Miller Theatre at Columbia University School of the Arts continues its 2014-15 Composer Portraits series with AUGUSTA READ THOMAS featuring the JACK Quartet and Third Coast Percussion. On Thursday, March 5, 2015, 8:00 p.m. at the Miller Theatre at Columbia University (2960 Broadway at 116th Street)
Tickets: $25-$35 • Students with valid ID: $15-$21
COMPOSER PORTRAITS
"Miller Theater's invaluable marquee series of deep dives,
a single living composer at a time." - The New York Times
Composer Portraits
Thursday, March 5, 2015, 8:00 p.m.
Augusta Read Thomas
Miller Theatre (2960 Broadway at 116th Street)
Augusta Read Thomas wowed audiences and critics at her first Miller Portrait a decade ago, and she remains among the most prominent composers of her generation. Now she returns with a program including Resounding Earth, a percussion tour-de-force that brings together bells from around the world to create a "transfixing shimmer" (The New York Times). Another highlight is the world premiere of an octet composed especially for the occasion.
Selene was co-commissioned
by the Tanglewood Music Center in honor of its 75th Anniversary Season,
with generous support from Deborah and Philip Edmundson;
by Miller Theatre at Columbia University;
and by Third Coast Percussion with the generous support of Sidney K. Robinson.
WATCH: Documentary on Resounding Earth by Augusta Read Thomas
Augusta Read Thomas
www.augustareadthomas.com
Augusta Read Thomas was born in 1964 in Glen Cove, New York and was the Mead Composer-in-Residence for Pierre Boulez and Daniel Barenboim at the Chicago Symphony Orchestra from 1997 through 2006. In 2007, her Astral Canticle was one of the two finalists for the Pulitzer Prize in Music. The Colors of Love CD by Chanticleer, which features two of Thomas' compositions, won a Grammy award.
Third Coast Percussion
www.thirdcoastpercussion.com
Hailed by The New Yorker as "vibrant" and "superb," Third Coast Percussion explores and expands the extraordinary sonic possibilities of the percussion repertoire, delivering exciting performances for audiences of all kinds. Since its formation in 2005, Third Coast Percussion has gained national attention with concerts and recordings that meld the energy of rock music with the precision and nuance of classical chamber works.
These "hard-grooving" musicians (The New York Times) have become known for ground-breaking collaborations across a wide range of disciplines, including concerts and residency projects with engineers at the University of Notre Dame, architects at the Frank Lloyd Wright School of Architecture, astronomers at the Adler Planetarium, and more. The ensemble enhances the performances it offers with cutting edge new media, including free iPhone and iPad apps that allow audience members to create their own musical performances and take a deeper look at the music performed by Third Coast Percussion. Third Coast Percussion is the Ensemble-in-Residence at the University of Notre Dame's DeBartolo Performing Arts Center. They have the honor of being the first ensemble at the University of Notre Dame to create a permanent and progressive ensemble residency program at the center. The ensemble performs multiple recitals annually as part of the DeBartolo Performing Arts Center's Presenting Series season. Third Coast Percussion assumed the position of Ensemble-in-Residence at Notre Dame in 2013. Visit iTunes to see Third Coast Percussion's Resounding Earth app.JACK Quartet
www.jackquartet.com
The JACK Quartet electrifies audiences worldwide with "explosive virtuosity" (Boston Globe) and "viscerally exciting performances" (The New York Times). The recipient of Lincoln Center's Martin E. Segal Award, New Music USA's Trailblazer Award, and the CMA/ASCAP Award for Adventurous Programming, JACK has performed to critical acclaim at venues such as Carnegie Hall (USA), Lincoln Center (USA), Wigmore Hall (United Kingdom), Suntory Hall (Japan), Salle Pleyel (France), La Biennale di Venezia (Italy), the Lucerne Festival (Switzerland), Bali Arts Festival (Indonesia), and the Wittener Tage für neue Kammermusik (Germany).
Comprising violinists Christopher Otto and Ari Streisfeld, violist John Pickford Richards, and cellist Kevin McFarland, JACK is focused on the commissioning and performance of new works, leading them to work closely with composers John Luther Adams, Derek Bermel, Chaya Czernowin, James Dillon, Brian Ferneyhough, Beat Furrer, Georg Friedrich Haas, Vijay Iyer, György Kurtág, Helmut Lachenmann, Steve Mackey, Matthias Pintscher, Steve Reich, Roger Reynolds, Wolfgang Rihm, Salvatore Sciarrino, and John Zorn. Upcoming and recent premieres include works by Wolfgang von Schweinitz, Toby Twining, Georg Friedrich Haas, Simon Holt, Kevin Ernste, and Simon Bainbridge. The quartet has led workshops with young performers and composers at institutions including Princeton University, Yale University, Columbia University, the Eastman School of Music, Oberlin Conservatory, Manhattan School of Music, and at the Darmstadt Internationale Ferienkurse für Neue Musik. The members of the quartet met while attending the Eastman School of Music and studied closely with the Arditti Quartet, Kronos Quartet, Muir String Quartet, and members of the Ensemble Intercontemporain.Photo Courtesy of the Miller Theatre
Photo Credit: Peter James Zielinski
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