Theater after Film - by Martin Harries

Argues that after 1945, as cinema became omnipresent in popular culture, theater had to respond to cinema's hegemony. Postwar theatrical experiment, Harries shows, often channeled and represented film's mass cultural force, while knowing that it could never possess that force. Throughout the book, Harries brings critical theory into contact with theories of performance. Although Theater after Film treats the theatrical work of many figures, its central focus falls on Tennessee Williams, Samuel Beckett, and Adrienne Kennedy. 304 pages.

Available On:


Publisher: Univ of Chicago Press

Released: 2025