Maria Nockin worked at the Metropolitan Opera in New York while attending Fordham University across the street from Lincoln Center. At the same time, she studied voice, piano, and violin privately. For many years she taught English as a Second Language as well as courses in Art and Theater at New York City and Hauppauge Long Island schools. She has also served as soprano soloist at Long Island's Cathedral of St. Agnes. She spent summers working at the Salzburg Festival where some iof her reviews were translated and read on Austrian Radio. Upon retirement from teaching, she moved to the warmer climate of the Southwest United States where, in winter, she writes about opera and classical music in the major cities of Arizona and California. In summer she covers operas and concerts in Santa Fe New Mexico. In summer 2014, Maria taught Music Theory at the Institute for Large Dramatic Voices. One of her students was Jonah Hoskins, a 2020 winner of the Metropolitan Opera National Auditions.
On May 29, 2020, Opera Philadelphia presented the digital premiere of Royce Vavrek and Missy Mazzoli's Breaking the Waves, a story based on the 1996 international film of the same name directed by Lars von Trier. Winner of the Music Critics Association of North America 2017 award for Best New Opera, the story took place in the 1970s at a seaside settlement in the Scottish Highlands.
Metropolitan Opera soprano Amanda Woodbury and pianist Aurelia Andrews, both of whom are graduates of the Los Angeles Opera Young Artist Program, will give a Living Room Recital on the LAO website Friday, May 29, at 4:00 PM Pacific Time. It will also be available later for those readers who cannot watch it live.
On May 22, 2020, Opera Philadelphia presented the digital world premiere of composer Lembit Beecher and librettist Hannah Moscovitch's opera Sky on Swings. The company gave the opera's world premiere on Sept. 20, 2018, during its Festival O.
Find out where to tune in to free opera and music performances, May 22-29!
Los Angeles Opera always has interesting items online that help opera lovers keep up with their favorite art. Since the cancellation of Claude Debussy's Pelléas et Mélisande, Music Director James Conlon has written a blog telling readers why it needs to be played and heard by audiences everywhere. The blog also gives us a clip from David McVicar's production at Scottish Opera. Theirs is the production that was to come to us in LA.
Los Angeles Opera's website www.laopera.org has a plethora of short a?oeAt Homea?? recitals for opera lovers to enjoy during our time of theatrical drought. The newest entry is Theo Hoffman's program of Bernstein, Rachmaninov, Sondheim and Schubert. Accompanied either by Jeremy Frank's pre-recorded piano or by his own guitar, Theo treats listeners to a different song for each day of the week.
On Friday May 1, 2020, Florence Italy's Maggio Musicale presented a a?oeHome Galaa?? featuring artists singing at home accompanied by themselves, their housemates, or a pre-recorded track. In this year of pandemic, Opera Superintendent Alexander Pereira could not open his theater to its usual crowds, so he invited his artists to sing from their places of quarantine.
Now that the Metropolitan Opera has had a major success with its At-Home Gala, there are other opera companies with similar ideas. The Florence May Festival, (Maggio Musicale Fiorentino), will offer its presentation on Friday, May 1, 2020, at noon. P.D.T. Since many opera lovers are working from home, the audience should be enormous.
On April 25, 2020, The Metropolitan Opera presented many of its top ranked artists performing from their homes or where they were staying on that date. Met General Manager Peter Gelb, the master of ceremonies, chatted with Music Director Yannick Nézet-Séguin as they presented each performer. Because of the COVID-19 pandemic, artists were recorded alone or with people they know well.
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