American Indian classical composition. The Washington Post raves that "Tate is rare as an American Indian composer of classical music. Rarer still is his ability to effectively infuse classical music with American Indian nationalism."
Tate is a 2022 Chickasaw Hall of Fame inductee, a 2022 Distinguished Alumni Award recipient from The Cleveland Institute of Music and was appointed 2021 Cultural Ambassador for the U. S. Department of State. He is Guest Composer, conductor, and pianist for San Francisco Symphony's Currents Program, Thunder Song: American Indian Musical Cultures, and was recently Guest Composer for Metropolitan Museum of Art's Balcony Bar Program, Home with ETHEL and Friends, featuring his commissioned work Pisachi (Reveal) for String Quartet.
His commissioned works have been performed by the National Symphony Orchestra, San Francisco Symphony and Chorus, Dallas Symphony Orchestra, Detroit Symphony Orchestra, Minnesota Orchestra, Buffalo Philharmonic Orchestra, Oklahoma City Philharmonic, Winnipeg Symphony Orchestra, South Dakota Symphony Orchestra, Colorado Ballet, Canterbury Voices, Dale Warland Singers, Santa Fe Desert Chorale and Santa Fe Chamber Music Festival. Recent commissions include Shell Shaker: A Chickasaw Opera for Mount Holyoke Symphony Orchestra, Ghost of the White Deer Concerto for Bassoon and Orchestra for Dallas Symphony Orchestra, and Hózhó (Navajo Strong) and Ithánali (I Know) for White Snake Opera Company. His music was recently featured on the HBO series Westworld.
Tate has held Composer-in-Residence positions for Music Alive, a national residency program of the League of American Orchestras and New Music USA, the Joyce Foundation/American Composers Forum, Oklahoma City's NewView Summer Academy, Oklahoma Medical Research Foundation and Grand Canyon Music Festival Native American Composer Apprentice Project. Tate was the founding composition instructor for the Chickasaw Summer Arts Academy and has taught composition to American Indian high school students in Minneapolis, the Hopi, Navajo, and Lummi reservations and Native students in Toronto.
Tate is a three-time commissioned recipient from the American Composers Forum, a Chamber Music America's Classical Commissioning Program recipient, a Cleveland Institute of Music Alumni Achievement Award recipient, a governor-appointed Creativity Ambassador for the State of Oklahoma and an Emmy Award-winner for his work on the Oklahoma Educational Television Authority documentary, The Science of Composing.
In addition to his work based upon his Chickasaw culture, Tate has worked with the music and language of multiple tribes, such as: Choctaw, Navajo, Cherokee, Ojibway, Creek, Pechanga, Comanche, Lakota, Hopi, Tlingit, Lenape, Tongva, Shawnee, Caddo, Ute, Aleut, Shoshone, Cree, Paiute, and Salish/Kootenai.
Among available recorded works are Iholba' (The Vision) for Solo Flute, Orchestra and Chorus and Tracing Mississippi, Concerto for Flute and Orchestra, recorded by the San Francisco Symphony Orchestra and Chorus, on the Grammy Award-winning label Azica Records. In 2021, Azica released Tate's Lowak Shoppala' (Fire and Light) recorded by Nashville String Machine with the Chickasaw Nation Children's Chorus and Dance Troupe; vocal soloists Stephen Clark, Chelsea Owen, Meghan Vera Starling; and narrators Lynne Moroney, Wes Studi, Richard Ray Whitman. Of the album, Sequenza21 wrote, "Tate has clearly taken the Western musical tradition and found a compelling voice that integrates his native culture." His Metropolitan Museum of Art commission, Pisachi (Reveal), is featured on ETHEL String Quartet's album Documerica. In summer 2022, Azica Records will release Tate's first ever composition, Winter Moons, and also his Moonstrike, recorded by Apollo Chamber Players.
Tate earned his Bachelor of Music in Piano Performance from Northwestern University, where he studied with Dr. Donald Isaak, and his Master of Music in Piano Performance and Composition from The Cleveland Institute of Music, where he studied with Elizabeth Pastor and Dr. Donald Erb. He has performed as First Keyboard on the Broadway national tours of LES MISERABLES and Miss Saigon and been a guest pianist and accompanist for the Colorado Ballet, Hartford Ballet, and numerous ballet and dance companies.
Tate's middle name, Impichchaachaaha', means "his high corncrib" and is his inherited traditional Chickasaw house name. A corncrib is a small hut used for the storage of corn and other vegetables. In traditional Chickasaw culture, the corncrib was built high off the ground on stilts to keep its contents safe from foraging animals. Learn more at www.jerodtate.com.
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