Trevor Durham - Page 3

The scatting, the clown noses, and the gruesome content all bounce through the asymmetrical loft as Rodaz plays with his Wild Party just one final time before he unleashes the orgy upon the world.

Clive Cholerton takes the demon barber's ballads into new dimensions of cruelty and possibility.

The well-oiled machine Manuel has created in his Spring Awakening is a small miracle in the intimate space, showcasing the truly remarkable cast.

Returning-MNM director/ choreographer Kimberly Dawn Smith's smart attention to the wondrously strong cast, and obvious love of the absurdity, power her Spamalot through the few brief stumbles to deliver a side-splitting evening.

The destitute society J. Barry Lewis delivers from his cloudy Inishmaan general store is sadistic comedy in highest form.

Slow Burn's AIDA will change your life and move your heart along the Nile, thanks to the phenomenal cast and masterful technical work.

Drag queen phenomenon Bianca Del Rio spent nearly two hours exploring her infamous 'rolodex of hate' to Tampa's receptive crowd, still managing to shock and surprise in her tour's final legs.

Fitzwater has finally gotten his chance to deliver Big River, a production dazzling in its music and performances, showcasing a wild range of talents that give this American musical the most American feel a show could hope for.

Keelor is a pure ball of sunshine with the performative strength of a bomb, even as she raises a son and tours the world.

Opening Nights of Florida State University will be presenting a special performance of Twyla Tharp Dance to celebrate their 50th anniversary.

A journey of a capella, musical history, love, humor, and mind-numbing vocal talent, Vocalosity is the musical power-group you never knew you needed.

Davis' production of Private Lives is a romantic journey of love that delivers the wit and charm of each lover with a lot of laughs.

Erin Pittleman has taken the rock musical to the mainstage of the Lake Worth Playhouse, and despite some awkward staging and jagged transitions, the performances of her biggest players keeps the production rolling.

Carr's Anna in the Tropics overwhelms in delight that simply cannot be denied, through exquisitely emotional performance and a literary script that dashes Cuban-American culture into the canon.

An a capella concert will present the premiere tour of Vocalosity to Tallahassee audiences, with the help of local group Mane Event.

Director Patrick Fitzwater has grasped the drama of the cold, dark tale to present an almost operatic tragedy and a roaring score only he could wrestle onto the stage.

A two and a half hour marathon of absurdism, clever dancing around endless prop pieces, Peter and the Starcatcher is the most intriguing theatrical experiment an audience could have ever envisioned from such a colorful flight to Neverland.

Director Matthew Watson presents an unabridged production of Miller's classic, with strong performers and supporting tech.

Director Melissa Findley tackles a test of cunning, wits, and nuance.