Well, you might say, I've had an interesting and diverse career. After graduating from Juilliard, I began my career in classical music, and sang opera for six years. I then pursued a dream to be a journalist, and worked for a few years at ABC News - rising over that time to be a producer working with Diane Sawyer. I even won an Emmy Award for an investigative piece that I had worked on. The whole time, thought, I was sneaking off during my lunch breaks or after work to sing, practice and experiment with new music -- just for fun. Returning to music full time evolved naturally, over time. I was encouraged by so many people to come back to music, and jazz was where I was at by that time. Now I truly feel at home.
BWW: You got your Masters in voice from Juilliard...and now you're a jazz singer! Did you have to 'un-learn' all that technique?
My Juilliard training provided a great technical foundation. And there is still an element of classical that runs through my veins. But over the years, I've learned so much more. For example, I recently studied Portugese, just so that I could sing my Brazilian favorites. In jazz, there is great freedom that you don't learn, you simply feel it intuitively - from your heart right down to your toes! (And yes, I had to let go of a lot of my old technique in order to get to that place of freedom!)
BWW: There are lots of interesting takes on musical standards and Broadway show tunes. How did you pick the material on your cd?
The music I pick reaches me in a special way. It may be the lyrics, or something in my past that calls to me. Or sometimes, I'll pick a tune just for the sheer pleasure of taking a risk with a different take I have in mind.
BWW: I see that Peter Eldridge of the New York Voices (we love him!) was your co-producer. How did you guys connect and what was that working dynamic like in the recording studio?
I have known Peter for years, and I simply adore him. He inspires the best out of me. He pushes me out of my comfort zone, and great things start to happen with us. He is truly a joy to work with, along with all the other musicians on the CD.
BWW: Here's a question we've been dying to ask somebody! What's the difference between a jazz singer and someone who sings standards with jazz arrangements?
I think it goes back to what I was saying before - you have to feel it in your veins. It's not enough to have a clever arrangement. I guess it's just such a part of me ... I grew up in Chicago with the sounds of the jazz greats floating down the hallway of our house, and that has never left my soul.
BWW: You're playing Birdland on Monday, November 1 at 7pm. That's known as one of the premiere jazz rooms in the country! Are you excited? Scared?
Both. To play Birdland is truly a dream come true for me. I could die now and be happy.
BWW: Finally, the title of your cd is "Love Is The Thing." Is it?
Well... do you really need to ask?
For more information on Rondi Charleston, click here.
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