News on your favorite shows, specials & more!

Paulus' BEST OF BOTH WORLDS Opens at A.R.T. Tonight, 12/2

By: Dec. 02, 2009
Get Access To Every Broadway Story

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click.




Existing user? Just click login.

The American Repertory Theater (A.R.T.) will present BEST OF BOTH WORLDS, a new musical. Featuring the sounds of R&B and gospel, Best of Both Worlds features book and lyrics by Randy Weiner, music by multiple Obie-winner Diedre Murray, and is directed by Tony nominated Diane Paulus (HAIR).

The cast of Best of Both Worlds includes Gregg Baker (Lawrence Olivier Award and Grammy nominee), Jeannette Bayardelle (NAACP Theater Award Winner, Best Lead Actress in a Musical for the Role of Celie in The Color Purple), Mary Bond Davis (original Motormouth Maybelle in Hairspray on Broadway), Darius de Haas (Obie Winner, Running Man), Nikkieli DeMone (Joseph Jefferson Award for Best Supporting Actor in a Musical for his portrayals of Jake in Sideshow and John in Miss Saigon), Cleavant Derricks (Tony, Drama Desk and LA Drama Circle Award winner for Dreamgirls and Tony nominee for Brooklyn the Musical), Brianna Horne (Winner of CBS Early Show Contest "My Broadway Debut), Lawrence Stallings (Passing Strange On- and Off-Broadway), and the 8-year old Hingham native Sebastien Lucien as Mamillius.

In addition, Best of Both Worlds will feature a rotating roster of Greater Boston's most celebrated gospel choirs, including community, university, and church choirs.

The creative team also includes set designer and longtime A.R.T. collaborator Riccardo Hernandez, costume designer Emilio Sosa, lighting designer Aaron Black, and sound designer Brett Jarvis. Movement is by Tracy Jack, Music Director is Michael Mitchell, and the Associate Music Director and Choir Coordinator is David Freeman Coleman.

The Company of Best of Both Worlds includes Gregg Baker as Ezekiel, Jeannette Bayardelle as Serena, Mary Bond Davis as Violetta, Darius de Haas as Maurice, Nikkieli DeMone as Camillo, Cleavant Derricks as Sweet Daddy, Brianna Horne as Rain, Sebastien Lucien as Mamillius, and Lawrence Stallings as Tariq. The musicians are James Peterson, Guitar; Wesley Wirth, Bass, and Yoron Israel, Drums.

The participating choirs will include Boston Community Choir (New Year's Eve performance), Kingdom Sanctuary Choir, Harvard University Kuumba Singers, and Tufts University Gospel Choir.

Gregg Baker (Ezekiel) achieved international acclaim for his interpretation of Crown in Porgy and Bess at the Metropolitan Opera, the Glyndebourne Festival, Berlin Opera, and the Savolinna Festival. He has sung many roles at the MET in Aida, Carmen, Il Trovatore, and Das Rheingold and appeared in the great opera houses in Europe including Arena di Verona, Vienna State Opera, and throughout the United States. He also has sung in concert with many major American and European orchestras.

Mary Bond Davis (Violetta) created the role of Motormouth Maybelle in Hairspray on Broadway and also appeared in The Women, Jerry's Last Jam, Marie Christine, Bring in ‘Da Noise..., Show Boat, Mail, and Grease. She was seen on film in The Preacher's Wife, Romance and Cigarettes, New York Minute, Hook, Jeffrey, The Art of Dying, and JoJo Dancer . . . Television credits include Twin Peaks, The Bing Crosby Christmas (with Fred Astaire), and Gimme a Break.

Jeannette Bayardelle (Serena) originated her role in the New York production of Best of Both Worlds. She starred in The Color Purple on Broadway and on the first national tour, receiving an NAACP Award for Best Lead Actress in a Musical, and in the international tours of The Color Purple, Big River, Rent, and Sister Act. She voiced the Disney films The Princess and The Frog and Little Mermaid III. Other credits include Rent, Big River, Sister Act, Best of Both Worlds, Elegies, and Zinzi.

Randy Weiner (book and lyrics) Writing credits include Archbishop Supreme Tartuffe, Caligula, both with Alfred Preisser, Classical Theatre of Harlem; Swimming With Watermelons, Music-Theatre Group and Vineyard Theatre; Best Of Both Worlds, Music Theatre Group and Women's Project; Turandot: Rumble For The Ring, Bay Street Theatre; Stairway To Hell, Base Entertainment; The Donkey Show, The Karaoke Show, Frankenweiner, and many others, Project 400 Theater Group; Death And The Powers to be presented in Fall 2010 in Monte Carlo. Recent projects include The Most Interesting Show in the World, sponsored by Heineken, currently touring 16 cities around the US, and Purgatorio, a Halloween extravaganza presented by CBS Radio in Times Square.

Diedre Murray (composer) is a Pulitzer Prize Finalist, two-time Obie Winner and master musician. She is an innovative composer, cellist, producer and curator. In the 1970s and 1980s, she pioneered the use of the cello as a jazz and new world music instrument. Since the 1990s she has turned her attention to composing for extended musical works and the theatre. Credits include Unending Pain, co-presented by the Performance Garage and the Whitney Museum of American Art, toured to the Studio Museum of Harlem and Productions Traquen'Arts Cello Festival in Montreal; Lets Go Down to the River, for the Willasau Jazz Festival in Switzerland; The Eves of Nhor, for National Dutch Radio and De Effenaar Festival in Eindhoven Holland; Kamerados, for mixed ensemble at The Women's Improviser Festival in New York; Five Minute Tango, for the inaugural concert at the Danny Kaye/Sylvia Fine Playhouse entitled, performed by the Manhattan Brass Quintet; The Conversation for the Seattle-based New Performance Group at the Walker Arts Center in Minnesota; You Don't Miss the Water, a music-theatre piece, in collaboration with noted poet Cornelius Eady, produced by the Music Theatre Group (MTG); Women In The Dunes, a dance piece created by Blondel Cummings for the Japan Society; the jazz-opera Running Man, for which she wrote the original story and score, and book with Cornelius Eady (two Obie Awards, finalist for the 1999 Pulitzer Prize for Drama); music arrangements for Eli's Coming (Obie Award); The Blackamour Angel; an adaptation by Diane Paulus of James Baldwin's Another Country; an adaptation of The Voice Within with Marcus Gardley, Harlem Stage and the Apollo Theatre. Current projects include a new musical, Sweet Billy and the Zooloo's, with writer Lynn Nottage, for Colored Girl's Productions, scheduled for 2009; and Spoleto, a series of rags for solo piano in 2009. She received a B.S. degree from Hunter College in Ethnomusicology and has numerous recordings.

Diane Paulus (director) was recently appointed Artistic Director of the A.R.T. last year, and this is her first season She is the creator and director of The Donkey Show, which ran for six years Off-Broadway, toured internationally to London, Edinburgh, Madrid, and Evian, France, and is currently at the A.R.T. Recent theater work includes the Tony Award-winning revival of HAIR on Broadway; Kiss Me Kate at Glimmerglass Opera; Lost Highway, based on the David Lynch film, an ENO co-production with the Young Vic in London; Another Country by James Baldwin at Riverside Church; Turandot: Rumble for the Ring at the Bay Street Theatre; The Golden Mickey's for Disney Creative Entertainment; Best of Both Worlds, a gospel/R&B adaptation of A Winter's Tale produced by Music-Theatre Group and The Women's Project; and The Karaoke Show, an adaptation of "Comedy of Errors" set in a karaoke bar, produced by Jordan Roth Productions. Also for Music-Theatre Group, she directed the Obie award-winning and Pulitzer Prize finalist Running Man by jazz composer Diedre Murray and poet Cornelius Eady; and Swimming with Watermelons, created in association with Project 400, the theater company she co-founded with her husband Randy Weiner. Other work Off-Broadway: Brutal Imagination, and the Obie-award winning Eli's Coming, featuring the music and lyrics of Laura Nyro. Opera credits include Don Giovanni, Le nozze di Figaro, Turn Of The Screw, Cosi fan tutte; and Il ritorno d'Ulisse in patria, L'incoronazione di Poppea, and Orfeo at the Chicago Opera Theater. She is a frequent collaborator with British conductor Jane Glover; in 2002, their critically acclaimed production of Orfeo was presented as part of The Monteverdi Cycle at the Brooklyn Academy Of Music in New York City. Upcoming works include Il mondo della luna at the Hayden Planetarium in New York and Red Sox Nation at the A.R.T.

Best of Both Worlds began previews November 21st, with an official opening tonight, December 2nd. Performances will run though January 3, 2010 at the Loeb Drama Center in Cambridge. Tickets for Best of Both Worlds range in price from $25 - $75. Student rush tickets are $20 and seniors receive $10 off the ticket price. Group rates are available. Tickets may be purchased online at www.AmericanRepertoryTheater.org, by phone at 617-547-8300, or in person at the A.R.T. box office.

The AMERICAN REPERTORY THEATER (A.R.T.) is one of the country's most celebrated resident theaters and the winner of numerous awards - including the Tony Award, the Pulitzer Prize, and numerous local Elliot Norton and I.R.N.E. Awards. It was recently named one of the top three theaters in the country by Time magazine. Over its twenty-nine-year history the A.R.T. has welcomed major American and international theater artists whose singular visions generate and define the theater's work, presenting a varied repertoire that includes new plays, progressive productions of classical texts, and collaborations between artists from many disciplines. The Company has performed throughout the US, and worldwide in twenty-one cities in sixteen countries on four continents. Last fall the organization welcomed its new Artistic Director, Diane Paulus, under whose helm the Company begins its 30th Season. Under the leadership of Diane Paulus, A.R.T. has developed a new initiative, EXPERIENCE THE A.R.T., which seeks to revolutionize the theater experience through a sustained commitment to empowering the audience. This audience-driven vision will completely transform the way the company develops, programs, produces, and contextualizes its work. This speaks directly to the A.R.T.'s core mission - "to expand the boundaries of theater." A.R.T. resources will give equal importance to the social aspects of theater and the potential for a full theater experience, including interaction and engagement with its audience before, during, and after the production. The initiative involves producing theater cycles that create a festival atmosphere and allow audiences to experience productions in the context of a larger event. By producing and promoting these cycles as citywide events, A.R.T. will seek to attract larger audiences from the greater Boston area and from the rest of the country and world.

The A.R.T., located at the Loeb Drama Center at 64 Brattle Street, and at its second space, the theater-club OBERON, at 2 Arrow Street, (corner of Arrow Street and Massachusetts Avenue), Harvard Square, Cambridge, is accessible to persons with special needs and to those requiring wheelchair seating or first-floor restrooms. Deaf and hard-of-hearing patrons can also reach the Theater by calling the toll-free N.E.

For more information, visit www.AmericanRepertoryTheater.org.

Photo by Marcus Stern.



Comments

To post a comment, you must register and login.



Videos