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Jeffrey Ellis - Page 7

Jeffrey Ellis

Jeffrey Ellis is a Nashville-based writer, editor and critic, who's been covering the performing arts in Tennessee for more than 35 years. In 1989, Ellis and his partner launched Dare, Tennessee's Lesbian and Gay Newsweekly which later became known as Query. Ellis is the recipient of the Tennessee Theatre Association's Distinguished Service Award for his coverage of theater in the Volunteer State and was the founding editor/publisher of Stages, the Tennessee Onstage Monthly.  He is a past fellow of the National Critics Institute at the Eugene O'Neill Theatre Center and is the founder/executive producer of The First Night Honors - the history of which can be traced to 1989 and the first presentation of The First Night Awards - which honor outstanding theater artisans from Tennessee in recognition of their lifetime achievements and also includes The First Night Star Awards and the Most Promising Actors recognition. Midwinter's First Night honors outstanding productions and performances throughout the state. An accomplished director, Ellis helmed productions of La Cage Aux Folles, The Last Night of Ballyhoo and An American Daughter, all in their Nashville premieres, as well as award-winning productions of Damn Yankees, Company, Gypsy and The Rocky Horror Show. Ellis was recognized by The Tennessean as best director of a musical for both Company and Rocky Horror. Since 2015, Ellis has been increasingly in demand as a director by a variety of Tennessee theater companies and he has helmed productions of Picnic (Circle Players), The Last Five Years (VWA Theatricals), The Miss Firecracker Contest, Cabaret, My Fair Lady, Daddy's Dyin'...Who's Got the Will?, South Pacific, Winter Wonderettes and The Wizard of Oz (The Larry Keeton Theatre), The Little Foxes (ACT 1), The Boys in the Band (Jeffey Ellis Presents), Singin' in the Rain (Arts Center of Cannon County) and The Secret Garden (Center for the Arts, Murfreesboro) and, in 2020, the 70th anniversary season production of La Cage Aux Folles for Circle Players. Later this year, he will be directing Beautiful: The Carole King Musical for Center for the Arts.




LEARN MORE ABOUT Jeffrey Ellis

First Show:

EVITA, starring Patti LuPone

Favorite Stories:



Review: Oh, Brother! MAY WE ALL: A New Country Musical Cast and Characters Deserve a Better Book<br><br>
Review: Oh, Brother! MAY WE ALL: A New Country Musical Cast and Characters Deserve a Better Book


June 18, 2022

A jukebox musical featuring songs from a plethora of country music artists, May We All has all the charm of a pedal-tavern powered by a dozen drunk “woo-woo” girls debauching themselves all the way down Broadway, while displaying all the emotional complexity and dramatic intensity of a rejected script from a Hallmark Network Christmas movie.

The Friday 5(+1) on Thursday: THAT WOMAN - THE MONOLOGUE SHOW Opens at Darkhorse Theater Tonight
The Friday 5(+1) on Thursday: THAT WOMAN - THE MONOLOGUE SHOW Opens at Darkhorse Theater Tonight
June 16, 2022

Opening tonight at Darkhorse Theater in Nashville is That Woman – The Monologue Show, which explores the stories of women who involved or rumored-to-be involved with President John F. Kennedy. Co-written by Nashville-area women playwrights and actors, it is performed by a diverse ensemble of actors who bring the women to life “in a fascinating look at a lesser-known aspect of history and a thought-provoking and entertaining evening of theatre.”

BWW Review: RODGERS + HAMMERSTEIN'S CINDERELLA Captivates and Enthralls in Exquisite CCP Imagining
BWW Review: RODGERS + HAMMERSTEIN'S CINDERELLA Captivates and Enthralls in Exquisite CCP Imagining
June 12, 2022

The story of Cinderella and her Prince is as aspirational and as inspirational as any to be found in the history of musical theater and we are once again delighted to tell you, gentle readers, that the current iteration of Rodgers + Hammerstein’s Cinderella now onstage at Crossville’s Cumberland County Playhouse is as thoroughly satisfying and spellbinding as any we have ever seen.

The Friday 5(+1): Cumberland County Playhouse's RODGERS + HAMMERSTEIN'S CINDERELLA Opens Tonight
The Friday 5(+1): Cumberland County Playhouse's RODGERS + HAMMERSTEIN'S CINDERELLA Opens Tonight
June 10, 2022

With its fresh new take on the beloved tale of a young woman who is transformed from a chambermaid into a princess, the hilarious and romantic Rodgers + Hammerstein’s Cinderella combines the story's classic elements – the glass slippers, the pumpkin, and the prince’s ball – along with some surprising twists.

BWW Review: Roxy Regional Theatre's CRY-BABY: THE MUSICAL Serves Up Swell Summer Fun
BWW Review: Roxy Regional Theatre's CRY-BABY: THE MUSICAL Serves Up Swell Summer Fun
June 10, 2022

Now onstage through June 18 at Clarksville’s Roxy Regional Theatre, Cry-Baby: The Musical (which played a brief 2008 Broadway run) is a riff on Romeo and Juliet that takes place during the age of polio vaccinations, Pinko Commie malcontents and the overzealous construction of flimsy, at-home shelters that promised protection from atomic blasts and somehow typified the Eisenhower era of the post-war 1950s.

The Friday 5(+1): Caitlyn Porayko and Victoria Preisman from Roxy Regional Theatre's CRY-BABY THE MUSICAL
The Friday 5(+1): Caitlyn Porayko and Victoria Preisman from Roxy Regional Theatre's CRY-BABY THE MUSICAL
June 3, 2022

Set in 1950s Baltimore, the conservative squares face off against the leather-clad delinquents in this rockabilly musical from the creative team behind Hairspray – Thomas Meehan and Mark O'Donnell – featuring a score from Fountains of Wayne co-founder Adam Schlesinger and The Daily Show executive producer David Javerbaum.  

The Friday 5(+1): Madison Gunn and Morgan Riggs of TEN YEAR
The Friday 5(+1): Madison Gunn and Morgan Riggs of TEN YEAR
June 3, 2022

Sam is holding on to the past. He’s had the same job, lived in the same house, even ordered the same coffee for a decade now. This one weekend could change all of that. Come see the world premiere of Ten Year – a new musical by Wesley King and Jacob Henz, running through June 4 at Nashville’s Darkhorse Theater.

BWW Review: David Lee's 'Sparkling and Winning' Adaptation of LERNER AND LOEWE'S CAMELOT at Studio Tenn
BWW Review: David Lee's 'Sparkling and Winning' Adaptation of LERNER AND LOEWE'S CAMELOT at Studio Tenn
May 7, 2022

Lerner and Loewe’s Camelot, the 1960 musical based on the legend of King Arthur and his knights of the round table and adapted from the T.H. White novel The Once and Future King, is now onstage in Franklin, in an entertaining, sparkling and winningly fast-paced rendition from Studio Tenn. Under the direction of Broadway veteran Phillip William McKinley (The Boy From Oz, Spiderman: Turn Off the Dark) who, with his creative team, brings to life the show’s 2010 update by multiple Emmy Award-winning, multi-hyphenate television producer David Lee (Frasier, Wings, The Jeffersons).

BWW Review: Tony Award-winning Revival of RODGERS AND HAMMERSTEIN'S OKLAHOMA! Plays Nashville This Week
BWW Review: Tony Award-winning Revival of RODGERS AND HAMMERSTEIN'S OKLAHOMA! Plays Nashville This Week
May 4, 2022

Yet perhaps at no time during its vaunted and venerated history has Oklahoma! been so polarizing as it has become now, thanks to the 2019 Broadway revival directed by Daniel Fish which is touring the provinces. Read our critic's review.

HAMILTON Returns to Nashville to Open TPAC's 2022-23 Broadway Series
HAMILTON Returns to Nashville to Open TPAC's 2022-23 Broadway Series
May 2, 2022

Single tickets go on sale on Thursday, May 5, at 10 a.m. at TPAC.org and in person at the TPAC Box Office, 505 Deaderick St., in downtown Nashville. For groups of 10 or more, call 615-782-4060. Patrons are encouraged to have tickets delivered to TPAC Concierge App when possible.

BWW Review: After Two-Year Covid Delay, Nashville Rep's MARY POPPINS Finally Flies Into Polk Theatre
BWW Review: After Two-Year Covid Delay, Nashville Rep's MARY POPPINS Finally Flies Into Polk Theatre
May 1, 2022

After more than two years since its original opening night was set in 2020, Nashville Repertory Theatre’s eagerly anticipated production of Disney’s Mary Poppins – the stage musicalization of P.L. Travers’ tales of the acerbic British nanny and her oft-misbehaving charges – has finally landed on the stage of the James K. Polk Theatre at Tennessee Performing Arts Center.

OZ Arts Nashville Announces Innovative Local Artists Featured in Inaugural Brave New Works Lab
OZ Arts Nashville Announces Innovative Local Artists Featured in Inaugural Brave New Works Lab
April 26, 2022

Contemporary arts center OZ Arts Nashville today announced the line-up for its inaugural Brave New Works Lab, which transforms the organization’s expansive warehouse into a laboratory for local artists to experiment with new forms as they create new works for the stage. The program features four unique performance pieces from local artists working across multiple disciplines, including dance, theater, multimedia, performance art, and music. Performances will be held nightly from May 19-21, and OZ Arts will also host a cutting-edge visual art exhibit and poetic film screenings presented with local partner organizations in conjunction with the Brave New Works Lab.

Matt Logan Productions, Rabbit Room Theatre to Present A.S. Peterson's THE HIDING PLACE June 30-July 17
Matt Logan Productions, Rabbit Room Theatre to Present A.S. Peterson's THE HIDING PLACE June 30-July 17
April 25, 2022

Rabbit Room Theatre and Matt Logan Productions are partnering on Nashville’s theatrical premiere of The Hiding Place at the Soli Deo Center on Christ Presbyterian Academy’s campus from June 30-July 17. Adapted for the stage by The Rabbit Room’s A. S. “Pete” Peterson, The Hiding Place is based on the memoir of the same name by Corrie Ten Boom, recounting how the Ten Boom family hid Jews from the Nazis via the Dutch Underground during WWII.  

Tennessee Performing Arts Center Announces Wide Range of 'Intentional, Diverse Programming' for 2022-23
Tennessee Performing Arts Center Announces Wide Range of 'Intentional, Diverse Programming' for 2022-23
April 20, 2022

Nashville's Tennessee Performing Arts Center (TPAC) today announces its non-Broadway programming lineup for 2022-23, including the launch of new series for dance, theater, and family presentations as well as the return of its Cabaret On Stage series, co-presented with Studio Tenn.

BWW Review: Actors Bridge Ensemble Returns With Gloriously Heartfelt TINY BEAUTIFUL THINGS
BWW Review: Actors Bridge Ensemble Returns With Gloriously Heartfelt TINY BEAUTIFUL THINGS
April 10, 2022

After two years in real time – which seems like more than two decades in these weird pandemic times in which we’ve been living most recently – Nashville’s critically and audience-acclaimed theater company Actors Bridge Ensemble is back in the business of producing live theater. And may we say, on behalf of the company’s legions of fans: Thank you! Thank you! Thank you! You have been missed.

BWW Review: WHAT THE CONSTITUTION MEANS TO ME Stuns Nashville Audiences in TPAC Run
BWW Review: WHAT THE CONSTITUTION MEANS TO ME Stuns Nashville Audiences in TPAC Run
March 31, 2022

If it were at all possible – say, if I were rich or something akin to being rich – I would buy huge blocks of tickets to Heidi Schreck’s What the Constitution Means to Me so that everyone could see it and be as affected by it as I was. For to be quite honest, What the Constitution Means to Me is one of the best theatrical experiences of my career and one of the most edifying experiences of my entire life.

BWW Review: SUMMER - The Donna Summer Musical Brings The Diva's Story Home to Nashville
BWW Review: SUMMER - The Donna Summer Musical Brings The Diva's Story Home to Nashville
March 24, 2022

And while that is one of the true musical highlights of Summer – The Donna Summer Musical, it also focuses attention on the fact that the musical itself – or, rather, its problematic book – often seems unable to figure out how to focus the spotlight on its heroine. Taking a non-linear pathway through the story of the diva’s life, Summer – The Donna Summer Musical is oftentimes confusing and sometimes perplexing, despite the fact that the musical score (attributed to Summer, Giorgio Moroder, Paul Jabara and “others” in the playbill) is wonderfully entertaining and certain to unleash a flood of memories for audience members of a certain vintage.

BWW Review: DEAR EVAN HANSEN Returns to Nashville, As Poignant And Powerful As Ever
BWW Review: DEAR EVAN HANSEN Returns to Nashville, As Poignant And Powerful As Ever
March 5, 2022

As poignant and as moving – and certainly just as emotionally draining – as you may remember from its first run at Nashville’s Tennessee Performing Arts Center in September 2019, Dear Evan Hansen has settled into TPAC’s Andrew Jackson Hall for a limited engagement through Sunday, featuring a stellar performance from Stephen Anthony Christopher in the title role, given superb support from director Michael Greif’s seven-person ensemble.

BWW Review: Nashville Children's Theatre's World Premiere of PETER PAN: WENDY'S ADVENTURE TO NEVERLAND
BWW Review: Nashville Children's Theatre's World Premiere of PETER PAN: WENDY'S ADVENTURE TO NEVERLAND
March 1, 2022

There is no place more magical – no art form more transformative – than the theater and now, thanks to the continued creativity and sense of wonder shared by Ernie Nolan and David Weinstein (given an assist from a timeless tale by J.M. Barrie), audiences are treated to an exhilarating flight of fancy via the award-winning pair’s sprightly and sparkling new musical take on the story of Peter Pan: Wendy’s Adventure to Neverland.  

BWW Review: Studio Tenn's Emotional and Heartfelt IT'S A WONDERFUL LIFE Brings Magic to the Holiday Season
BWW Review: Studio Tenn's Emotional and Heartfelt IT'S A WONDERFUL LIFE Brings Magic to the Holiday Season
December 22, 2021

Cassidy has very cleverly reconfigured the piece to be presented as a radio play, presented in 1947 on local Franklin radio station, WAKM, adding some dialogue that rings authentic of the era and certain to gain a reaction from the play’s audience. In less capable hands, this new conceit could be considered too cute by half, yet Cassidy and his ensemble very confidently bring the show to life with a spirit heretofore unrealized.



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