The New York Philharmonic will present The Russian Stravinsky: A Philharmonic Festival conducted by Valery Gergiev on April 21-May 8, 2010. The three-week festival - one of several initiatives launched during Alan Gilbert's first season as Music Director - will offer an in-depth look at Stravinsky, exploring how his Russian roots informed his works, both those with explicit nationalist influences, such as The Firebird and Les Noces, and those where the Russian element is less apparent. Led by the Russian- born Mr. Gergiev, the concerts will offer a wide range of works performed by many Russian soloists and the chorus of the Mariinsky Theatre - the opera house where Stravinsky's father performed for many years in St. Petersburg. The Festival will feature eight programs over three weeks, including concerts, lectures, pre-concert talks, radio
broadcasts, podcasts and an Archives exhibit.
As a youth, Igor Stravinsky absorbed many of the ever-present folk traditions of his
native land: although he left Russia in 1910 and lived in Switzerland, France, and finally
the United States, his Russian heritage remained a vital part of his life and creative vision. While his compositional career spanned three stylistic periods - the "Russian"
Period (ca. 1908-19), the Neoclassical Period (ca. 1920-54), and the Serial Period (ca.
1954-68) - his Russian influences were always present, sometimes in the foreground,
other times in the background. "At the end of his life," says Mr. Gergiev, "Igor
Stravinsky was saying, ‘I think in Russian, I hear in Russian, my worth is Russian, my
tongue is Russian.'" For Mr. Gergiev, this "Russian voice" is a key to understanding
Stravinsky's entire output.
Highlights of The Russian Stravinsky will include the ballets The Firebird, Petrushka,
Jeu de cartes, Orpheus, and The Rite of Spring, and the Philharmonic debut of the
Mariinsky Theatre Chorus in the choral masterwork Symphony of Psalms and the dance
cantata Les Noces, based on a Russian folk wedding, which will include soloists from the
Mariinsky Theatre Opera Company. Other soloists in the festival will be Leonidas
Kavakos performing the Violin Concerto (April 28-29); mezzo-soprano Waltraud
Meier, in her New York Philharmonic debut as Jocasta, and tenor Anthony Dean
Griffey, performing the title role, in the opera-oratorio Oedipus Rex (April 28-29);
Russian pianists Denis Matsuev, in his Philharmonic debut in the Capriccio for Piano
and Orchestra (May 5-6), and Alexei Volodin, also in his Philharmonic debut in the
Concerto for Piano and Wind Instruments (May 7-8). Emmy Award-winning actor Alec
Baldwin will be The Narrator in L'Histoire du soldat (May 2).
The festival will also include an Insights Series event with Valery Gergiev titled
"Stravinsky's Russian-American Odyssey," Saturday, May 1, 11:00 a.m. to 5:30 p.m. at
Gilder Lehrman Hall, The Morgan Library & Museum, 225 Madison Avenue at 36th
Street. Joseph Horowitz, curator and host, is joined by Mr. Gergiev and pianists from The
Juilliard School and the New York Philharmonic Education Department Teaching Artists
Ensemble for this multimedia event that includes performances of piano and chamber
works, film, and a one-hour colloquy.
• New York Philharmonic Podcast
The producers and hosts of the award-winning New York Philharmonic Podcast are
Elliott Forrest, Peabody Award-winning broadcaster, producer, and weekend host on
Classical 105.9 FM WQXR, and Mark Travis, a producer for the WFMT Radio
Network since 1999 and the producer of the 52-week-per-year nationally syndicated radio series, The New York Philharmonic This Week. These award-winning previews
of upcoming programs - through musical selections as well as interviews with guest
artists, conductors, and Orchestra musicians - are available at nyphil.org/podcast or
from iTunes.
Archives Exhibit: Stravinsky at the New York Philharmonic
Bruno Walter Gallery, April-May 2010. The New York Philharmonic Archives will
have on view correspondence, scores, programs, and photographs focusing on
Stravinsky's particular relationship with the Philharmonic as well as on the
conductors who championed his works with the Orchestra over the years.
For more information, visit http://nyphil.org/
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