‘Since La Vestale, not a note of music has been written that wasn’t stolen from my scores!’ Gaspare Spontini was himself aware of how innovative and influential his score was. He turned opera in a new direction by conceiving the whole score on the basis of a compelling dramatic conception involving naturalistic effects, orchestration, and musical form, thereby pointing the way for such opera composers as Rossini, Wagner, Berlioz, and Meyerbeer. As a grand opera it was ahead of its time and was full of spectacular scenes showing a Vestal Virgin’s forbidden love for a Roman general; it made Spontini the most important composer of the Napoleonic period. Here directing his first opera, the French stage director éric Lacascade focuses on a highly topical subject: ‘More than passionate love, what is at stake in this opera is the liberation of a woman who frees herself from the power of religious authority.’
Videos
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Svartklubben - Mat & Musik i Mörker
Svartklubben (1/16 - 3/29) | |
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Wouter Deprez - Wouter moet meer orde hebben!
Stadsschouwburg Antwerpen (4/24 - 4/24) | |
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Mamma Mia
Stadsschouwburg Antwerpen (3/20 - 4/20) | |
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Patrick Chesnais
Théâtre Royal (10/5 - 10/5) | |
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Ommegang
Grand-Place de Bruxelles (7/2 - 7/2) | |
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Nawell tout court
Cirque Royal (4/5 - 4/5) | |
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BRIT FLOYD: WISH YOU WERE HERE – 50th Anniversary
Stadsschouwburg Antwerpen (10/14 - 10/14) | |
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