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From LA BOHEME To Bowie, NEC's Winter/Spring Season Promises A Dynamic Blend Of Classics And Contemporary Selections

Noteworthy moments include the 70th anniversary of Coretta Scott King's graduation, NEC's renowned chamber orchestra, and Jazz in Cambridge.

By: Dec. 14, 2023
From LA BOHEME To Bowie, NEC's Winter/Spring Season Promises A Dynamic Blend Of Classics And Contemporary Selections  Image
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From LA BOHEME To Bowie, NEC's Winter/Spring Season Promises A Dynamic Blend Of Classics And Contemporary Selections  Image

New England Conservatory's (NEC) Winter/Spring 2024 performance season will take audiences on a musical odyssey across genres and time, ensuring a captivating fusion of classics and contemporary selections. The lineup promises an enriching and diverse experience while showcasing the range and innovation of the conservatory's students and faculty.

Noteworthy highlights in the upcoming season include the 7th Annual Coretta Scott King Tribute Concert on February 26, curated by NEC's Black Student Union. The yearly event pays homage to one of NEC's most notable graduates, the trailblazing activist and soprano Coretta Scott King '54, '71 Hon. DM. The celebration marks the 70th anniversary of her graduation, showcasing the profound impact of her studies in music education and voice at NEC.

In addition, the Contemporary Musical Arts (CMA) department, under the artistic direction of faculty member Lautaro Mantilla, will explore the iconic songs of David Bowie that were produced with Brian Eno. This immersive experience, scheduled for April 17 on the Jordan Hall stage, delves into Bowie's transformative influence on pop culture, musical styles, gender, sexuality, social justice, protest, and fashion.

On February 5 and 7, soprano Josie Larsen '23 MM, '25 AD and baritone Hyungjin Son '24 MM, along with NEC opera students, will join the NEC Philharmonia for a thrilling rendition of Giacomo Puccini's La bohème. In this semi-staged of the opera, audiences will be immersed in the captivating beauty of NEC vocalists complemented by a full orchestra. Later in the semester, NEC opera students will also join the NEC Philharmonia in four performances of Strauss's Die Fledermaus in the Plimpton Shattuck Black Box Theatre.

Heading off campus to Cambridge's famed Regattabar Jazz Club, NEC Jazz Orchestra will play selections including George Russell's "Ezzthetic" and Jazz Department Co-Chair Ken Schaphorst's "Take Back the Country." Featuring founding CMA department chair Ran Blake on piano and Dominique Eade '82, '89 AD on voice, the Ken Schaphorst Big Band will also perform Blake's "Memphis" and Schaphorst's "Mbira” during the February 5 performance.

On February 14, CMA co-chair Hankus Netsky and Ran Blake will curate a concert celebrating the enduring musical legacies of Mahalia Jackson and Chris Connor—two titans of gospel and jazz from the 20th century. The event will explore the emotional depth of Jackson's soulful gospel in contrast to the cool jazz stylings embraced by Connor, creating a dynamic musical tapestry.

Virtuosic young pianist and first-year NEC student Yunchan Lim will make his debut with the Boston Symphony Orchestra on February 15, performing Rachmaninoff's Concerto No. 3—the same piece Lim performed during the final round of 2022's Van Cliburn International Piano Competition, securing his place as the youngest person ever to win gold at the prestigious competition and garnering more than 13 million YouTube views.

Directed by Donald Palma, the NEC Chamber Orchestra presents a dynamic program on February 28 featuring Philip Herbert's poignant “Elegy,” Mozart's lively Divertimento No. 11, and Béla Bartók's rhythmically rich “Divertimento.” This performance at Jordan Hall showcases the exceptional talent of NEC's conductorless orchestra, which inspired the formation of the critically acclaimed A Far Cry.

On March 13, NEC Symphony, under the baton of Hugh Wolff, will explore topics of censorship, the #MeToo movement, and response to violence against Black Americans through a repertoire that endeavors to speak truth to power, including Reena Esmail's “RE|Member,” Joel Thompson's “An Act of Resistance,” and Dmitri Shostakovich's Symphony No. 5.

Rounding out the season's highlights are birthday celebrations for two musical greats. On February 1, pianist Jason Moran and NEC students ranging from soloists to large ensembles will celebrate the 125th birthday of jazz icon Duke Ellington. The 150th birthday of the legendary composer Charles Ives will be commemorated with a First Monday tribute curated by Laurence Lesser on March 4, followed by a second performance by NEC chamber musicians on March 7.

In its 120th season, performances at NEC's Jordan Hall and events across campus are free and open to the public unless otherwise specified. Media are invited to cover performances, explore behind the scenes, and pursue other opportunities with permission.

 

Full listings attached and may be found at https://necmusic.edu/concerts.

Founded by Eben Tourjée in Boston, Massachusetts in 1867, the New England Conservatory (NEC) represents a new model of music school that combines the best of European tradition with American innovation. The school stands at the center of Boston's rich cultural history and musical life, presenting concerts at the renowned Jordan Hall. Propelled by profound artistry, bold creativity and deep compassion, NEC seeks to amplify musicians' impact on advancing our shared humanity, and empowers students to meet today's changing world head-on, equipped with the tools and confidence to forge multidimensional lives of artistic depth and relevance.

As an independent, not-for-profit institution that educates and trains musicians of all ages from around the world, NEC is recognized internationally as a leader among music schools. It cultivates a diverse, dynamic community, providing music students of more than 40 countries with performance opportunities and high-caliber training from 225 internationally esteemed artist-teachers and scholars. NEC pushes the boundaries of music-making and teaching through college-level training in classical, jazz and contemporary improvisation. Through unique interdisciplinary programs such as Entrepreneurial Musicianship and Community Performances & Partnerships, it empowers students to create their own musical opportunities. As part of NEC's mission to make lifelong music education available to everyone, the Preparatory School and School of Continuing Education delivers training and performance opportunities for children, pre-college students and adults.




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