Shari Barrett - Page 24

A major theme running throughout THE ROCKY HORROR SHOW musical is transvestism which, according to O'Brien, was not originally meant to be as prominent as it ended up being after its original London production starring the cross-dressing, incredibly sexy Tim Curry as Frank-n-Furter. Brilliantly continuing in that tradition since the Maverick Theater's first production in 2007 is Dennis Tong, who absolutely inhabits the iconic role with every ounce of his being. From the moment he appears atop the bar in the theater and throws back his cape to reveal Frank-n-Furter's scantily dressed sexy self, you know this is going to be a night of theater you will never forget. In fact, the entire cast creates each and every character purely from their hearts.

Norm Foster has written over sixty plays which have been produced all over the world. Selections from this most-produced Canadian playwright have been included at Theatre 40 for many years, but this time the group is excited to present the U.S. Premiere of his appropriately titled new play SCREWBALL COMEDY which pays homage to this classic genre of entertainment. Emerging in the 1930s, screwball comedies were a wild new strain of fast-talking farces involving battles of the sexes and a world forever on the brink of chaos. The elements included a male and female who may be adversarial at first but are ultimately ideal for each other. Think of the classic films It Happened One Night, His Girl Friday, Bringing Up Baby and My Man Godfrey during which some farcical or slapstick action occurs, including snappy patter and crackling dialogue with bits of off-color humor thrown in, with the plot ultimately leading to the female gaining the upper hand in the relationship.

Featuring an eclectic mix of sexy, DARK & DIRTY show tunes and comedy songs, Bucket List Cabaret, the brain-child of Theatre 40 member Amanda Conlon and her husband Peter Flanigan, invaded Three Clubs on July 19, 2018 with an explosively entertaining evening of musical fun that kept its audience laughing from start to finish. I am not exactly sure how Ms. Conlon found (or perhaps created) such an amazing mix of naughty tunes, I can say each one kept me laughing at the unexpected language and subject matter throughout the entire show.

Due to Wilson's fervor when performing, with his dynamic dance moves, impassioned singing and impeccable dress, he was soon christened 'Mr. Excitement,' a title Wilson would keep for the remainder of his career. His live performances consisted of knee-drops, splits, spins, back-flips, one-footed across-the-floor slides, removing his tie and jacket and throwing them off the stage, and a great deal of basic boxing steps, advance and retreat shuffling, and one of his favorite routines, getting women in the audience to come up to the stage and kiss him. In fact, the only thing Wilson loved more than music, it seems, was women, many of whom you will meet during several interviews about his life included in THE JACKIE WILSON STORY.

Perhaps, as suggested by playwright Peter Lefcourt in his world premiere play THE DEATH AND LIFE OF MARY JO KOPECHNE, she had also been drinking and could not say no to a man of considerable power and influence, a man who could help advance her career, a man she also may have admired after the death of his brother Robert the previous year. Certainly, this dilemma has become particularly prominent in the #MeToo era in which we are now living where men of power are being taken to task for making unwanted sexual advances on those working for them who go along with it for career gain. What we do know is that Kennedy survived and she did not. But who was Mary Jo Kopechne?

Featuring 18 original songs and a cast of ten (6 dogs and 4 humans), the world premiere of MUTT HOUSE: THE MUSICAL at the Kirk Douglas Theatre in Culver City recounts the story of quirky outsider Eddie Corbin (Ryan McCartan) who has managed to find a place to call home in a neglected downtown animal shelter. But when the city threatens to close the shelter, Eddie must do something he's never done before - stand up for himself and fight for what's right. With the help of six zany mutts, he faces his fears and makes an unexpected human connection in the process. It's a fun and furry musical tale for animal lovers of all ages!

Summer would not be complete without seeing at least one Shakespeare play outdoors somewhere in Los Angeles. This year I decided to spend a bewitching night in Griffith Park, selecting to see my favorite Bard comedy, A MIDSUMMER NIGHT'S DREAM, presented by the Independent Shakespeare Company (ISC) celebrating the 15th anniversary season of free Shakespeare in Los Angeles City Parks. In 2010, ISC moved free Shakespeare in Barnsdall Park to Griffith Park, the second largest city park in California. The growth in attendance has been extraordinary, certainly due in part to the quality of the productions. So grab a blanket or a lawn chair, pack a picnic, and take a short hike into Griffith Park to a land of wonder and imagination thanks to the Independent Shakespeare Company's A MIDSUMMER NIGHT'S DREAM - and bring the kids!

When Santa Monica's Morgan-Wixson Theatre decided to present MARY POPPINS The Broadway Musical as the final production of their 2017-18 Mainstage season, the group had no idea how the old theater adage "The Show Must Go On" would prove the title character's belief that "anything can happen when you let it." You see, the original directing team deserted the production a month before it was due to open, with an incomplete cast in place and tickets already having been sold. How could the challenge be met on time? Let me assure you, thanks to its new directors Kristie Mattsson and Aric Martin, musical directors Andrew Lederman and Daniel Koh, choreographers Lauren Blair and Holly Weber, and producers Anne & Larry Gesling, Spencer Johnson, and Meredith Wright, I would never have known such an additional challenge had been in place given the incredible quality of the production I saw!

Anyone following today's ever-present and socially-challenging political scene via news outlets will certainly appreciate the humor and biting commentary in Larry Shue's comedy THE FOREIGNER. From its setting in rural Georgia with individuals who appear to be living in a social world hundreds of years in the past, to the danger of racial and religious prejudice those people promote as being the right way for people to live, there may be times now when many can just shake their head at the nonsense - or, hopefully, admit it is time to take a different message out in the world ourselves.

This solo show, written and performed with amazing emotional insight by her mother Danna Schaeffer, begins with stories from her only child's childhood during which she worried if little Rebecca was out of her sight for a few minutes. So imagine how this proud mother, who spoke daily with her daughter when she moved from Oregon to Los Angeles to pursue her acting dreams after landing the lead role in My Sister Sam and then visited with her in Rome and Venice while filming a movie, reacted with disbelief when a call from a police officer in Los Angeles informed her that Rebecca had been gunned down and died.

Amanda Peet may be best known as an actress, having appeared in films such as 'The Whole Nine Yards' and 'Syriana' and in TV shows, including the Duplass brothers' family dramedy, 'Togetherness.' But she's also a serious writer, with her second play, OUR VERY OWN CARLIN McCULLOUGH, now making its world premiere at the Geffen Playhouse. Peet says that for the Geffen production, with a cast that includes Mamie Gummer, Abigail Dylan Harrison, Caroline Heffernan, Tyee Tilghman and Joe Tippett, she was most interested in examining the mother-daughter relationship and 'the idea of how to parent and to what degree you can keep your narcissism in check.'

English playwright and screenwriter Frederick Knott, though a reluctant writer, is known for his ingeniously complex, crime-related plots even though he only completed three plays in his career. Two have become classics: the London-based stage thriller Dial M for Murder, which was later filmed in Hollywood by Alfred Hitchcock, and the chilling 1966 play Wait Until Dark, which also became a Hollywood film starring Audrey Hepburn as a blind woman terrorized by thugs in her basement apartment. His third play, WRITE ME A MURDER, has never achieved the same acclaim nor been performed nearly as much as his other two hit plays. See it now at Theatre Palisades, directed with attention-grabbing skill by Michael-Anthony Nozzi.

ALEICHEM SHOLOM! The Wit and Wisdom of Sholom Aleichem, a new musical written by the internationally acclaimed team of Chris DeCarlo and Evelyn Rudie with lilting songs by Ben Weisman, is now playing at the Santa Monica Playhouse. It follows the life of the beloved Yiddish story-teller and everyone is his entourage, especially his wife, spinning tales of his loves and losses, his fame and his failures, his travels, his travails and the tremendous joy and optimism that kept him going against all odds.

Directed and choreographed by musical theatre whiz Kathleen Marshall with Musical Direction by Gerald Sternbach who brilliantly directs a full orchestra seen onstage as part of the staircase set designed by Stephen Gillford, SWEET CHARITY stars Laura Bell Bundy who brings the joy and wonder of Charity Hope Valentine energetically to the Freud Playhouse stage. With her heart literally worn on her sleeve, the musical follows the dance hall hostess as she searches around the mean streets of New York City in 1966 in her attempt to be loved, not just for sex but for her generous heart and giving nature.

The process of acquiring government grants is intended to spread public dollars across electoral districts and across a variety of art forms and projects. Even more importantly, the focus of the grants is on increasing cultural equity-the notion that our arts organizations need to reflect our diverse communities and that grant dollars need to help increase the access to high quality arts experiences for underserved populations. CRE Outreach is proud to have received recognition of our mission via these funding streams, as we tirelessly work to provide a dedicated performing space for the voices and stories of people historically marginalized by society. Next production, the world premiere of MARCHING ON, is written and performed by military veterans.

Directed by Patricia McGregor at the Geffen Playhouse, this emotionally-charged play looks deep into the hearts and souls of its four characters, with all four actors brilliantly commanding the stage from start to finish. Caroline Stefanie Clay portrays Faye, the factor's UAW union rep who finds herself caught between a rock and a hard place when her supervisor Reggie (DB Woodside) informs her privately that the factory will soon be closing, throwing everyone out of work. Asking her to keep the information confidential to insure his own employment to the end, puts Faye, his mother's former lover who first got him a job at the factory, in a difficult position with her co-workers.

After our intake interview with the Asylum's Dr. Spivey (Trent Mills), we were invited through the loading dock door into the showers where two asylum staff members required us to don our patient wear. Once we learned the rules for the evening's entertainment, double doors opened to reveal the Psych Ward, marvelously realistic with wired cage doors opening into the space where patients sat playing games at the tables around the center stage area. Nurses walked around handing out 'medication' while new patients interacted with the actor-patients playing cards or other games at tables, after which we were directed to look for clues to discover the secrets around the 'ward' which would lead us to our reward. No - I am not going to tell you what that reward was nor how to solve the clues. That is part of the fun!

Many baby boomers whose parents married quickly and inexpensively after World War II will identify with the premise in A CATERED AFFAIR, taking place in the Bronx in 1953. At the beginning of the play, we meet young lovers Janey Hurley (bubbly blonde Alison Boettcher) and Ralph Halloran (handsome Christopher Tiernan) as they awake in bed after spending the night together who then decide to get married. But rather than spend too much money and time planning a big wedding, Janey decides the best way to go about it is to get married in a couple of day at City Hall, after which the two newlyweds can drive a friend's car across the country to California, while getting paid and put up at motels along the way. Seems like an easy plan, no? Not according to their parents...

CRE Outreach presents the World Premiere of MARCHING ON, an original play written by and starring eight military veterans from Veterans Empowerment Theatre (VET), a group dedicated to presenting a first-hand view of the soldiers' experiences in their rawest form, unfiltered by press, political, or military censorship. This artistic journey brings veterans' personal stories to life from boot camp to returning home, highlighting the difficulty of transitioning back into society, exposing the inner turmoil of the lasting scars, both external and internal, endured from combat. For one veteran, her transition unlocks memories that have been hidden away for years, another feels rejected because of the color of his skin, while others realize that, above all, family matters most. Though alone in their stories, these heroes come together as a unit as they search for the strength to keep marching on.

WIESENTHAL tells the powerful true story of Simon Wiesenthal, often called the "Jewish James Bond," a Holocaust survivor who, after cheating death at the hands of Hitler's S.S., spent his life bringing to justice the most notorious war criminals in human history. This provocative solo performance, written and performed by Tom Dugan and directed by Jenny Sullivan, is an uplifting and highly entertaining one-man show that unfolds like a gripping spy thriller, telling how Wiesenthal devoted his life to bringing more than 1,100 Nazi war criminals to justice after WW II.