An identity crisis[1] for the theater itself, Luigi Pirandello’s 1921 epitome of absurdism is a masterpiece of blurred dramatic lines, brought cleverly to life in this production from director Emmanuel Demarcy-Mota and Théâtre de la Ville, Paris.
A dysfunctional family[2] of six interrupts the rehearsal of a play to make a curious claim: They are characters who’ve been abandoned by their author and are seeking a theater troupe to give them an artful sense of completion. On a spare set, portrayers and portrayed begin to overlap, as fiction and reality follow suit. The result is a beguiling tragedy that turns notions of authorship and agency on their heads while offering humanity critical insight into its own selectively scribed existence.
Videos
An Evening of Opera
QED (2/23 - 2/23) | ||
CounterPointe12
The Mark O'Donnell Theater (3/7 - 3/9) | ||
Henry IV
Theatre for a New Audience (1/26 - 3/2) | ||
Modesto Flako Jimenez: ¡Harken!
JACK (2/6 - 2/8) | ||
The Moth StorySLAM
The Bell House (2/3 - 3/26) | ||
An Evening of Opera
QED (3/23 - 3/23) | ||
Hear Me Out: Hosted by Nick Smith
Union Hall (2/19 - 2/19) | ||
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