Having casually wandered onstage, George is informed that one of the actors, Eddie, has been in an auto accident and he must replace him immediately. Apparently no one is sure of what play is being performed but George (costumed as Hamlet) seems to find himself in the middle of a scene from Private Lives, surrounded by such luminaries as Sarah Siddons, Dame Ellen Terry and Henry Irving. As he fumbles through one missed cue after another the other actors shift to Hamlet, then a play by Samuel Beckett, and then a climactic scene from what might well be A Man for All Seasons—by which time the disconcerted George has lost all sense of contact with his fellow performers. Yet, in the closing moments of the play, he rises to the occasion and finally says the right lines, whereupon make-believe suddenly gives way to reality as the executioner’s axe (meant for Sir Thomas Moore) instead sends poor George to oblivion—denying him a well-earned curtain call.
Videos
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BEASTLY: AN AUTOBIOGRAPHICAL FEMINIST FOLK TALE
Boston Center for the Arts Plaza Theatre (2/28 - 3/2) | |
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Ada and the Engine
Castle Hill Productions (2/27 - 3/9) | |
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“An Evening With Liz Callaway”
JM Productions at The Church of Presidents (2/22 - 2/22) LIMITED TICKETS REMAIN | |
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Daddy's Little Girl
The Chester H. Hawrylciw Theater, Northern Essex Community College, Haverhill. MA (2/21 - 3/2) | |
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The Fig Tree, and The Phoenix, and The Desire to Be Reborn
Boston Playwrights' Theatre (2/20 - 3/9) | |
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The Recursion of a Moth
Boston Playwrights' Theatre (2/27 - 3/9) | |
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The Wiggles: Bouncing Balls Tour
Emerson Colonial Theatre (6/29 - 6/29) | |
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Broadway with Strings Attached
52 Sumner (4/26 - 4/26) | |
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Aziz Ansari
Boch Center Wang Theatre (4/19 - 4/19) | |
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Dear Evan Hansen
Lowell Memorial Auditorium (4/7 - 4/7) | |
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Shen Yun
Boch Center Wang Theatre (4/3 - 4/6) | |
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