Sarah Jae Leiber - Page 98

The black and white visual features a woman performing a melancholic dance on her own, which emulates the song’s wistful lyrics, “I thought by now I’d find somebody new / But all that I do is miss the days where I loved you.”

“Backseat Rider” sees Kays building upon the breakout success of her hit single, “Remember That Night?” which continues to climb the Top 40 at Triple A radio outlets nationwide with over 135M global audio streams and counting.

On the new album, Nadja have refined their signature sound which combines the atmospheric textures of shoegaze and ambient/electronic music with the heaviness, density, and volume of metal, noise, and industrial.

“Sorry” is vengeance served in its finest form: chilled. Understated and sparse, the hip-hop production cultivates a moody atmosphere as it pits heavy percussion against light, twinkling chimes.

GGP/RMX is a concept that the group have fostered for years; it comes to brilliant fruition as a vividly reimagination of their fifth album, and self-defining masterwork, GoGo Penguin.

To date, “Good Without” has already amassed over 17.1 million Spotify streams and received critical acclaim. Refinery29 championed it among “New Music To Know” and praised its “almost hymnal quality.” 

The song, out today via Yep Roc Records, reflects on the half-forgotten memories that shift and morph in the mind as we age.

CHILD OF THE STATE features ‘Free’ alongside previous tracks ‘Mercy’, the US Top 5 debut ‘Take Me Away’ and his recent single ‘Spinning Circles’, which weaves together complex issues of addiction and relationships.

The album was produced by Cole, who was the first woman nominated (without collaborators) as Producer of the Year at the 1997 Grammy awards. She garnered a total of seven Grammy nominations that year and won “Best New Artist” for her second album and major-label debut, This Fire.

''Hell Of It' is one of my favorites on the album,' says singer Caleb Shomo. 'It's meant to try and melt as much face as possible. This song was really important for discovering the guitar tone for the album and the use of pedals to expand on parts. The breakdown in this might be my favorite of all.'  

Recorded on and off the road, all around the world, the album is very much the brainchild of KALEO frontman, singer, and songwriter JJ Julius Son. Co-producing the majority of it alongside GRAMMY winner Dave Cobb, Julius Son was able to execute his singular vision, leaning into his affinity for blues, folk, and rock. 

In addition, the album made top 10 debuts around the world, including #4 on the UK’s Official Album Chart and #6 on Australia’s ARIA Chart. 

About the song, Amy explains, “‘One’ is a song for anyone who feels helpless in this terrifyingly big and flawed world. I wrote this as a reminder to myself that even when I feel like a drop in the ocean, it’s still important to try to make a change, no matter how small.'

“’Silver Ray’ is about embracing who you are and whatever makes you happy, regardless of any outside forces that are trying to drag you down,” shares TJ3X.

The pop single, which was recently featured in an episode of American Idol, stems from Stirling’s instrumental-only track “Guardian” off her latest chart-topping studio album Artemis.

His electric portrayal of Pray Tell in FX's breakthrough series 'Pose' earned him a Golden Globe nomination and a Critics' Choice Award nomination. On screen, Porter recently appeared on 'American Horror Story: Apocalypse' and Baz Luhrman's 'The Get Down' on Netflix.

Matt Berry, the multi-instrumentalist behind The Berries, has previously released two LP’s on Run for Cover: Start All Over Again (2018), a sparkling case of Neil Young worship, and Berryland (2019), an ennui ridden nod to the sounds of Primal Scream and Americana.

The program is part of #PBSForTheArts and features performances by Broadway star and recording artist Morgan James; star of Season 14 of The Voice Rayshun LaMarr; Broadway and Tony Award-nominated star Laura Osnes; celebrated recording artist Nova Y. Payton; and Broadway and television star Gabrielle Ruiz.

Kevin Can F**K Himself follows the story of Allison McRoberts (Murphy), a woman we all grew up believing we knew: the prototypical Sitcom Wife. She’s beautiful and can take a joke (though she’s usually the butt of them).

Politico has hailed Maher as “a pugnacious debater and a healthy corrective to the claptrap of cable news,” while Variety noted, “There may not be a more eclectic guest list on all of television.”