Her music has been described as "brilliant" (The New Yorker), "sublime" (Rolling Stone), and "spine-tingling" (The Times, London); and has been praised for her "pristine, gliding vocal lines" (The New York Times).
GLOBAL SALON
The informal and intimate Global Salon series-which takes place at the 168-seat Leonard Nemoy Thalia theater on the Upper West Side-presents an enticing format for delving into esoteric and ancient traditional music, the kind that won't be found in the mainstream. Now in its third year, the series continues to feature brilliant artists who not only perform, but also share with the audience cultural history and personal stories. Global Salon offers outstanding performances combined with a rare glimpse into the work and minds of modern practitioners of authentic traditional art forms.
Upcoming Global Salon Concerts
at Thalia Theater, Symphony Space
Echoes of the Divine: Jewish Women's Voices (2/25)
featuring Muhabbat Shamayeva and Galeet Dardashti
Nordic Fiddlers Bloc (4/22)
Three of the finest young fiddlers on the international folk circuit
YUNGCHEN LHAMO
www.yungchenlhamo.com
Since her 1989 pilgrimage on foot from her beloved homeland of Tibet, Yungchen Lhamo has emerged as the world's leading Tibetan vocalist. From the quays of Sydney, Australia to the spotlight of New York's Carnegie Hall, her haunting a cappella performances have enchanted audiences in more than 70 countries and garnered critical praise worldwide.
Dressed in a traditional gown of cream-colored silk with orange cuffs and turquoise jewelry, and with her luminous black hair cascading past her waist, Yungchen casts a regal presence onstage.
Born in the beautiful capital of Lhasa, Yungchen was named by a Tibetan lama after the deity Sarasvati, the Hindu/Buddhist goddess of knowledge and the arts. She learned devotional singing from her grandmother.
Arriving in India after her sojourn across the Himalayas, Yungchen visited several Tibetan refugee camps, performing for an audience that included the spiritual leader of the Tibetan people, His Holiness the Dalai Lama, for whom she has performed numerous times since.
"When I left Tibet, I lost everything," Yungchen recalls. "The one thing I didn't lose was my voice. And this I carried with me to the West."
Yungchen lived first in Australia, then emigrated to the United States. Following the 1995 release of her breakthrough album, Tibetan Prayer, which won the ARIA Award (Australia's equivalent of the Grammy Award), she was signed to Peter Gabriel's prestigious Real World Records label and has since released three widely acclaimed albums: Tibet, Tibet (1996), Coming Home(1998), and Ama (2006).
Yungchen has collaborated with luminaries such as
Natalie Merchant, on her platinum-selling Ophelia, as well as with
Philip Glass,
Annie Lennox,
Michael Stipe,
Billy Corgan, and
Sheryl Crow. Her songs have been featured on compilation albums including Prayer Cycle and Lilith Fair Live, on the soundtrack to the Hollywood film Seven Years in Tibet, and in a handful of documentaries.
In 2007, Yungchen collaborated with Tony Award-winning American dancer and choreographer
Bill T. Jones and French percussionist Florent Jodelet for a sold-out performance piece titled 'Walking the Line' at a section of Paris's famed Louvre that had never before been used as a stage.
She has performed for leaders across the globe in support of Tibetan organizations and international aid groups such as Amnesty International. Through her arresting music, she hopes to share Tibet's rich cultural heritage and the innate grace and goodness of the Tibetan people with the rest of the world.
Most recently, in Italy, Yungchen was gifted the city of Silanus's esteemed "Funtana Elighe" journalism award and was recognized by the province of Genoa as a "Messenger of Peace" as well as given the title of "Ambassador of Culture."
Yungchen lives and makes music in New York City, where she is currently at work on her much-awaited fourth U.S. album and from where she heads The Yungchen Lhamo Charitable Foundation, a nonprofit organization dedicated to improving the welfare of Tibetans in need.
TICKETS
Tickets for all World Music Institute events are available for purchase online at www.worldmusicinstitute.org, by calling (212) 545-7536, or in person at the WMI Box Office at 101 Lafayette Street, #801.
Student and group discounts are available, as are VIP tickets for select events. Discounts are also available for WMI Friends with memberships starting at $70. WMI Friends enjoy priority seating throughout the season.
ABOUT WMI
www.worldmusicinstitute.org
"a widely copied and influential force in New York cultural circles."
- The New York Times
World Music Institute is a not-for-profit concert presenting organization founded in 1985by Robert and Helene Browning and dedicated to the presentation of the finest in traditional and contemporary music and dance from around the world.
WMI encourages cultural exchange between nations and ethnic groups and collaborates with community organizations and academic institutions in fostering greater understanding of the world's cultural traditions. WMI works extensively with community groups and organizations including Indian, Iranian, Chinese, Korean, Middle Eastern, Latin American, Hungarian, Irish, and Central Asian. This has enabled it to be at the forefront of planning and presenting the finest ensembles from these countries.
WMI presents a full season of concerts each year in New York City, and arranges national tours by visiting musicians from abroad, as well as US-based artists. WMI's accomplishments and expertise in its field are recognized by major institutions throughout the US and internationally.
WMI has brought many musical, dance and ritual traditions to the New York stage for the first time, including Laotian sung poetry, folk music of Khorason and Bushehr (Iran), songs of the Yemenite Jews, Bardic divas of Central Asia, trance ceremonies from Morocco, music from Madagascar, and Theyyams (masked dances) of Kerala, South India. Many artists have been given their U.S. or New York debuts by WMI.
Photo Credit: Courtesy of the artist