Czech Philharmonic's Box Set "The Tchaikovsky Project" To Be Released On Decca

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Date: Thu, Jun 27, 2019 at 1:30 PM
Subject: Music Director Semyon Bychkov and Czech Philharmonic's Box Set "The Tchaikovsky Project" To Be Released on Decca, August 30
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For Immediate Release

MUSIC DIRECTOR SEMYON BYCHKOV AND CZECH PHILHARMONIC'S
SEVEN-DISC RECORDING COLLECTION THE TCHAIKOVSKY PROJECT
TO BE RELEASED ON DECCA CLASSICS, AUGUST 30

Collection comprises Tchaikovsky's complete symphonies, complete piano concertos with Kirill Gerstein, Romeo and Juliet Overture-Fantasy,
Serenade for Strings, and Francesca da Rimini

June 27, 2019 — Inspired by his lifelong passion for the music of Tchaikovsky, Semyon Bychkov partnered with the Czech Philharmonic four years ago to launch The Tchaikovsky Project, an in-depth multi-season exploration of the composer's music through concerts and Mr. Bychkov's first-ever recordings with the orchestra. He has since been appointed Music Director and Chief Conductor of the orchestra, and together they continue The Tchaikovsky Project with a seven-disc box set of the composer's complete symphonies, complete piano concertos with soloist Kirill Gerstein, Romeo and Juliet Overture-Fantasy, Serenade for Strings, and Francesca da Rimini—all recorded in Prague at the Rudolfinum's Dvo?ák Hall. Released by Decca Classics on Friday, August 30, The Tchaikovsky Project is the label's first Tchaikovsky cycle in nearly 40 years and the first in high-definition 96K/24-bit sound.

According to Mr. Bychkov,

“The Tchaikovsky Project first originated when I was asked if I would be interested in recording Tchaikovsky's symphony cycle with the Czech Philharmonic. It took me about thirty seconds to realize that the idea was absolutely fascinating. I thought the combination of the Czech Philharmonic being what it is, and the orchestra's country having its Western traditions and belonging in the West as well as the East, would create a very interesting approach to express the spirit of Tchaikovsky's music—one that would be neither purely Russian, nor purely Western, but in a way a mixture of the two. And I think this is what makes the project so fascinating because at the end of the day, as is the case with all great music, the music of Tchaikovsky is universal.”

Mr. Bychkov too shares strong ties to the cultures of both Western Europe and the Slavic East, and he established a strong rapport with the Czech Philharmonic after debuting with the orchestra as a guest conductor in 2013. His relationship with the orchestra now as Music Director and Chief Conductor is described by Czech Philharmonic CEO David Mare?ek as “an outstandingly fortunate match.” Mr. Mare?ek continues:

“The musical chemistry is obvious whether in Tchaikovsky or Dvo?ák, as we heard on tour in the United States, in Germany, and in Vienna. The musicians, my colleagues, and I believe that it is equally audible in the new Tchaikovsky box set and are very happy to have such a beautiful and wide-ranging musical experience to mark the start of our relationship.”

For these recordings, the artists enjoyed an unusually long collaboration period in Prague that included numerous rehearsals, concerts, and recording sessions. As Mr. Bychkov says, “If we are to offer new recordings of these great works, we have no right not to invest everything in them.”

Select recordings from this box set were previously released as standalone albums in 2016 and 2017. The Tchaikovsky Project Volume 1 comprises Symphony No. 6 (“Pathétique”) and Romeo and Juliet Overture-Fantasy, while Volume 2 is devoted entirely to the Manfred Symphony.

Beyond the release of the complete set, Mr. Bychkov and the Czech Philharmonic continue the project later this year with a series of Tchaikovsky residences in Tokyo, Vienna, and Paris, as well as at the orchestra's home in Prague. Following The Tchaikovsky Project, Mr. Bychkov and the orchestra's next project will focus on the music of Mahler.

Semyon Bychkov, Music Director and Chief Conductor of the Czech Philharmonic, is internationally recognized for an approach to music making that combines innate musicality with the rigors of Russian music pedagogy. He has conducted virtually all of the major orchestras in the U.S. and Europe and previously served as Music Director of the Buffalo Philharmonic, Grand Rapids Symphony, and Orchestre de Paris, and Chief Conductor of both the WDR Symphony Orchestra Cologne and the Dresden Semperoper. Mr. Bychkov currently holds the honorary Klemperer Chair of Conducting at the Royal Academy of Music and the Günter Wand Conducting Chair with the BBC Symphony Orchestra, with which he appears annually at the BBC Proms. In 2015, the International Opera Awards named him “Conductor of the Year.”

Prior to The Tchaikovsky Project, Mr. Bychkov conducted six recordings featuring the works of Tchaikovsky, including with the Berlin Philharmonic, Orchestre de Paris, and Royal Concertgebouw Orchestra. His 1993 recording of Eugene Onegin with the Orchestre de Paris won numerous awards and was named one of Opera magazine's 30 “all-time great recordings.” He has also conducted Tchaikovsky concert series with the BBC Symphony Orchestra and New York Philharmonic as part of his ongoing, multi-season focus on the composer's music. For more information, visit semyonbychkov.com.

Founded in 1896, the Czech Philharmonic is an internationally acclaimed orchestra that was voted among the top 20 orchestras in the world by Gramophone. First conducted by Antonín Dvo?ák, the orchestra has a rich history that reflects both its place in the center of Europe and its country's turbulent political history. Acknowledged for its definitive performances of the Czech repertoire—its première recording dates back to 1929 when Chief Conductor Václav Talich conducted Smetana's Má vlast for release on 10 discs—the Czech Philharmonic has also maintained a special relationship with the music of Brahms, Tchaikovsky, and Mahler, the latter of whom was born in the present-day Czech Republic and conducted the orchestra in the 1908 première of his Symphony No. 7. The orchestra's recordings have won numerous awards, including ten Grand Prix du Disque de l'Académie Charles Cros, five Grand Prix du disque de l'Académie française, and several Cannes Classical Awards, as well as a Grammy Award nomination in 2005. Current Music Director and Chief Conductor Semyon Bychkov began his tenure in the 2018–19 season, succeeding the late Ji?í B?lohlávek. For more information, visit ceskafilharmonie.cz.

# # #

THE TCHAIKOVSKY PROJECT (DECCA CLASSICS)

Czech Philharmonic
— Semyon Bychkov, Music Director and Chief Conductor

Kirill Gerstein, piano

PYOTR ILYICH TCHAIKOVSKY (1840–93)

VOLUME 1

SYMPHONY NO.1 IN G MINOR OP.13 “WINTER DAYDREAMS”
1. I Dreams on a Winter Journey: Allegro tranquillo (12.54)
2. II Land of Desolation, Land of Mists: Adagio cantabile ma non tanto (11.40)
3. III Scherzo: Allegro scherzando giocoso (8.37)
4. IV Finale: Andante lugubre – Allegro moderato (14.03)

SYMPHONY NO.2 IN C MINOR OP.17 “LITTLE RUSSIAN”
5. I Andante sostenuto – Allegro vivo (11.37)
6. II Andantino marziale, quasi moderato (8.38)
7. III Scherzo: Allegro molto vivace (5.41)
8. IV Finale: Moderato assai – Allegro vivo (11.28)

VOLUME 2

SYMPHONY NO.3 IN D MAJOR OP.29 “POLISH”
1. I Introduzione e Allegro: Moderato assai (Tempo di marcia funebre) – Allegro brillante (14.17)
2. II Alla tedesca: Allegro moderato e semplice (6.47)
3. III Andante elegiaco (10.20)
4. IV Scherzo: Allegro vivo (6.09)
5. V Finale: Allegro con fuoco (Tempo di polacca) (9.38)

6. ROMEO AND JULIET – FANTASY OVERTURE AFTER SHAKESPEARE (19.17)
Andante non tanto quasi moderato – Allegro giusto

VOLUME 3

SYMPHONY NO.4 IN F MINOR OP.36
1. I Andante sostenuto – Moderato con anima (18.41)
2. II Andantino in modo di canzona (10.19)
3. III Scherzo (pizzicato ostinato): Allegro (5.51)
4. IV Finale: Allegro con fuoco (9.23)

5. FRANCESCA DA RIMINI OP.32 (24.14)
Symphonic Fantasy after Dante
Andante lugubre – Allegro vivo

VOLUME 4

MANFRED SYMPHONY OP.58
Symphony in four scenes after Lord Byron
1. I Lento lugubre – Moderato con moto – Andante (17.46)
2. II Vivace con spirito (9.48)
3. III Andante con moto (11.34)
4. IV Allegro con fuoco (20.11)

VOLUME 5

SYMPHONY NO.5 IN E MINOR OP.64
1. I Andante – Allegro con anima (14.23)
2. II Andante cantabile, con alcuna licenza (12.26)
3. III Valse: Allegro moderato (6.11)
4. IV Finale: Andante maestoso – Allegro vivace (12.18)

SERENADE FOR STRINGS IN C MAJOR OP.48
5. I Pezzo in forma di sonatina: Andante non troppo – Allegro moderato (9.39)
6. II Valse: Moderato – Tempo di valse (4.03)
7. III Elégie: Larghetto elegiaco (9.00)
8. IV Finale (Tema russo): Andante – Allegro con spirito (7.44)

VOLUME 6

SYMPHONY NO.6 IN B MINOR OP.74 “PATHETIQUE”
1. I Adagio – Allegro non troppo (17.58)
2. II Allegro con grazia (8.12)
3. III Allegro molto vivace (9.07)
4. IV Finale: Adagio lamentoso – Andante (9.27)

PIANO CONCERTO NO.1 IN B FLAT MINOR OP.23 (1879 version)
5. I Allegro non troppo e molto maestoso – Allegro con spirito (21.13)
6. II Andantino simplice – Allegro vivace assai – Tempo I (6.55)
7. III Allegro con fuoco – Molto meno mosso – Allegro vivace (7.17)

VOLUME 7

PIANO CONCERTO NO.2 IN G MAJOR OP.44 (original version)
1. I Allegro brillante e molto vivace (22.30)
2. II Andante non troppo (16.16)
3. III Allegro con fuoco (7.53)

PIANO CONCERTO NO.3 IN E FLAT MAJOR OP.75
4. I Allegro brillante (16.10)

Recording Location: Rudolfinum, Prague, 17–19 August & 24–26 September 2015 (Symphony No.6; Romeo and Juliet), 12–14 July 2016 (Symphony No.3), 24–28 April 2017 (Manfred; Serenade for Strings), 7–9 June 2017 (Concerto No.1), 12–14 June 2017 (Francesca da Rimini), 11–14 December 2017 (Symphony No.5), 5–8 March 2018 (Symphony No.4), 13–15 & 20–22 February 2019 (Concertos 2 & 3), 4–8 March 2019 (Symphonies 1 & 2)

# # #

For review copies, please contact:
Shuman Associates
(212) 315-1300 | shumanpr@shumanassociates.net

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