Called a show that really is ahead of its time by The New York Times, the A.R.T.s world-premiere concert production of WILD: A Musical Becoming was bringing audiences to their feet nightly when it was forced to closed early due to a breakthrough of COVID-19, but its impact will be long-felt. Tune in to learn more about the musical fable The Boston Globe said has songs [that] burn with urgency, and their smolder makes the underlying message of WILDthat the climate catastrophe is a dire threat to future generationslinger long after the curtain calls have subsided.The Lunch Room is A.R.T.s virtual talk show with the artists, activists, and civic leaders who are shaping our culture and communities. Join members of the A.R.T. staff for curated conversations and interactive Q&As.
Videos
“Moonlight, Music, and Romance: Musical Lunar Delights
First Church Cambridge (2/14 - 2/14) CONCERT | ||
The Cher Show (Non-Equity)
Hanover Theatre for the Performing Arts (2/14 - 2/16) | ||
The Fig Tree, and The Phoenix, and The Desire to Be Reborn
Boston Playwrights' Theatre (2/20 - 3/9) | ||
“An Evening With Liz Callaway”
JM Productions at The Church of Presidents (2/22 - 2/22) LIMITED TICKETS REMAIN | ||
The Recursion of a Moth
Boston Playwrights' Theatre (2/27 - 3/9) | ||
Taylor Tomlinson
Boch Center Wang Theatre (2/27 - 3/2) | ||
Michael W. Smith: Beyond the Far Horizon Tour
Emerson Colonial Theatre (4/25 - 4/25) | ||
Don't Eat the Mangos
Huntington Calderwood Pavilion at the BCA (3/26 - 4/27) | ||
Forbidden Broadway: Merrily We Stole a Song
Emerson Colonial Theatre (2/8 - 2/9) | ||
Utopian Hotline
Museum of Science, Planetarium (5/1 - 5/18) | ||
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