Sarah Seif, is an Egyptian student currently studying at the American University in Cairo Marketing Communications and Theatre.Seif has been Participating in various Theatre productions as an actress in classical acting, applied theatre as well as musical performances, playing roles as Juliet in Measure from Measure by William Shakespeare, Blanche in Street Car Named Desire By Tennessee Williams, Hedda in Hedda Gabler by Henrick Ibsen , Antigone in Antigone by Jean Anoulih and Ann in All My Sons.
Not only has she been a performer but, also a contributing writer to various local magazines handling publicity of various productions shedding light on Theatre Efforts in the Egyptian Media.
Driven by a passion for Media Studies as well, Seif has been recently chosen to represent Egypt in the ‘Young Arab Media Leaders’ program hosted by UAE’s Prime Ministry amongst the top 100 Arab Media Youth Leaders in the Arab World.
Her Main Objective is to nourish the Egyptian Theatre Scene as well as combining her passion for Theatre and Media Studies to Represent Egyptian Theatre internationally and shed light on the existing talents and efforts.
BWW Review: LYSISTRATA at AUC Malak Gabr Theater
April 3, 2018
April 3, 2018
In the Heart of New Cairo , The theater of the American University in Cairo brings back ancient greek comedy modernized with the adaptation of Aristophanes Lysistrata .
BWW Review: HISHAM KHARMA defines Euphormance in his last concert at El Sawy CultureWheel
April 4, 2018
April 4, 2018
With a full house, and overbooked concert at El Sawy Culturewheel , Hisham Kharma continues to take his audience to another magical world leaving them in complete Euphoria.
BWW Review: THE PERFECT CRIME at AUC Falaki Theatre
February 24, 2018
February 24, 2018
Produced by 'Alam Mowazy Company for Art Production' , produced by Producer Nancy Alam El Deen and Sponsored by The American Embassy in Cairo, The Perfect Crime takes place in an unknown place and time starting off by a loud female scream from rape crime, the rapist remains unknown to the audience throughout the whole performance, making the audience in the detective shoes throughout the whole performance for them to try to identify the rapist.
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