HADESTOWN Comes to Birmingham Next Month
Performances run March 19–24, 2024.
By: Stephi Wild Feb. 22, 2024
HADESTOWN, the winner of eight 2019 Tony Awards® including Best New Musical and the 2020 Grammy® Award for Best Musical Theater Album, will be performed as part of the 23–24 BROADWAY IN BIRMINGHAM series and will take the BJCC Concert Hall stage March 19–24, 2024.
Tickets to HADESTOWN are available for purchase at BroadwayInBirmingham.com, BJCC.org and Ticketmaster.com. Group ticket savings for 10+ are available by contacting Groups@ATGuild.org.
PERFORMANCE SCHEDULE:
Tuesday, March 19, 2024 7:30 p.m.
Wednesday, March 20, 2024 7:30 p.m.
Thursday, March 21, 2024 7:30 p.m.
Friday, March 22, 2024 8:00 p.m.
Saturday, March 23, 2024 2:00 & 8:00 p.m.
Sunday, March 24, 2024 1:00 & 6:30 p.m.
Hadestown is the most honored show of the 2018-2019 Broadway season. In addition to the show’s eight Tony Awards®, it has been honored with four Drama Desk Awards, six Outer Critics Circle Awards, including Outstanding New Broadway Musical, and the Drama League Award for Outstanding Production of a Musical.
The North American touring production of Hadestown stars Amaya Braganza as Eurydice, Lana Gordon as Persephone, Will Mann as Hermes, Matthew Patrick Quinn as Hades, and J. Antonio Rodriguez as Orpheus. The Fates are played by Marla Louissaint, Lizzie Markson, and Hannah Schreer. The Workers Chorus features Sevon Askew, Jamal Lee Harris, Cate Hayman, Quiana Onrea’l Holmes, and Daniel Tracht. Swings for the tour include Nick Cortazzo, Ian Coulter-Buford, KC Dela Cruz, Timothy H. Lee, and Cecilia Trippiedi.
Producers Mara Isaacs, Dale Franzen, Hunter Arnold, and Tom Kirdahy said jointly, “Throughout its development, Hadestown has been deeply influenced by audiences around the world. We are thrilled and humbled to now share this beautiful story of hope, faith, and rebirth – written and directed by two amazingly talented women and brought to life by a diverse company of performers – with audiences across North America.”
The acclaimed new musical is by celebrated singer-songwriter and Tony Award® winner Anaïs Mitchell and developed with innovative director and Tony Award® winner Rachel Chavkin. Hadestown marks the first time in over a decade that a woman has been the solo author of a musical: writing the music, lyrics, and book, and is the fourth time in Broadway history a woman has accomplished this creative feat.
The show opened at the Walter Kerr Theatre on Broadway (219 West 48th Street, New York) on April 17, 2019, where it played sold out houses nightly before performances were suspended due to the COVID-19 pandemic. Hadestown resumed performances September 2, 2021 as one of the first musicals to reopen on Broadway where it continues to play today. The North American Tour opened at The Kennedy Center in Washington DC on October 15, 2021.
The show originated as Mitchell’s indie theater project that toured Vermont which she then turned into an acclaimed album. With Chavkin, her artistic collaborator, Hadestown has been transformed into a genre-defying new musical that blends modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale.
Following two intertwining love stories — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — Hadestown invites audiences on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience.
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