New Repertory Theatre, in residence at the Arsenal Center for the Arts, is pleased to announce DollHouse, a drama by playwright Theresa Rebeck, based on Henrik Ibsen's A Doll's House. Directed by Bridget Kathleen O'Leary. Featuring New Rep favorites Jennie Israel (Boston Marriage and Tartuffe) as Christine and Will Lyman (Exits and Entrances, The Clean House and The Ice Breaker) as Evan. Making her New Rep debut is Sarah Newhouse as Nora.
Sarah Newhouse (Nora) is delighted to be making her New Rep debut with this production. Boston area credits include: Six Characters in Search of an Author, The King Stag, Macbeth, Picasso at the Lapin Agile (American Repertory Theater); Much Ado About Nothing, As you Like It (The Publick Theatre); Desdemona-a play about a handkerchief (Boston Center for the Arts); La Vita Claire (Centastage); Legacy of Light, Red Herring, Lost in Yonkers, The Miracle Worker (Lyric Stage Company of Boston); Imperialists at the Club Cave Canem, The Square, Root of Minus One (The Market Theater) and Shear Madness (Charles Playhouse). Regionally, venues include The Rose Tattoo (Berkshire Theatre Festival), Arcadia (The Firehouse Theatre at Newburyport), and Of Mice and Men (American Stage Festival). Off & Off-Broadway: Playwrights' Horizons, Kraine Theatre, Manhattan Punch Line. Sarah appeared in Gloucester Stage Company's acclaimed production of Table Manners by Alan Ayckbourn last June, and will be doing the 2nd part of The Norman Conquests trilogy this June. Ms. Newhouse is also a founding company member of the Actors' Shakespeare Project (ASP), with whom she has performed 10 roles in 6 years, most recently as Lady Percy in Henry IV, Parts 1 & 2. Local film credits include 'Feathers', 'The Legend of Lucy Keyes', 'Dischord', and 'Beneath Contempt', which just screened at this year's Slamdance Festival. TV: As The World Turns, Another World, MTV, Saturday Night Live. Sarah is a graduate of Hampshire College and the ART Institute for Advanced Theatre Training at Harvard University. She is currently serves on the boards of both StageSource, and Actors' Shakespeare Project.
Theresa Rebeck (playwright) is a widely produced playwright throughout the United States and abroad. Past New York productions of her work include Mauritius at the Biltmore Theatre in a Manhattan Theater Club Production; The Scene, The Water's Edge, Loose Knit, The Family of Mann and Spike Heels at Second Stage; Bad Dates, The Butterfly Collection and Our House at Playwrights Horizons; and View of the Dome at New York Theatre Workshop. Omnium Gatherum (co-written, finalist for the Pulitzer Prize in 2003) was featured at the Humana Festival, and had a commercial run at the Variety Arts Theatre. Her newest work, The Understudy, premiered at the 2008 Williamstown Theatre Festival and ran in New York at the Laura Pels Theater in a Roundabout Theatre Company production as part of their 2009 - 2010 season. Ms. Rebeck's first novel, Three Girls and Their Brother, was published by Random House/Shaye Areheart Books in April 2008. Her second novel, Twelve Rooms With A View, was published by Random House/Shaye Areheart Books in May of 2010. In television, Ms. Rebeck has written for Dream On, Brooklyn Bridge, L.A. Law, American Dreamer, Maximum Bob, First Wave, and Third Watch. She has been a writer/producer for Canterbury's Law, Smith, Law and Order: Criminal Intent and NYPD Blue. Her produced feature films include Harriet the Spy, Gossip, and the independent features Sunday on the Rocks and Seducing Charlie Barker, an adaptation of her play, The Scene. Awards include the Mystery Writer's of America's Edgar Award, the Writer's Guild of America award for Episodic Drama, the Hispanic Images Imagen Award, and the Peabody, all for her work on NYPD Blue. She has won the National Theatre Conference Award (for The Family of Mann), and was awarded the William Inge New Voices Playwriting Award in 2003 for The Bells. Mauritius was originally produced at Boston's Huntington Theatre, where it received the 2007 IRNE Award for Best New Play as well as the Eliot Norton Award. Ms. Rebeck is originally from Cincinnati and holds an MFA in Playwrighting and a PhD. in Victorian Melodrama, both from Brandeis University. She is a proud board member of the Dramatists Guild, a Contributing Editor to the Harvard Review, an Associate Artist of the Roundabout Theatre Company, and has taught at Brandeis University and Columbia University. She lives in Brooklyn with her husband and two children.
Bridget Kathleen O'Leary (director) is in her third season at New Rep as Artistic Associate. Most recently, she directed New Rep's productions of boom, Charles Dickens' A Christmas Carol, and the critically acclaimed production of Fool for Love. Other directing credits include: The Boys of Winter (IRNE Nomination, Best New Play, 2008) for BKS productions; The Devil's Teacup (IRNE Nomination, Best New Play, 2007) at Boston Playwrights' Theatre; and Rosencrantz and Guildenstern are Dead, The American Clock, Much Ado About Nothing, Curse of the Starving Class, Dancing at Lughnasa, and Sarah Kane's Crave and 4.48 Psychosis, all at Boston University. In 2007, she assisted Artistic Director Wendy C. Goldberg at the National Playwrights' Conference at the Eugene O'Neill Theater Center and worked as an assistant on new plays by Rebecca Gilman and Roberto Aguirre-Sacasa. Before moving to Boston, Bridget worked in Washington, D.C. with the Olney Theatre Center, Theater Alliance, Cherry Red Productions, Charter Theater, Studio Theatre Second Stage, and Phoenix Theatre DC, of which she was a founding member. Selected D.C. directing credits include: Independence, Parallel Lives, and the creations of Unwrapped and Lulu Fabulous by area playwrights. Bridget received her MFA in directing at Boston University. She lives in Watertown with her husband Chris.
FACTS AT A GLANCE
Company: New Repertory TheatreWhere: in residence at the Arsenal Center for the Arts, Charles Mosesian Theater,Runs through: Sunday, March 20, 2011 at 2:00pm
Performances: Sunday, February 27, 2011 at 2:00pm (Pay What You Can)
Sunday, February 27, 2011 at 7:30pm
Monday, February 28, 2011 at 7:30pm (Press Opening)
Thursday, February 3, 2011 at 2:00pm
Thursday, February 3, 2011 at 7:30pm
Friday, February 4, 2011 at 8:00pm
Saturday, February 5, 2011 at 8:00pm
Sunday, February 6, 2011 at 2:00pm (Talkback)
Wednesday, February 9, 2011 at 7:30pm
Thursday, February 10, 2011 at 7:30pm
Friday, February 11, 2011 at 8:00pm
Saturday, February 12, 2011 at 3:00pm
Saturday, February 12, 2011 at 8:00pm
Sunday, February 13, 2011 at 2:00pm (Talkback)
Thursday, February 17, 2011 at 7:30pm
Friday, February 18, 2011 at 8:00pm
Saturday, February 19, 2011 at 3:00pm
Saturday, February 19, 2011 at 8:00pm
Sunday, February 20, 2011 at 2:00pm (Talkback)
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