Sarah Jae Leiber - Page 139

'I always love working with The Oaks and with this album, they’ve really captured the warmest feelings of home and family,” shares Dave Cobb.

With Conditioner McCluskey and Kirkbride truly encapsulate our past year’s experience, with enough joy and radiance to lead us back outside into the wide world with one another.

“There’s a big middle ground, like folk-psych, or weirder country music,” J.B. says, reeling off names like Skip Spence and Syd Barrett as stepping stones between the genres of punk and folk. 

During the event, the music industry will come together to honor the experiences of community members, break the stigma around mental health in the community, and raise money to expand Backline’s programs and services in a time when they are critical for so many. 

The new 10 song LP will be available on digital platforms, CD, and vinyl in three color variants with a special illustrated lyric booklet, plus limited edition bundles featuring a custom-blended “Remedy” essential oil roller.

The songwriter, composer, producer and performer wrote, modified, performed or coded every piece of this music together and is why, a few years into her musical career, she really began to see herself as a composer.  

The first guest feature attached to LOONY’s own releases, ‘royal flush’ is about that period of time when you’re feeling someone, and you’re pretty sure they’re feeling you too.

Steve Von Till has made a life’s work out of seeking the elemental. With a solo discography that stretches back more than two decades, he has toiled in a shadow realm, peeling back layers of reality in a never-ending search for true meaning and raw emotion. 

Dina grew up listening to artists such as Mariah Carey and Britney Spears. Her goal is to bring her 90s influences with a modern twist while writing about her real life experiences.

'After 35 years of fighting I’m super glad we’re all alive and sounding so good,” said Jane’s Addiction’s frontman Perry Farrell. “This session just sparked my imagination on what we can accomplish during the next 10 years.' 

The series features characters voiced by Patrick Adams, Samuel Arnold, Bono, Connie Britton, Penélope Cruz, Meg Donnelly, Danai Gurira, Nick Kroll, Laura Marano, Kumail Nanjiani, David Oyelowo, Phoebe Robinson, Michael Sheen, Wanda Sykes, and Calum Worthy.

Glenn played Dawn Pinket in the original Broadway production of Waitress (2016). Other theatre credits include: Love's Labour's Lost (2013, Delacorte Theatre); Yoshimi Battles the Pink Robots (La Jolla Playhouse, 2012); and Spring Awakening (National Tour, 2008-2010).

Jerry Garcia Music Arts and Malcolm Leo Productions partner to produce a new feature-length documentary with never-before-seen footage of the private thoughts and reflections of Jerry Garcia.

After bursting on to the global music scene in 2016, Amy Shark’s 5 x Platinum single ‘Adore’ put her on the map as one of Australia’s most formidable emerging songwriters.

“I am proud to say I have inked a deal with Billy Blue Records,” Raybon says. “The past few weeks have been more than satisfying. To get in the studio and hear banjos and fiddles in the headphones has been a soothing of the spirit.”  

Directed by Dustin Haney and filmed in the Nashville area, the moody video for “That Ain’t Me No More” follows Matt’s character as he attempts to overcome a troubled past, turn over a new leaf and come to terms with the fact that his ex-girlfriend has moved on to someone new.

The new collection is a coming of age album aching with self-discovery, self-definition, and self-redefinition. Nowhere is this self-exploration more poignant than on lead single/video “Habanero,” a song about waiting for a transformation that isn’t coming.

“'Last Day On Earth' is about all the things I would have done had I known we were going into a lockdown and the world was going to change the way it has,” says beabadoobee.

Rob Paine has been associated with the Oscars telecast for more than 20 years and returns as supervising producer.

Bassist CC Voltage adds, “while the song is not specifically about the global pandemic, it is about the feelings we collectively share as we navigate our way toward an uncertain future. Especially those of us, or those we know, who are connected to the live music industry.”