Astronauts, Bolsheviks, and middle-American families mingle on a stage littered with lawn chairs, telephones, fur coats, and pistols in this collision of early-20th-century Moscow, midcentury Paris, and late-20th-century Houston. Big Dance Theater directors Annie-B Parson and Paul Lazar sample fragments of iconic film scripts and novels, divorced from their narrative contexts, to create a kinetic collage of political rhetoric, pathos, paranoia, and suburban love. With a titular nod to the Hollywood pseudonym[1] for directors who disavow their work after creative interference, Alan Smithee Directed This Play contemplates the slippery nature of creative control, history, its fictions, and the inextricable link between the personal and the historical.
Videos
The Moth StorySLAM
The Bell House (2/3 - 3/26) | ||
Hear Me Out: Hosted by Nick Smith
Union Hall (2/19 - 2/19) | ||
CounterPointe12
The Mark O'Donnell Theater (3/7 - 3/9) | ||
An Evening of Opera
QED (2/23 - 2/23) | ||
Modesto Flako Jimenez: ¡Harken!
JACK (2/6 - 2/8) | ||
An Evening of Opera
QED (3/23 - 3/23) | ||
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