After Le Signal du promeneur, the Raoul Collectif continues its reflection around the relations between the individual and the group. In this case, it draws its inspiration from several experiences within highly varied groups: the Mont Pelerin Society, the fight of an indigenous Mexican people threatened with extinction, the Situationist movement, etc.
Groups with conflicting visions of the world, having had various influences on the course of history or who were merely passive onlookers. Treasure hunts, sideslipping and dramatic turnarounds: the many groups (re)composed by the Raoul Collectif are put to the test nourishing both the ideal and the violence within them. They play a game of make-believe, which paves the way to stories that tend to disappear from our mental landscape.
The happy band once again demonstrate their skilfully contrived and timelessly inventive stagecraft and propose a show to us that is fertile and playful, visual and liberating.
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