BWW Review: GOLEM, Bristol Old VicJune 1, 2017How much are you in control of the choices you make? This is the central question posed by 1927's Golem - a story inspired by the myth of the clay man Golem but given a distinctly modern edge over 90mins of exhilarating and ingenious theatre.
BWW Review: THE ISLAND, Tobacco Factory BristolMay 24, 2017"They sentenced me to life, not to death" is the cry from an increasingly broken Winston in this new production of Fugard's The Island. Set on the notorious Robben Island (the infamous place that held Nelson Mandela) during apartheid The Island offers a glimpse into the lives of two inmates- John and Winston who face impossibly long stretches of time under the unspeakably harsh regime.
BWW Review: A BRIMFUL OF ASHA, Tobacco Factory TheatresMay 18, 2017'Welcome to my home, well it's not actually my home but for tonight it is' says Asha Jain at the top of A Brimful of Asha. Asha and her son Ravi are inviting us to share an evening with them to tell us a story about Asha's desire for her son to marry a nice Indian girl and settle down. They've even brought samosas.
BWW Review: MEDEA, Bristol Old VicMay 11, 2017Oh dear. It's hard to know where to start with this confused and disjointed version of Euripides' tragedy. Based on a concept by director George Mann, this new production weaves the Greek myth of Medea with the story of Maddy - a modern woman who is cheated on and suddenly divorced by her husband.
FAVOURITE SONGS: 'Solidarity', BILLY ELLIOTMay 15, 2017So why have I picked 'Solidarity' as my favourite song from a musical? I mean, it's hardly the best known - you won't find people on Britain's Got The X Factor singing it or countless YouTube covers of it. It won't even be on Michael Ball's new album and he really must be running out of tunes now. It's just not that sort of number.
BWW Review: THE HYPOCRITE, Swan TheatreApril 6, 2017"You'd let everyone have the vote? Imagine what idiots would get elected then" is one of many knowing jokes from Richard Bean's latest farce The Hypocrite. We're following the roguish Sir John Hotham, Governor of Hull and MP for Beverley as he tries to sense which way the wind is blowing on the eve of the English Civil War.
BWW Review: FUNNY GIRL, Bristol HippodromeMarch 23, 2017'I'm the greatest star, I am by far, but no one knows it' is the claim by aspiring vaudeville music show actress Fanny Brice at the top of Funny Girl. Fanny is no ordinary showgirl- no 'Miss Atlantic City'. Her gift is to use that backstreet Brooklyn wit on the stage and tear up the rulebook set by the shows impresarios.
Are West End Ticket Prices Sustainable?March 14, 2017As a nation, we spend a lot on entertainment. But whether it's premier league football, tickets to your favourite band or even the humble cinema ticket, all have seen price increases. West End theatre is certainly no exception. But is it sustainable?
BWW Review: PLASTIC, Ustinov Studio, BathMarch 2, 2017It's ironic that this first production of The Ustinov Studio's German season should be concerned with that most British of subjects- class. British theatre has a rich history of playwrights poking our sensitivities about guilt, entitlement and shame. Marius von Mayenburg's Plastic does it with wit, ingenuity…and a mud-slinging machine (no, that's not a metaphor).
BWW Review: THE COMMITMENTS, Bristol HippodromeFebruary 22, 2017We're in Dublin and it's 1986. Jimmy and his musician friends are fed up of art school synth music and want to bring soul music back to the people. The Commitments is adapted from Roddy Doyle's novel of the same name (that in turn was made into a cult hit film). However, for a show that proclaims on countless occasions that soul is 'the music of the people' and eulogises about it's importance- it is evening strangely devoid of that very thing.
BWW Review: CINDERELLA: A FAIRYTALE, Tobacco FactoryDecember 8, 2016This show is the perfect antidote to the celebrity stuffed pantos offered up by more commercial outfits. The show demonstrates that Christmas shows don't have to be formulaic or even familiar. They can be wonderfully inventive pieces of storytelling every bit as worthy as the rest of the years programming.