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Theresa Bertram

Theresa Bertram

Prior to becoming a writer for Broadway World, Theresa Bertram has had an extensive career in the media/entertainment business. Born in Las Vegas, Nevada to a professional poker-playing mother, Theresa’s formative years during the summer were spent being babysat by entertainers in the Vegas showrooms. “Having children sit in the poker rooms is frowned upon, so they would tuck me away in the various theatres to entertain me while my mother worked,”Theresa said. To this day, she still keeps in touch with the many musicians, magicians, and jugglers through Facebook. “Social media is a wonderful communication tool.” Theresa has played piano since the age of three and is a sought after regional pianist in Arkansas. “I’m more of an “ear” player, but I can play through sheet music when needed.” Theresa’s writing career began in high school when she was placed in journalism. “I didn’t even want to be in that class,” Theresa admitted. “I knew they put in a lot more hours than I really wanted to commit. I tried to get the counselor to change it, but she thought I would do really well. So, I stuck it out, became Sports Editor since I played volleyball in junior high and that was more sports than anyone else on the staff had (though my real love was feature profile writing), and ended up taking it to the next level in college. During college, Theresa studied mass communications and music at the University of Central Arkansas in Conway during the day and was a radio disc jockey at night. “My first radio job was at KVOM in my small town of Morrilton. I was only there for eight months, before I moved on up to Little Rock to work at B98.5--which later would be owned by Citidel. Ultimately, I moved over to Clear Channel stations and met a lot of country stars. Those were some fun years,” Bertram said. Theresa took a 10-year hiatus to start a family and finished up her educational journey with a Public Relations degree from Arkansas Tech University. “I was a better-focused student my second time around,” Theresa said. “I would be a professional student if I had the funds and time to do so.” With children old enough to allow Theresa to focus on professional pursuits once again, she began working as a producer/on-air talent in 2011 for AIRS Radio, which is a reading service for the blind and visually impaired offered by the Division Services for the Blind-a branch off of the Division of Human Services in Arkansas. She also started volunteering with local school associations and the historic Rialto Theatre. “I have always been attracted to this haunting building,” Theresa said referring to the Rialto. “It calls to you when you pass by it on the road. I love It.” Theresa does everything from producing music programs to making the popcorn. “It’s a great place to spend time and give my children a memorable place to grow up in. I will always love this theatre.” Theresa became a copy writer for the local newspaper, when the editor came early to one of the shows at the Rialto and offered her a job. “The best jobs are the ones that are given to you,” she said. “Also, I have a hard time saying ‘no’ to people if there is a way I can do what is requested.” A year later she was offered the editor position in the neighboring county. “You just never know what people are going to want from you. I keep thinking of that movie with Jim Carrey and how he had to say ‘yes’ to everything. If it isn’t illegal and time permits, I try to do it if I can.” Even though she has now taken over the Director position of AIRS Radio, she still finds time to attend as many shows as she can. “I have always been an entertainment cheerleader for as long as I can remember. If I think hard enough, I feel it probably started with those entertainers in Las Vegas. They performed for me, and I was happy to be the enthusiastic audience member night after night. It was a magical and unique childhood. I was very lucky.” Theresa is excited to be among the writing team of Broadway World. “I know when you think of Arkansas, ‘Broadway stars’ is not the first, or maybe even the last, thing that pops into your mind. I beg to differ though. Arkansas has an abundant amount of talent, and not only do we entertain for our own personal fancies, but we raise our children in this environment as well. We are a close-nit group of people, and I want to show how awesome Arkansas entertainers are to the rest of the world through Broadway World.”






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A festive whirlwind of skits, songs, jokes, and just enough dance to keep your toes tapping, A VERY MERRY MUSIC BOX CHRISTMAS is everything you want a holiday variety show to be—warm, silly, tuneful, and absolutely packed with personality.

Review: THE BEST CHRISTMAS PAGEANT EVER at The Pocket Community Theatre in Hot Springs
Review: THE BEST CHRISTMAS PAGEANT EVER at The Pocket Community Theatre in Hot Springs
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Hot Springs audiences received an early holiday treat with The Pocket Community Theatre’s spirited and joyfully chaotic production of THE BEST CHRISTMAS PAGEANT EVER, which ran November 21–23 under the direction of Bekah Wilson. Adapted for the stage by Barbara Robinson from her beloved novel, this family-friendly classic was the perfect kickoff to the festive season, bringing packed houses and hearty laughter to the Spa City.  

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When snowflakes sparkle across the stage and the familiar strains of the first chords begin, Murry’s Dinner Playhouse’s production of Frozen the Musical, with Music and Lyrics by Kristen Anderson-Lopez and Robert Lopez, Book by Jennifer Lee, and Directed by Don Bolinger, makes one thing immediately clear: this is going to be something special. 

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I love when a school gets creative and develops a concept that truly spotlights the strengths of their students. This was absolutely the case with Joe T. Robinson High School’s theatre program as they presented The Robinson Comedy, directed by Caitlin Peterson. The Senator Stage Team not only studied a wide range of public-domain works but transformed them into a highly entertaining, cleverly cohesive performance that celebrated theatrical history and youthful creativity all at once. 

Feature: RODNEY BLOCK COLLECTIVE at UALR Winterfest
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My favorite Arkansas R&B group, the Rodney Block Collective, lit up the night at the first-ever Winterfest at the University of Arkansas at Little Rock on November 18, turning Trojan Way into a jolly, joyful celebration under a canopy of dazzling holiday lights.

Review: A CHRISTMAS CAROL at Music Box Lounge in Hot Springs
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What did our critic think of THE THANKSGIVING PLAY at The Weekend Theater? The Thanksgiving Play by Larissa FastHorse, running now through December 7 at The Weekend Theater in Little Rock, fills a surprising theatrical gap — where are all the Thanksgiving shows?

Review: ALMOST, MAINE at Morrilton High School
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Morrilton High School’s Thespian Troupe 3131 presented a touching production of John Cariani’s Almost, Maine November 13–16, an event made even more magical by a rare natural coincidence. As these students took the stage beneath the play’s iconic Northern Lights, the real auroras were unexpectedly visible across Arkansas, an extraordinary sight this far south.

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Mutually Assured Destruction, performed November 14-15, marks the first production at White Hall High School under the direction of Coach Tyler Lewis, and what an exciting debut it was. This is Coach Lewis’s first year at White Hall, but he’s already making big strides in growing the theatre program. After seeing this show, it’s clear he’s sparked the theatre bug in his students in a big, meaningful way.

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Review: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at Wildwood Park For The Arts
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Wildwood Park for the Arts is lighting up Little Rock again, quite literally, with Jo Jo Jo  JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, Directed by Bevan Keating, Choreographed by Christina Munoz, with Music Direction by Scott Whitfield and Produced by Bruce Rentz, now running through November 23.

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Review: ELEPHANT'S GRAVEYARD at University Of The Ozarks - Walton Fine Arts Center in Clarksville
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Review: SCENE & HEARD: MOLLY'S MAINSTAGE THEATRE FESTIVAL at Southern Arkansas University Magnolia
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Performing One Acts has increasingly become a popular way for schools to give more students meaningful stage time while exploring bold themes within a manageable rehearsal window, and Southern Arkansas University in Magnolia embraced that spirit beautifully with their Scene & Heard: Molly's Mainstage Theatre Festival! Presented November 8–10, the festival was entirely student-directed, student-designed, and student-produced, showcasing the remarkable creativity and leadership flourishing within their program. 

Review: KEN LUDWIG'S MORIARTY at Williams Baptist University Startup Chapel in Walnut Ridge
Review: KEN LUDWIG'S MORIARTY at Williams Baptist University Startup Chapel in Walnut Ridge
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Williams Baptist University delivered a theatrical triumph with their production of Ken Ludwig’s Moriarty, performed November 6–8 inside the beautifully aged and undeniably charming Startup Chapel. This was my very first visit to WBU and let me tell you—what a fabulous introduction.



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