Salon/Sanctuary Concerts Presents JORY VINIKOUR and HOPKINSON SMITH in Their Only New York Recital Appearances Tonight

Two of the most renowned artists active in historical performance today have chosen Salon/Sanctuary Concerts as the presenter for their only New York recitals of the 2014-2015. The recitals will take place in the beautiful and acoustically resonant Abigail Adams Smith Auditorium.

Tonight, 10/9/14 7:00pm

Jory Vinikour Performs Rameau

The Abigail Adams Smith Auditorium, 417 East 61st Street

To purchase tickets, click here or call 1 888 718-4253

In celebration of the Rameau year, Grammy-nominated harpsichordist Jory Vinikour performs an all-Rameau recital at the Abigail Adams Smith Auditorium.

A wine and cheese reception will follow the performance

"... Vinikour is such a perceptive artist, and is so superlative in technical accomplishment, that Rameau's harpsichord brainstorms sound disarming and at times even revolutionary."

- Gramophone, October 2012

Program

Jean-Philippe Rameau (1683 - 1764)

Le Rappel des Oiseaux

Rigaudons

Musette

Tambourin

Menuets

La Poule

Les Triolets

L'Egiptienne

L'Entretien des Muses

Les Tourbillons

Les Cyclopes

pause

Suite in a minor

Allemande

Courante

Sarabande

Les Trois Mains

Fanfarinette

La Triomphante

Gavotte avec six doubles

Jory Vinikour is recognized as one of the outstanding harpsichordists of his generation. A highly diversified career brings him to the world's most important festivals and concert halls as recital and concerto soloist, partner to several of today's finest artists.

Born in Chicago, Jory Vinikour came to Paris on a Fulbright scholarship to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public's attention, and he has since appeared in festivals and concert series throughout much of the world.

A concerto soloist with a repertoire ranging from Bach to Poulenc to Nyman, he has performed as soloist with leading orchestras including Rotterdam Philharmonic, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, Netherlands Chamber Orchestra, MDR Symphony Orchestra,Cape Town Symphony Orchestra, Moscow Chamber Orchestra, and the Royal Scottish National Orchestra, with conductors such as Stéphane Denève, Martin Haselböck, Marek Janowski, Armin Jordan, Benjamin Levy, Fabio Luisi, Marc Minkowski, John Nelson, Gordan Nikolic, Constantine Orbelian, Victor Yampolsky, et al. He participated in a recording of Frank Martin's Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005).

Well-known as an accompanist, he has worked extensively with artists such as David Daniels, Hélène Delavault, Vivica Genaux, Magdalena Kozena, Annick Massis, Marijana Mijanovic, Dorothea Röschmann, Rolando Villazon ... He has accompanied legendary Swedish mezzo-soprano Anne Sofie von Otter in recitals in Sweden, Norway, Spain and Paris and at La Scala in Milan. With lutenist Jakob Lindberg, their programme of English and Italian music of the 17thcentury, entitled Music for a While was released by Deutsche Grammophon in early 2005.

As an active exponent of contemporary repertoire for the harpsichord, he has given the premieres of works by composers such as Harold Meltzer and Frédéric Durieux, Stephen Blumberg, Patricia Morehead, Graham Lynch, etc. written for him. He has also given important performances of works by Ligeti and Michael Nyman, as well as several 20th century concerti, including Cyril Scott's 1937Harpsichord Concerto, which Mr. Vinikour prepared and edited for Novello editions. Sono Luminus will release his recording of 20th century (and beyond) American harpsichord works in late 2013.

Mr. Vinikour appears regularly as harpsichordist at the finest opera houses and festivals in Europe : Paris Opera, Netherlands Opera, Salzburg Festival, Teatro Real de Madrid, Baden-Baden, Glyndebourne, etc. in Baroque and Classical repertoire, as well as in more contemporary works (notably Stravinsky's The Rake's Progressand Zimmermann's Die Soldaten) and is heard on many recordings from Deutsche Grammophon, EMI, Erato, Sony Classics et al.

His recording of Bach's Goldberg Variations, released on Delos International in 2001 received excellent reviews throughout the world. John von Rhein of the Chicago Tribune named it as one of 2001's top ten classical CD's, an honor that was also accorded to Mr. Vinikour's recording of Bach's Toccatas in 1999. Mr. Vinikour's 2009 Delos release of Handel's 1720 Suites for Harpsichord has received wide critical acclaim (American Record Guide naming it the finest recording of these works). Partnering with flautist Joshua Smith, their recording of Bach's sonatas for flute and harpsichord is garnering attention from around the world. His debut recording for Sono Luminus, the complete harpsichord works of Jean-Philippe Rameau, was nominated for a Grammy® award, in the category of Best Classical Solo Instrumental Recording in 2012.

Recent appearances include his debut as conductor/soloist with the Hong Kong Philharmonic, as well as an appearance with the Chicago Lyric Opera in Handel's Rinaldo - earning exceptional praise from the press. He performed Poulenc's Concert Champêtre with the Nertherlands Radio Chamber Orchestra, under Benjamin Levy's direction. Mr. Vinikour directed the Korea Chamber Orchestra (Seoul) in an all-Bach programme in May, 2012, and was guest director of musicAeterna (based in Perm, Russia) in a mixed programme, and has co-directed (with violinist Monica Huggett) Juilliard415 Baroque Orchestra at Carnegie Hall, accompanying soprano Dorothea Röschmann and counter-tenor David Daniels. Mr Vinikour has given master-classes for Rocky Ridge (Colorado) Music Center, the Austrian Baroque Academy in Gmunden, Austria; the European Academy at the Palazzo Ricci Montepulciano; the University of Chicago, the Gnessin Academy, and the Tchaikowsky Conservatory.

Tuesday, November 11th, 7:00pm

Hopkinson Smith Performs Bach

The Abigail Adams Smith Auditorium

417 East 61st Street

To purchase tickets, click here or call 1 888 718-4253

In his only New York appearance of the season, Hopkinson Smith performs JS, Bach, Suites 1-3, BWV 1007-1009 at the Abigail Adams Smith Auditorium.

A wine and cheese reception will follow the performance.

"Hopkinson Smith is without doubt the finest lute player in the world today"- San Francisco Chronicle

After concentrating in Musicology at Harvard, Hopkinson Smith came to Europe in 1973 to study with Emilio Pujol, a great pedagogue in the highest Catalan artistic tradition, and also Eugen Dombois, whose sense of organic unity between performer, instrument and historical period has had a lasting effect on him.

In the mid 1970s, Hopkinson Smith was involved in the founding of the ensemble Hesperion XX and his ten year collaboration with Jordi Savall led to important experiences in chamber music which were a creative complement to his work as a soloist.

Since the mid 80s, Hopkinson Smith has focused principally on solo music for early plucked instruments. These include the vihuela, Renaissance lute, theorbo, Renaissance and baroque guitars and the baroque lute.

With his recitals and series of over 20 solo recordings, he continues to rediscover and bring to life works that are among the most expressive and intimate in the entire domain of early music.

Internationally recognized as a leading personality in the field of early music and one of the world's great lutenists, Hopkinson Smith gives concerts and master classes throughout Eastern and Western Europe and in North and South America. He currently lives in Basel, Switzerland, where he teaches at the Schola Cantorum Basiliensis.

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