The Old Woman at Peter Jay Sharp Building

Based on the recently rediscovered writings of Russian avant-garde author Daniil Kharms—a master of Beckettian and Kafkaesque nonsensical drama—and adapted by Darryl Pinckney, Wilson’s meticulously designed production riffs ingeniously on Kharms’ warped, disorienting world. Exquisitely lit sets flicker between flatness and depth, repeated gestures and phrases become deliriously strange, and Baryshnikov and Dafoe dazzle as two sides of the same corkscrewed mind, tending darkly to their unknown visitor.